{"id":228,"date":"2015-12-17T13:40:35","date_gmt":"2015-12-17T13:40:35","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=228"},"modified":"2020-09-02T16:58:04","modified_gmt":"2020-09-02T16:58:04","slug":"scintilla-6","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-6\/","title":{"rendered":"Scintilla 6"},"content":{"rendered":"

\"Scintilla-06-cvr\"<\/a><\/p>\n

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Table of Contents<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Glyn Pursglove<\/td>\nHenry Vaughan and the Glance of Love: Thoughts on ‘The Favour<\/td>\n7<\/td>\n<\/tr>\n
D.S. Hall<\/td>\nTu mults of Forgetting<\/td>\n21<\/td>\n<\/tr>\n
Jean Earle<\/td>\nShadows<\/td>\n22<\/td>\n<\/tr>\n
Hubert Moore<\/td>\nThe Screech<\/td>\n23<\/td>\n<\/tr>\n
Neil Curry<\/td>\nTidelines (Holy Island)<\/td>\n24<\/td>\n<\/tr>\n
Sebastian Barker<\/td>\nHoly The Heart On Which We Hang Our Hope<\/td>\n29<\/td>\n<\/tr>\n
Michael Srigley<\/td>\nThomas Vaughan, the Hartlib Circle and the Rosicrucians<\/td>\n31<\/td>\n<\/tr>\n
Third Scintilla Open Poetry Competition<\/strong><\/td>\n55<\/td>\n<\/tr>\n
Short Poems<\/strong> – Adjudication by Hilary Llewellyn-Williams<\/td>\n57<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 James Lawless<\/td>\nThe Miracle of the Rain (1st Prize)<\/td>\n59<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Pat Earnshaw<\/td>\nRed Planet (2nd Prize)<\/td>\n61<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Jacqueline Karp<\/td>\nMallemaroking (3rd Prize)<\/td>\n62<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 From Commended:<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Bruce Bamber<\/td>\nRevolving Doors<\/td>\n64<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 David Butler<\/td>\nLines written at the onset of Winter<\/td>\n65<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 E. J. Maryjaszek<\/td>\nEel Brook Common -Spring<\/td>\n67<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Angela Morton<\/td>\nThe Knot Garden<\/td>\n69<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Jocelyn Simms<\/td>\nMasquerade<\/td>\n71<\/td>\n<\/tr>\n
Long Poems<\/strong> – Adjudication by Anne Cluysenaar<\/td>\n74<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Colin Moss<\/td>\nSeed Of Time (1st Prize)<\/td>\n75<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Par Earnshaw<\/td>\nToad (2nd Prize)<\/td>\n83<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Ruth Bidgood<\/td>\nRiding the Flood (3rd Prize)<\/td>\n86<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Commended:<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Joseph Clancy<\/td>\nBone Hunter<\/td>\n90<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 John Freeman<\/td>\nA Suite For Summer<\/td>\n93<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Martin Schmandt<\/td>\nHeart’s Desire<\/td>\n99<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Margaret Wilmot<\/td>\nIn Memoriam Paul Forster, 1902-1991<\/td>\n103<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Dilys Wood<\/td>\nAugust 2nd<\/td>\n106<\/td>\n<\/tr>\n
Alex Cadogan<\/td>\nVaughan and the Mundus lmaginalis<\/td>\n110<\/td>\n<\/tr>\n
Hilary Llewellyn-Williams<\/td>\nActaeon<\/td>\n122<\/td>\n<\/tr>\n
John Welch<\/td>\nSt Aignan<\/td>\n124<\/td>\n<\/tr>\n
<\/td>\nI Is<\/td>\n124<\/td>\n<\/tr>\n
<\/td>\nWindow<\/td>\n125<\/td>\n<\/tr>\n
Rose Flint<\/td>\nPromethea<\/td>\n126<\/td>\n<\/tr>\n
David Annwn<\/td>\nConfluences<\/td>\n128<\/td>\n<\/tr>\n
Peter G ruffydd<\/td>\nTalking to Crowfoot<\/td>\n132<\/td>\n<\/tr>\n
John Barnie<\/td>\nAt Llanwenarth<\/td>\n134<\/td>\n<\/tr>\n
Jonathan Nauman<\/td>\nF. E. Hutchinson, Louise Guiney, and Henry Vaughan<\/td>\n135<\/td>\n<\/tr>\n
Alicia Stubbersfield<\/td>\nMy Grandmother’s House<\/td>\n148<\/td>\n<\/tr>\n
Caroline Price<\/td>\nMother and Child<\/td>\n150<\/td>\n<\/tr>\n
<\/td>\nRoller Blader<\/td>\n151<\/td>\n<\/tr>\n
Paul Murphy<\/td>\nNecropolis<\/td>\n152<\/td>\n<\/tr>\n
Paul Davidson<\/td>\nHerne Bay<\/td>\n153<\/td>\n<\/tr>\n
Stuart Flynn<\/td>\nNecromancy<\/td>\n155<\/td>\n<\/tr>\n
Phil Maillard<\/td>\nFrog<\/td>\n156<\/td>\n<\/tr>\n
Roland Mathias<\/td>\nA New Language, A New Tradition<\/td>\n161<\/td>\n<\/tr>\n
Matthew Fluharty<\/td>\nThe Interview<\/td>\n183<\/td>\n<\/tr>\n
Kate Foley<\/td>\nCracks in the Pavement<\/td>\n184<\/td>\n<\/tr>\n
Gary Allen<\/td>\nThe Workhouse<\/td>\n187<\/td>\n<\/tr>\n
<\/td>\nLooking for Landmarks<\/td>\n188<\/td>\n<\/tr>\n
<\/td>\nThe Brick Factory<\/td>\n189<\/td>\n<\/tr>\n
Anna Adams<\/td>\nMemorials 2 – Sailing By<\/td>\n190<\/td>\n<\/tr>\n
Liam Aspin<\/td>\nFetish<\/td>\n192<\/td>\n<\/tr>\n
Kim Taplin<\/td>\nHow shall I get a wreath … ?: Some implications of Vaughan’s question for contemporary poetry<\/td>\n194<\/td>\n<\/tr>\n
Kim Taplin<\/td>\nGoodfellow<\/td>\n205<\/td>\n<\/tr>\n
John Jones<\/td>\nis this what you want!<\/td>\n210<\/td>\n<\/tr>\n
<\/td>\nsedimentar y – my dear homes<\/td>\n212<\/td>\n<\/tr>\n
Ian Caws<\/td>\nMovement from a Fixed Point<\/td>\n214<\/td>\n<\/tr>\n
Myra Schneider<\/td>\nClimbing<\/td>\n215<\/td>\n<\/tr>\n
To ny Connor<\/td>\nGuida Farm in January<\/td>\n217<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Table of Contents   Author Title # Glyn Pursglove Henry Vaughan and the Glance of Love: Thoughts on ‘The Favour \u2026<\/p>\n

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