Shadow-Makers: A Cultural History of Shadows in Architecture
The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history.
Shadow-Makers tells for the first time the untold history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience, or as metaphors of the unconscious.
Within a chronological framework encompassing Medieval, Baroque, Enlightenment, Sublime, Picturesque, and Modernist realisations, a wide range of topics are explored – from Hawksmoor’s London churches, Japanese temple complexes, and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20thcentury. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built.
The book’s final chapter explores the possibilities of shadows in 21st century design, serving as an inspiration and a forceful reminder to designers, commentators, and students of the importance of shadow in contemporary architectural design and thought.
Shadow-Makers offers a fascinating new perspective on architecture and architectural history for anyone with an interest in buildings, cities, art history, aesthetics, and the history of ideas.