{"id":23,"date":"2014-02-18T08:31:00","date_gmt":"2014-02-18T08:31:00","guid":{"rendered":"http:\/\/staging.sites.cf.ac.uk\/scintilla\/scintilla-17\/"},"modified":"2020-09-02T16:26:00","modified_gmt":"2020-09-02T16:26:00","slug":"scintilla-17","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-17\/","title":{"rendered":"Scintilla 17"},"content":{"rendered":"
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\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nPreface<\/td>\n9<\/td>\n<\/tr>\n
Robert Wilcher<\/td>\nHenry Vaughan’s Borrowings in the Secular Poems: Plagiarism, Imitation, Allusion<\/td>\n11<\/td>\n<\/tr>\n
Andie Lewenstein<\/td>\nGenesis<\/td>\n29<\/td>\n<\/tr>\n
Ruth Bidgood<\/td>\nSource<\/td>\n30<\/td>\n<\/tr>\n
Meredith Andrea<\/td>\nTributary<\/td>\n31<\/td>\n<\/tr>\n
<\/td>\nEphemera<\/td>\n32<\/td>\n<\/tr>\n
Roger Garfitt<\/td>\nLadywell<\/td>\n33<\/td>\n<\/tr>\n
Ric Hool<\/td>\nBoot Hill<\/td>\n34<\/td>\n<\/tr>\n
<\/td>\nDecember: Remote<\/td>\n35<\/td>\n<\/tr>\n
Naomi Marklew<\/td>\nSilex Scintillians<\/em>: Henry Vaughan’s Interregnum Elegy<\/td>\n36<\/td>\n<\/tr>\n
Elizabeth Barrett<\/td>\nMorgan’s Revenge<\/td>\n53<\/td>\n<\/tr>\n
<\/td>\nEven the Salt Sea<\/td>\n54<\/td>\n<\/tr>\n
Myra Scneider<\/td>\nBreathing Space<\/td>\n56<\/td>\n<\/tr>\n
Doiran Williams<\/td>\nFughetta<\/td>\n58<\/td>\n<\/tr>\n
Regina Walton<\/td>\nExemplum<\/td>\n59<\/td>\n<\/tr>\n
<\/td>\nOn the Feast of Bernard of Clairvaux<\/td>\n60<\/td>\n<\/tr>\n
Michael Martin<\/td>\nDat rosa mel apibus<\/td>\n61<\/td>\n<\/tr>\n
Eve Jackson<\/td>\nBedazzled by Beetles<\/td>\n62<\/td>\n<\/tr>\n
Tony Brown<\/td>\nJourney without Maps: R. S. Thomas’s Unpublished Exphrastic Poems<\/td>\n63<\/td>\n<\/tr>\n
Stecie Krayer<\/td>\nArachnophilia<\/td>\n82<\/td>\n<\/tr>\n
Helen Overell<\/td>\nQuadrat<\/td>\n83<\/td>\n<\/tr>\n
Alison Brackenbury<\/td>\nSkies<\/td>\n84<\/td>\n<\/tr>\n
Phil Maillard<\/td>\nThe Confidence of Swallows<\/td>\n85<\/td>\n<\/tr>\n
Patrick Bond<\/td>\nAbbey Dore<\/td>\n86<\/td>\n<\/tr>\n
<\/td>\nAmbassadors of the Limits<\/td>\n87<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nAbbey Dore<\/td>\n89<\/td>\n<\/tr>\n
<\/td>\nSt. Bride’s, Llansantffraed<\/td>\n91<\/td>\n<\/tr>\n
Colleen Wethered<\/td>\n‘The watches of the night’: Henry Vaughan and R. S. Thomas<\/td>\n92<\/td>\n<\/tr>\n
Hilary Davies<\/td>\nIn the Neuadd Valley, Brecon Beacons<\/td>\n101<\/td>\n<\/tr>\n
Charles Wilkinson<\/td>\nOf the Red and the White Books\/From ‘The First Branch’: Rhiannon Riding<\/td>\n102<\/td>\n<\/tr>\n
John Freeman<\/td>\nOn the Field of Battle<\/td>\n104<\/td>\n<\/tr>\n
Anne Cluysenaar<\/td>\n‘It was marvellous and actual’: In Memory of Seamus Heaney<\/td>\n106<\/td>\n<\/tr>\n
<\/td>\nOn receiving from Michael Srigley a letter about ‘Crossings, xxxvi’ in Seamus Heaney’s Seeing Things<\/td>\n107<\/td>\n<\/tr>\n
<\/td>\nAfter the launch of\u00a0Moved by the Spirits<\/em>, poems in Polish with translations<\/td>\n108<\/td>\n<\/tr>\n
William Oxley<\/td>\nResting Suns<\/td>\n109<\/td>\n<\/tr>\n
Graham Parry<\/td>\n‘An unsettled mind in unsettled times’: The Poems of John Collop<\/td>\n111<\/td>\n<\/tr>\n
Sam Adams<\/td>\nConcerning the Reverend George and Sarah Williams – a fragment of family history in seven episodes<\/td>\n119<\/td>\n<\/tr>\n
Jock Stein<\/td>\nThe Father’s hands<\/td>\n127<\/td>\n<\/tr>\n
W.D. Jackson<\/td>\nFrom: ‘A Giotto Triptych’<\/td>\n128<\/td>\n<\/tr>\n
Dilys Wood<\/td>\nSomeone not far from here has been waiting<\/td>\n130<\/td>\n<\/tr>\n
Rupert M. Loydell<\/td>\nNeed to Know<\/td>\n132<\/td>\n<\/tr>\n
Mike Jenkins<\/td>\nDark Ice<\/td>\n133<\/td>\n<\/tr>\n
Katerina Fretwell<\/td>\nHey Death,<\/td>\n134<\/td>\n<\/tr>\n
John Powell Ward<\/td>\nEcce Homo<\/em><\/td>\n135<\/td>\n<\/tr>\n
Erik Ankerberg<\/td>\nThe Poetry of Wallce Stevens and the Purposes of Ardour<\/td>\n136<\/td>\n<\/tr>\n
Jan Fortune<\/td>\nVI. A Litany for Cwmorthin<\/td>\n151<\/td>\n<\/tr>\n
David Hart<\/td>\nDrift<\/td>\n153<\/td>\n<\/tr>\n
Kate Foley<\/td>\nA Table is the Still Life of a Tree<\/td>\n156<\/td>\n<\/tr>\n
Margaret Wilmot<\/td>\nLike Trees Shaped By A Prevailing Wind<\/td>\n157<\/td>\n<\/tr>\n
Niall McDevitt<\/td>\nA Mother<\/td>\n165<\/td>\n<\/tr>\n
Kay Cotton<\/td>\nThe Labours of Hercules<\/td>\n166<\/td>\n<\/tr>\n
Christoper Norris<\/td>\nSoul and Form<\/td>\n170<\/td>\n<\/tr>\n
Sarah Lindon<\/td>\nOwl hallow<\/td>\n178<\/td>\n<\/tr>\n
Colin Moss<\/td>\nMaking<\/td>\n179<\/td>\n<\/tr>\n
Greg Miller<\/td>\nConcert to Mary, La Sainte Chapelle, after a mission to South Sudan during a time of war<\/td>\n180<\/td>\n<\/tr>\n
Jay Ramsay<\/td>\nJosselin<\/td>\n182<\/td>\n<\/tr>\n
Alan Payne<\/td>\nMount Ballow<\/td>\n183<\/td>\n<\/tr>\n
Tony Curtis<\/td>\nWyeth’s Liberty Launch<\/td>\n184<\/td>\n<\/tr>\n
Aidan Dun<\/td>\nColorado<\/td>\n185<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nHeartlands: on some poems by Ruth Bidgood and Christopher Meredith<\/td>\n186<\/td>\n<\/tr>\n
Graham Hartill<\/td>\nThe Unvocation of Kuya<\/td>\n201<\/td>\n<\/tr>\n
Roselle Angwin<\/td>\nBuddha Garden, Gardoussel<\/td>\n203<\/td>\n<\/tr>\n
<\/td>\nSeptember (Gardoussel)<\/td>\n204<\/td>\n<\/tr>\n
Paul Matthews<\/td>\nOracles<\/td>\n205<\/td>\n<\/tr>\n
Rose Flint<\/td>\nSomething That Loves Us<\/td>\n209<\/td>\n<\/tr>\n
Victoria Field<\/td>\nSunday on Iona<\/td>\n210<\/td>\n<\/tr>\n
<\/td>\nVeil<\/td>\n211<\/td>\n<\/tr>\n
Hubert Moore<\/td>\nFeeders<\/td>\n212<\/td>\n<\/tr>\n
<\/td>\nOutfits<\/td>\n213<\/td>\n<\/tr>\n
Se\u00e1n Street<\/td>\nWhite as Jasmine<\/td>\n214<\/td>\n<\/tr>\n
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<\/td>\nContributors to this Issue<\/td>\n215<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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Available from Amazon! Table of Contents   Author Title # Preface 9 Robert Wilcher Henry Vaughan’s Borrowings in the Secular \u2026<\/p>\n

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