{"id":208,"date":"2015-12-17T13:12:38","date_gmt":"2015-12-17T13:12:38","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=208"},"modified":"2020-08-20T16:34:46","modified_gmt":"2020-08-20T16:34:46","slug":"scintilla-2","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-2\/","title":{"rendered":"Scintilla 2"},"content":{"rendered":"<h2><a href=\"http:\/\/www.vaughanassociation.org\/files\/2014\/02\/Scintilla-02-cvr.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-51 aligncenter\" src=\"http:\/\/www.vaughanassociation.org\/files\/2014\/02\/Scintilla-02-cvr.jpg\" alt=\"Scintilla-02-cvr\" width=\"204\" height=\"300\" srcset=\"https:\/\/sites.cardiff.ac.uk\/scintilla\/files\/2014\/02\/Scintilla-02-cvr.jpg 136w, https:\/\/sites.cardiff.ac.uk\/scintilla\/files\/2014\/02\/Scintilla-02-cvr-102x150.jpg 102w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/a><\/h2>\n<h3><\/h3>\n<h3>Table of Contents<\/h3>\n<p>&nbsp;<\/p>\n<table width=\"610\">\n<tbody>\n<tr>\n<td width=\"165\"><strong>Author<\/strong><\/td>\n<td width=\"368\"><strong>Title<\/strong><\/td>\n<td width=\"77\"><strong>#<\/strong><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\"><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>M. Wynn Thomas<\/td>\n<td width=\"368\">In Occidentem &amp; tenebras&#8217;: putting Henry Vaughan on the map of Wales<\/td>\n<td>7<\/td>\n<\/tr>\n<tr>\n<td>Menna Elfyn<\/td>\n<td width=\"368\">Eira\/Snow<\/td>\n<td>26, 27<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">Gwynt\/Wind<\/td>\n<td>28, 29<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">Twll y glaw\/Cloudburst<\/td>\n<td>30, 31<\/td>\n<\/tr>\n<tr>\n<td>Clare Crossman<\/td>\n<td width=\"368\">Nature Writing<\/td>\n<td>32<\/td>\n<\/tr>\n<tr>\n<td>Hilary Llewellyn-Williams<\/td>\n<td width=\"368\">A Lap of Apples<\/td>\n<td>34<\/td>\n<\/tr>\n<tr>\n<td>A. M. Allchin<\/td>\n<td width=\"368\">&#8216;As if Existence Itself were Heavenliness&#8217;: The Proximity of Paradise in Henry Vaughan and Thomas Merton<\/td>\n<td>36<\/td>\n<\/tr>\n<tr>\n<td>Pauline Stainer<\/td>\n<td width=\"368\">Parable Island<\/td>\n<td>54<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">George Herbert plays the lute<\/td>\n<td>55<\/td>\n<\/tr>\n<tr>\n<td>Greg Hill<\/td>\n<td width=\"368\">A Thracian Triptych<\/td>\n<td>56<\/td>\n<\/tr>\n<tr>\n<td>John Jones<\/td>\n<td width=\"368\">Uscavar&#8217;s Boy<\/td>\n<td>58<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">Death in the Distance<\/td>\n<td>60<\/td>\n<\/tr>\n<tr>\n<td>Topher Mills<\/td>\n<td width=\"368\">The Believer&#8217;s Somnal<\/td>\n<td>61<\/td>\n<\/tr>\n<tr>\n<td>Roland Mathias<\/td>\n<td width=\"368\">The Silurist Re-Examined<\/td>\n<td>62<\/td>\n<\/tr>\n<tr>\n<td>Ruth Bidgood<\/td>\n<td width=\"368\">Encounters with Angels<\/td>\n<td>78<\/td>\n<\/tr>\n<tr>\n<td>Peter Gruffydd<\/td>\n<td width=\"368\">Church at Pistyll, Llyn<\/td>\n<td>84<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">The Cleric and The Visitor<\/td>\n<td>85<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">The Voice<\/td>\n<td>86<\/td>\n<\/tr>\n<tr>\n<td>Dannie Abse<\/td>\n<td width=\"368\">Inscription on the Flyleaf of a Bible<\/td>\n<td>88<\/td>\n<\/tr>\n<tr>\n<td>Robert Wilcher<\/td>\n<td width=\"368\">Henry Vaughan and the Church<\/td>\n<td>90<\/td>\n<\/tr>\n<tr>\n<td>Joseph Clancy<\/td>\n<td width=\"368\">A Visit to Powis Castle<\/td>\n<td>105<\/td>\n<\/tr>\n<tr>\n<td>Wendy Mulford<\/td>\n<td width=\"368\">1. Annaghmakerring, Easter 1997<\/td>\n<td>108<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">2. Different lines<\/td>\n<td>109<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">3. Border blues<\/td>\n<td>110<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">4. Reconciliation<\/td>\n<td>112<\/td>\n<\/tr>\n<tr>\n<td>Stevie Davies<\/td>\n<td width=\"368\">The Testament of Catherine Vaughan<\/td>\n<td>113<\/td>\n<\/tr>\n<tr>\n<td>David Annwn<\/td>\n<td width=\"368\">Vaughan&#8217;s Loom<\/td>\n<td>120<\/td>\n<\/tr>\n<tr>\n<td>Malcolm Bradley<\/td>\n<td width=\"368\">Seeing Voices<\/td>\n<td>124<\/td>\n<\/tr>\n<tr>\n<td>Don Rodgers<\/td>\n<td width=\"368\">Burry Holm<\/td>\n<td>126<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">The Fictionalists<\/td>\n<td>127<\/td>\n<\/tr>\n<tr>\n<td>Jonathan Nauman<\/td>\n<td width=\"368\">To my Worthy Friend, Master T. Lewes&#8217;: Vaughan, Herbert, and the Civil Wars<\/td>\n<td>128<\/td>\n<\/tr>\n<tr>\n<td>Rose Flint<\/td>\n<td width=\"368\">Weights and Measures<\/td>\n<td>132<\/td>\n<\/tr>\n<tr>\n<td>Myra Schneider<\/td>\n<td width=\"368\">Pool<\/td>\n<td>134<\/td>\n<\/tr>\n<tr>\n<td>Robert Minhinnick<\/td>\n<td width=\"368\">In the Days of the Comet<\/td>\n<td>135<\/td>\n<\/tr>\n<tr>\n<td>Richard Poole<\/td>\n<td width=\"368\">Burning<\/td>\n<td>139<\/td>\n<\/tr>\n<tr>\n<td>Jeremy Hooker<\/td>\n<td width=\"368\">Quickness<\/td>\n<td>141<\/td>\n<\/tr>\n<tr>\n<td>Lee Grandjean<\/td>\n<td width=\"368\">The Background to the &#8216;Four Winds&#8217;: Drawings<\/td>\n<td>154<\/td>\n<\/tr>\n<tr>\n<td>Jeremy Hooker<\/td>\n<td width=\"368\">A Note on the &#8216;Groundwork&#8217; poems<\/td>\n<td>156<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">Workpoints<\/td>\n<td>158<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\">Cyane<\/td>\n<td>166<\/td>\n<\/tr>\n<tr>\n<td>Steve Griffiths<\/td>\n<td width=\"368\">Dipping Through Surfaces<\/td>\n<td>169<\/td>\n<\/tr>\n<tr>\n<td>John Freeman<\/td>\n<td width=\"368\">Spring Diptych<\/td>\n<td>173<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em>(\u00a0Drawings by Lee Grandjean from GROUNDWORK appear on pages 25, 83, 119, 153, 168 and a detail from &#8216;Four Winds: Study&#8217;, 1997 on the cover. )<\/em><\/p>\n<h3><strong><span style=\"text-decoration: underline\">Exerpt<\/span><br \/>\n<\/strong><\/h3>\n<h2><strong>The Testament of Catherine Vaughan<\/strong><\/h2>\n<p>BY STEVIE DAVIES<\/p>\n<p><a href=\"https:\/\/www.vaughanassociation.org\/files\/2015\/12\/S2-img1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-290\" src=\"https:\/\/www.vaughanassociation.org\/files\/2015\/12\/S2-img1.png\" alt=\"S2-img1\" width=\"440\" height=\"301\" srcset=\"https:\/\/sites.cardiff.ac.uk\/scintilla\/files\/2015\/12\/S2-img1.png 440w, https:\/\/sites.cardiff.ac.uk\/scintilla\/files\/2015\/12\/S2-img1-300x205.png 300w, https:\/\/sites.cardiff.ac.uk\/scintilla\/files\/2015\/12\/S2-img1-219x150.png 219w, https:\/\/sites.cardiff.ac.uk\/scintilla\/files\/2015\/12\/S2-img1-150x103.png 150w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/a><\/p>\n<p><em>Lee Grandjean &#8220;Four Winds I&#8221; drawing 1997.<\/em><br \/>\n<em>8&#8243; x 10&#8243;. Compressed charcoal on paper<\/em><\/p>\n<p><em>(Henry Vaughan and his first wife, Catherine Wise, had four children: Thomas,<\/em><br \/>\n<em>Lucy, Frances and Catherine, all of whom were under ten at her death in the<\/em><br \/>\n<em>early 1650s. Taking advantage of the suspended law against marrying one&#8217;s<\/em><br \/>\n<em>deceased wife&#8217;s sister, Vaughan espoused Catherine&#8217;s younger sister, Elizabeth,<\/em><br \/>\n<em>who brought him by 1661 a symmetrical brood: Grisell, Lucy, Rachel and<\/em><br \/>\n<em>Henry. Conflict between the two families issued in rancorous law-suits in the<\/em><br \/>\n<em>1680s, the poet&#8217;s cession of the family home to his enraged elder son Thomas,<\/em><br \/>\n<em>and his repudiation of his disabled daughter Catherine&#8217;s suit for maintenance<\/em><br \/>\n<em>in the 1690s. What follows is an imaginary account of the experience of<\/em><br \/>\n<em>Catherine, set in 1659).<\/em><\/p>\n<p>Lucy and I steal peeps at our stepmother-aunt&#8217;s belly. Fish leap in those unquiet<br \/>\ndepths while she sighs and shifts her weight. We snigger, my elbow ploughing<br \/>\nLucy&#8217;s ribs. What is in there? Another of me? Her weary face is a thin, far-away<br \/>\nshimmer in the light from the leaded pane; there are soldiers again, she says,<br \/>\nsoldiers on the Brecon road. I shrink from this mirror of my mother, more<br \/>\nwincingly than from any rumoured militia, in a house of so many mirrorings.<br \/>\n&#8216;Your father had a dream last night &#8230; Don&#8217;t you want to know what it was<br \/>\nabout?&#8217;<br \/>\nWe gape, mute mysteries to her; waifs; wraiths of her elder sister Catherine,<br \/>\nwho in our father&#8217;s feather bed bore us and died, in blood and unatoning pain.<br \/>\nI saw a darling face waxen on the pillow like an effigy but it was not my mother.<br \/>\nHer wings beat in the trees till dark.<br \/>\n&#8216;Fair and young light,&#8217; my father addressed that darkness.<br \/>\nStepmother-aunt&#8217;s girls are our sister-cousins. Our brother Thomas found<br \/>\nout something. He whispered first to us. He was being nasty. Heads together, we<br \/>\nall dug our hands into the pot of sticky nastiness and sucked the sweetness off.<br \/>\nIt&#8217;s against the law to marry your deceased wife&#8217;s sister, he read it in the Prayer<br \/>\nBook, it&#8217;s incest, it&#8217;s &#8230; fornication, he said. We squirmed and tittered. One<br \/>\nevening it burst out from him. You are a trespasser, you, he said to my father,<br \/>\nwho turned pale, whose mouth twisted. You broke the law, hot red To m<br \/>\npersisted. No, oh no, said my father, the law was suspended, see. And, he seemed<br \/>\nto plead, and the tears came, it was the nearest I could get to Catherine. He<br \/>\ndidn&#8217;t mean me: he meant my mother Catherine.<br \/>\nThere is a complexity, said my father. There is a law within.<br \/>\nI saw how he (the bright word-gatherer) struggled for words. His hand<br \/>\ncovered his own breast as I have seen my mother&#8217;s and stepmother&#8217;s on their<br \/>\nbellies great with child. The law-within I imagined as a bird or butterfly in his<br \/>\nribcage.<br \/>\nThe Spirit has its own truth, he added.<br \/>\nWhen George Fox the Quaker came to Brecon, and stood on a barrel to speak<br \/>\nof the Inner Light, the magistrates got the people to shout him down in gales<br \/>\nof Welsh. &#8216;Shout again!&#8217; cried Mr Jenkins. &#8216;Sing up, boys, roar again!&#8217; And for<br \/>\ntwo solid hours they blared. Hooted all night long outside the inn under the<br \/>\nwindow of the witch, with his pale, amazing eyes. The apprentices shouted.<br \/>\nThe butcher shouted and waved his cleaver. Tom shouted. My father stood still<br \/>\nand was silent.<br \/>\nThe Spirit has its own truth. Listen to the silence, said George Fox, my<br \/>\nfather&#8217;s enemy. My father&#8217;s mirror opposite.<br \/>\nWalking the hills by night, my father expects some great visitor. His thoughts<br \/>\ntangle in the boughs of the oak in our courtyard, as he peers for signs of a final<br \/>\nfire. You should see him in the meadow with our sheep. He is amazingly loving<br \/>\nto sheep. Also stones and all small plants. If you tiptoe up when he is talking to<br \/>\na bird under the eave, he can fondle your hair then and call you pattering girl.<br \/>\nPoets are aloof tall men with craggy faces; they gaze at the far hills and trip<br \/>\nover doorsteps. Where they walk, the air is hazy and glittering.<br \/>\nWhen he comes in at dawn, his bare feet are wet with dew.<br \/>\n&#8216;Oh well, if you don&#8217;t want to know .. . &#8216;, Aunt-mother flounces. &#8216;I suppose<br \/>\nyou are too young to know how great a poet your father is.&#8217;<br \/>\n&#8216;What then&#8217; What did he dream?&#8217;<br \/>\n&#8216;Oh! Where&#8217;s Lucy?&#8217;<br \/>\nShe looks round distraught.<br \/>\n&#8216;I&#8217;m here,&#8217; says Lucy.<br \/>\n&#8216;No &#8211; I mean my Lucy. I told you to keep an eye &#8230; she&#8217;ll be in the dairy<br \/>\nagain, and one day through your carelessness she&#8217;ll drown in the milk, she will.&#8217;<br \/>\nLugs herself up; shambles out, calling, &#8216;Lucy!&#8217;<br \/>\n&#8216;Yes, auntie,&#8217; answers my Lucy.<br \/>\n&#8216;I don&#8217;t mean you, impertinent,&#8217; she shrieks. &#8216;And stop calling me auntie, I&#8217;m<br \/>\nyour mother.&#8217;<\/p>\n<p>We hope the Lucy-Pretender does drown in the milk tub. How can there be<br \/>\ntwo Lucies in one house? With all those names to choose from &#8230; Lucy and I<br \/>\nam full of bale and bile against that other Lucy and we hope she falls in, or off,<br \/>\nor out of something, we shan&#8217;t lick her clean.<br \/>\nA spiralling scream. Lucy the Second is hauled off a fleece where she&#8217;s<br \/>\nsnuggled. She&#8217;s brought in flailing and I and Lucy am instructed to hold her.<br \/>\n&#8216;Drop her,&#8217; I whisper. &#8216;Go on.&#8217;<br \/>\nI was dropped when I was a baby sucking my mother&#8217;s nipple, I was dropped<br \/>\ninto the fire, I was damaged, I was dropped.<br \/>\nBut the Lucy-Baby leeches on to Lucy and smiles into her face; and Lucy<br \/>\ngrins back, she can&#8217;t help it.<br \/>\nOur father says it was his sin that tumbled me off mother&#8217;s lap, his sin that<br \/>\nmade God kill Uncle William, his sin that &#8230; he tots up crimes and sentences,<br \/>\nneeding to be the biggest sinner of us all &#8230; he angles shocked looks at my<br \/>\ncrookedness, flinching back, as if I were a sign.<br \/>\nBut Uncle Thomas is coming &#8230; my Uncle Thomas, the paunchy, the<br \/>\nbooming, the quarrel-picker, big at eating and drinking. Our ears clang with<br \/>\nthe rumpus of hooves in the courtyard and the racket of his voice, &#8216;The House<br \/>\nof Light. Lovely Lucies everywhere. Good evening, Scintillations!&#8217;<\/p>\n<p>:\u00b7<\/p>\n<p>Everyone has a double, so they say, and so I can see when I look round the<br \/>\ntable, where we&#8217;re eating mutton. Everyone has a double so where&#8217;s mine?<br \/>\nI was dropped.<br \/>\n&#8216;So how&#8217;s my lamb?&#8217; asks Uncle Thomas, turning to me with his face that is<br \/>\nmy father&#8217;s face but fleshier and jollier and less holy.<br \/>\n&#8216;Can&#8217;t you cut it, lamb? Let Uncle cut it for you.&#8217;<br \/>\nHe saws my helping; feeds me mouthfuls.<br \/>\n&#8216;No, I can &#8211; look, I can do it.&#8217; I grasp the fork with the stump of my right<br \/>\nhand, burnt when I was dropped (she nodded off in the heat of the fire, I<br \/>\npitched straight into the hearth and my tender hand roasted and spat like meat,<br \/>\nmy brother remembers it).<br \/>\n&#8216;Don&#8217;t help her, she can manage for herself, don&#8217;t pamper,&#8217; Aunt-mother<br \/>\nchides. &#8216;You&#8217;ll make her dependent, she&#8217;s a bad rebellious girl.&#8217;<br \/>\n&#8216;Well well,&#8217; says Uncle, and carries on placing morsels on my tongue.<br \/>\nHe winks, a left-over like me. Auntie Rebecca&#8217;s gone where my mother&#8217;s gone,<br \/>\nwhere our Uncle William went, and Grandad. Where&#8217;s that?<br \/>\nInto the world of light, my father said, in his misty way.<br \/>\nI begin to drowse, tucked in under Uncle Thomas&#8217; arm, though my eyes are<br \/>\nopen and I see through a veil the puzzle of faces echoing.<\/p>\n<p>&#8216;The legitimacy of mutton . . ., &#8216; says my father.<br \/>\n&#8216;Dear oh dear,&#8217; says Mr Powell. &#8216;God gives the creatures to our use.&#8217;<br \/>\n&#8216;No indeed,&#8217; spark up my father and my uncle in unison; and in their heresy<br \/>\nthey are of one accord, twin faces mirroring one another precisely. .&#8217;For God is<br \/>\nin the creatures &#8230; and at the end of time that very mutton you are eating<br \/>\nnow will be lamb again, pasturing with its mother beneath the tree.&#8217;<br \/>\nA shouted ho ho, but they are not joking. They take their food seriously.<br \/>\n&#8216;The two of you are no better than Ranters and Anabaptists,&#8217; says Mr Powell.<br \/>\n&#8216;I do assure you, sir,&#8217; says my father and my uncle, who are one person, and I<br \/>\nam that person too, and I know as my mind swims that the lamb will be born<br \/>\nagain from me. What I have eaten (which has become myself, flesh of my flesh)<br \/>\nwill be recreated as lamb. The lamb will find its mother again, she will. If this<br \/>\nwere not so .. . it would be unbearable. &#8216;I do assure you, our opinion has not<br \/>\nonly scriptural but scientific authority.&#8217;<br \/>\nAnd Catherine will find Catherine.I drop asleep.<\/p>\n<p>:\u00b7<\/p>\n<p>Wild thumpings of the table split my thumb-sucking doze. Uncle and Father<br \/>\nare in dispute.<br \/>\nThomas, Lucy, Frances and I huddle in shadow under the hall bench. When<br \/>\nUncle&#8217;s thunderbolts of swear-words come, Tom catches them on his fascinated<br \/>\ntongue, for future use.<br \/>\nFather holds down his temper, with saintly self-restraint. This annoys Uncle.<br \/>\nHe has done that experiment, he says, he should know. He and Rebecca did that<br \/>\nexperiment at Pinner, he&#8217;s still got the eye-lotion under the bed at their lodgings,<br \/>\nwhat further proof do you want? &#8216;Your wife was there, man, she was helping.&#8217;<br \/>\nSilence; then our stepmother storms out crying, &#8216;Catherine, always Catherine.&#8217;<br \/>\nMy grandmother raises her voice, she caws raw and grating.<br \/>\n&#8216;What do you know about alchemical secrets, hold your tongue, woman.&#8217;<br \/>\nThe rooks outside feud bitterly in the trees.<br \/>\nWhen they come out, they have not yet made it up. They look like mirrors<br \/>\ndefying their duty to reflect.<br \/>\n&#8216;Now, boys, boys,&#8217; witters my gran.<br \/>\n&#8216;We are not boys but grown men,&#8217; announces Uncle, as if this will come as a<br \/>\nsurprise to all. &#8216;And just because Henry is the elder by a mere hour &#8230; &#8216;<br \/>\n&#8216;Forty-seven minutes,&#8217; corrects my gran.<br \/>\n&#8216;Half an hour, and has inherited . . .d oes not give you a monopoly on the<br \/>\nlight . . . parochial .. . provincial . .. rural nobody .. . my cousin Aubrey<br \/>\nalways says &#8230; From me, it&#8217;s from me, you get all your secrets.<br \/>\n&#8216;Yes,&#8217; my father concedes. &#8216;I &#8230; do know.&#8217;<br \/>\nI see how he needs Uncle; yearns to him as I need my mother, homing to<br \/>\nreflections. Even my mother I don&#8217;t think he loved as much until she was dead<br \/>\nand translated into light. Starry Catherine in the firmament is easier to love<br \/>\nthan any fleshly woman. Uneasily he knows that too, mired in his clay.<br \/>\n&#8216;Oh you muddy girl!&#8217; cries our stepmother. &#8216;What have you been doing?&#8217;<br \/>\n&#8216;Rooting,&#8217; I say, and begin to rustle.<br \/>\n&#8216;I wonder about your mind, I really do.&#8217;<br \/>\n&#8216;My mother is a tree,&#8217; I reveal, and they all scare.<\/p>\n<p>:\u00b7<\/p>\n<p>In two days&#8217; time, Grisell and Other-Lucy have a new sister, Rachel, not the<br \/>\nlonged-son. Tom snorts at the load of no-good girls.<br \/>\n&#8216;Uncle Thomas, Uncle Thomas, come and see my mother.&#8217;<br \/>\nUp the slopes of Allc-yr-Esgair behind our house we scramble. I haul him fulltilt,<br \/>\ngreen-edged thoughts beguiling me to call to the birds in my twin tongues.<br \/>\nUncle steps lightly for such a chubby man, dainty in his London\u00b7boots over the<br \/>\nmossy roots and leaf-mould.<br \/>\n&#8216;I do not wish to disturb the Spirit of the Place,&#8217; he explains.<br \/>\n&#8216;Oh! A dryad!&#8217; I spin round. &#8216;Too late, you&#8217;ve missed her!&#8217;<br \/>\nI ride though the glades on the high horse of Uncle&#8217;s shoulders, through<br \/>\nsoughing waves of light and shadow.<br \/>\nBirds nestle in my mother&#8217;s arms, mosses coat her roots with velvet. She must<br \/>\nreach underground fathoms deep. Slender and call, she grows straight up to<br \/>\nfoam in a high tide of leaves syllabling in the wind on the quietest day.<br \/>\nI hug her often and lay my cheek against her bark.<br \/>\n&#8216;You see, she didn&#8217;t die. She only changed.&#8217;<br \/>\n&#8216;Glory, no. There&#8217;s no such thing as dying. Every child knows that. And does<br \/>\nshe talk to you?&#8217;<br \/>\n&#8216;Oh yes. Secret things.&#8217;<br \/>\n&#8216;I&#8217;d rather hear that beech speak,&#8217; he said, &#8216;than the sweetest flute in London.&#8217;<br \/>\n&#8216;Why go back then?&#8217; I urge. &#8216;Stay here, with us.&#8217;<br \/>\n&#8216;Oh but I&#8217;ve the elixir to make. The world must be taught. Beehive-brain they<br \/>\nmay call me but I muse discharge my Truth upon them.&#8217; He bunches his hands<br \/>\ninto fists. And I see he fidgets to get back to the quarrelsome capital.<br \/>\nAn oval stone lies in my palm, worn egg-smooth and skinned with a powder<br \/>\nof green lichen. Sun and shadow dapple the egg-stone on my lap, sitting there<br \/>\non the rotting log beside my uncle who rarely laughs at me. First cousin twice<br \/>\nremoved, he says, to the philosopher&#8217;s stone and do I know it&#8217;s magnetic? God<br \/>\nis in the stone. If I coddle it, brood upon it, it may possibly hatch? Together, we<br \/>\nlisten in to the stone&#8217;s silence, in the swaying shadow of my mother&#8217;s boughs. I<br \/>\ntranslate its meaning into streams of bubbling words, Welsh and English, and<br \/>\nUncle praises me as an educator and a natural poet. All children are, he muses,<br \/>\ngirl-child as well as boy, in that great hermaphrodite, the universe.<br \/>\n&#8216;My Rebecca was like me. You &#8230; are not unlike your father.&#8217;<br \/>\nI sit bolt upright like an exclamation mark.<br \/>\nMy heartstring ties me tensely to my father as he mounts the sunset hill behind<br \/>\nNewton and, when he draws away, the lifeline between him and me twitches on<br \/>\nits root in my ribcage. With many small pangs, I creep the forbidden path in his<br \/>\nbeloved footsteps, stretching my stride to match his. My eyebeam latches on to<br \/>\nhim and will not, cannot, let him go, though he keeps disappearing into bushy<br \/>\nshadows. I am hauled home to him like a fish spasming on a line.<br \/>\nPast the riddle-stones he clambers, through the bleat of late lambs, an insect<br \/>\nhum, din of birds and the river-chuckle.<br \/>\n&#8216;I cannot reach it &#8230;,&#8217; the breeze tosses the phrase back over his shoulder<br \/>\nfor me to catch.<br \/>\nI want to be in my father as he yearns aloud to be in his Father: &#8216;Something<br \/>\nI had, which long ago &#8230; Did learn to suck, and sip, and taste &#8230;&#8217; .I s he crying?<br \/>\nHe mourns that he is a cast-off from God&#8217;s lap, unequal to the humble fly<br \/>\nor the sensitive primrose. I scurry like a spy in his suffering wake, and as he<br \/>\nruns to Father, I home to father.<br \/>\nI hunker behind a rock, shredding seeds from a rusty head of dock.S inking<br \/>\nnow to his k nees, he scans the damp, lush grass as if he&#8217;d dropped something<br \/>\nby the wayside. He spots &#8230; some little creature, snail or worm or sunsetgilded<br \/>\nfrog; stoops. The heartstring yanks me with quivering sharpness. As he<br \/>\nraises his hand to bless the creature, I rush stumbling in under his palm and<br \/>\nsnatch a share of the blessing.<br \/>\nHe winces back, and says, not without kindness, &#8216;Go down now, child. It&#8217;s<br \/>\nyour bed-time.&#8217;<br \/>\n&#8216;You magneted me. I had to come.&#8217;<br \/>\n&#8216;No, you must go down. Home to mother. This is private business &#8211; God&#8217;s<br \/>\nbusiness.&#8217;<br \/>\nI am a little dark thing he&#8217;s fathered, like a sin, crooked and bereft; not even<br \/>\nan important mistake. I finger the secret stone in my pocket as I am gently<br \/>\nordered off. Milky light curdles and the hillside judders as he pats my retreating<br \/>\nback, to help me on my way.<br \/>\nWith all my force, in a riot of grief, I round on him and hurl the stone, and<br \/>\nmiss.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Table of Contents &nbsp; Author Title # M. Wynn Thomas In Occidentem &amp; tenebras&#8217;: putting Henry Vaughan on the map \u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-2\/\">Read<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":1,"featured_media":51,"parent":179,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-208","page","type-page","status-publish","has-post-thumbnail","hentry"],"meta_box":[],"_links":{"self":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/comments?post=208"}],"version-history":[{"count":12,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/208\/revisions"}],"predecessor-version":[{"id":1231,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/208\/revisions\/1231"}],"up":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/179"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/media\/51"}],"wp:attachment":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/media?parent=208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}