{"id":1460,"date":"2022-07-12T10:38:42","date_gmt":"2022-07-12T10:38:42","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=1460"},"modified":"2022-07-12T10:38:42","modified_gmt":"2022-07-12T10:38:42","slug":"scintilla-24","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-24\/","title":{"rendered":"Scintilla 24"},"content":{"rendered":"<table width=\"488\">\n<tbody>\n<tr>\n<td width=\"137\"><\/td>\n<td width=\"264\">Scintilla 24<\/td>\n<td width=\"87\"><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"264\">Contents<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"264\"><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Preface<\/td>\n<td width=\"264\"><\/td>\n<td>vii<\/td>\n<\/tr>\n<tr>\n<td>Philip West<\/td>\n<td width=\"264\">James Shirley and Henry Vaughan<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<td>Patrick Deeley<\/td>\n<td width=\"264\">The Absence<\/td>\n<td>24<\/td>\n<\/tr>\n<tr>\n<td>Claire Scott<\/td>\n<td width=\"264\">That Day in Hades<\/td>\n<td>25<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"264\">Wings<\/td>\n<td>26<\/td>\n<\/tr>\n<tr>\n<td>Christopher Norris<\/td>\n<td width=\"264\">As Knowing Goes<\/td>\n<td>27<\/td>\n<\/tr>\n<tr>\n<td>Amanda Attfield<\/td>\n<td width=\"264\">Exodus<\/td>\n<td>29<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"264\">Looking West at Birches Farm<\/td>\n<td>30<\/td>\n<\/tr>\n<tr>\n<td>Susan Wallace<\/td>\n<td width=\"264\">Earth Work<\/td>\n<td>32<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"264\">Beached<\/td>\n<td>33<\/td>\n<\/tr>\n<tr>\n<td>Graham High<\/td>\n<td width=\"264\">Tilting at Windmills<\/td>\n<td>34<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"264\">GreenMan<\/td>\n<td>35<\/td>\n<\/tr>\n<tr>\n<td>Greg Miller<\/td>\n<td width=\"264\">Scythe<\/td>\n<td>36<\/td>\n<\/tr>\n<tr>\n<td>Robert Wilcher<\/td>\n<td width=\"264\">Henry Vaughan\u2019s Use of Biblical<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"264\">Epigraphs in Silex Scintillans<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>37<\/p>\n<p>Paul Connolly<\/p>\n<p>Mass<\/p>\n<p>56<\/p>\n<p>&nbsp;<\/p>\n<p>Spring Morning<\/p>\n<p>58<\/p>\n<p>Charles Wilkinson<\/p>\n<p>archaeologists in the air<\/p>\n<p>59<\/p>\n<p>&nbsp;<\/p>\n<p>Submarine off Wales<\/p>\n<p>60<\/p>\n<p>hantant<\/p>\n<p>61<\/p>\n<p>Ric Hool<\/p>\n<p>Sky Burial<\/p>\n<p>62<\/p>\n<p>Margaret Wilmot<\/p>\n<p>New Year<\/p>\n<p>63<\/p>\n<p>&nbsp;<\/p>\n<p>Fritillaries<\/p>\n<p>64<\/p>\n<p>Roger Garfitt<\/p>\n<p>The Good Son<\/p>\n<p>65<\/p>\n<p>Sam Garvan<\/p>\n<p>Three Rivers<\/p>\n<p>66<\/p>\n<p>Howard Wright<\/p>\n<p>The Good Suit<\/p>\n<p>69<\/p>\n<p>&nbsp;<\/p>\n<p>Everything<\/p>\n<p>70<\/p>\n<p>William Tate<\/p>\n<p>Labor of Love: Richard Wilbur\u2019s \u2018A Plain Song for Comadre\u2019<\/p>\n<p>71<\/p>\n<p>Michael Henry<\/p>\n<p>The Authority Of Death<\/p>\n<p>82<\/p>\n<p>Helen Overell<\/p>\n<p>Mending<\/p>\n<p>83<\/p>\n<p>&nbsp;<\/p>\n<p>Three Yellow Butterflies<\/p>\n<p>84<\/p>\n<p>Jock Stein<\/p>\n<p>Exodus<\/p>\n<p>85<\/p>\n<p>Eve Jackson<\/p>\n<p>When the World Was Quiet<\/p>\n<p>86<\/p>\n<p>&nbsp;<\/p>\n<p>Beyond a Dream<\/p>\n<p>87<\/p>\n<p>Matthew Stewart<\/p>\n<p>In the Middle<\/p>\n<p>88<\/p>\n<p>Jonathan Wooding<\/p>\n<p>The Book of Jashar<\/p>\n<p>89<\/p>\n<p>Tom Gouthwaite<\/p>\n<p>Quiet Space<\/p>\n<p>91<\/p>\n<p>Lesley Saunders<\/p>\n<p>Croquembouche<\/p>\n<p>92<\/p>\n<p>&nbsp;<\/p>\n<p>Placebo<\/p>\n<p>93<\/p>\n<p>Jonathan Nauman<\/p>\n<p>Holiness From Abroad: George Herbert\u2019s Dialogue with St. Franc\u0327ois and Henry Vaughan\u2019s Emulation of St. Paulinus<\/p>\n<p>94<\/p>\n<p>Thor Bacon<\/p>\n<p>Little Fugue on the Hands<\/p>\n<p>112<\/p>\n<p>Mowing After a Week of Rain<\/p>\n<p>113<\/p>\n<p>Martin Bennett<\/p>\n<p>Above the Forum<\/p>\n<p>114<\/p>\n<p>Tropical Stopover<\/p>\n<p>115<\/p>\n<p>Jeremy Hooker<\/p>\n<p>A philosopher in search of the soul<\/p>\n<p>116<\/p>\n<p>Isabel Bermudez<\/p>\n<p>Spring wood<\/p>\n<p>118<\/p>\n<p>Honesty<\/p>\n<p>120Rachel CarneyLegerdemain121Sarah LindonPresent tense122<\/p>\n<p>I forget but nothing else does<\/p>\n<p>123Peter LimbrickLizard124Rosie JacksonThinking of Simone Weil125Greg Miller<\/p>\n<p>Review: David Jones: Engraver, Soldier, Painter, Poet<\/p>\n<p>127Contributors\u00a0133<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scintilla 24 Contents Preface vii Philip West James Shirley and Henry Vaughan 1 Patrick Deeley The Absence 24 Claire Scott \u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-24\/\">Read<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":3515,"featured_media":0,"parent":179,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1460","page","type-page","status-publish","hentry"],"meta_box":[],"_links":{"self":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/1460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/users\/3515"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/comments?post=1460"}],"version-history":[{"count":1,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/1460\/revisions"}],"predecessor-version":[{"id":1462,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/1460\/revisions\/1462"}],"up":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/179"}],"wp:attachment":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/media?parent=1460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}