{"id":230,"date":"2015-12-17T13:40:45","date_gmt":"2015-12-17T13:40:45","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=230"},"modified":"2020-09-02T16:21:57","modified_gmt":"2020-09-02T16:21:57","slug":"scintilla-7","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-7\/","title":{"rendered":"Scintilla 7"},"content":{"rendered":"

\"Scintilla-07-cvr\"<\/a><\/p>\n

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Table of Contents<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nPreface<\/td>\n7<\/td>\n<\/tr>\n
Rowan Williams<\/td>\nHas Secularism Failed’: Notes on the Survival of the Spirit<\/td>\n9<\/td>\n<\/tr>\n
E. J. Matyjaszek<\/td>\nA View from Lublin<\/td>\n21<\/td>\n<\/tr>\n
Mario Petrucci<\/td>\nPyre-Watchers<\/td>\n23<\/td>\n<\/tr>\n
Tony Connor<\/td>\nDrawing A War Plane<\/td>\n25<\/td>\n<\/tr>\n
Lucy Calcorc<\/td>\nThe Dark Mad Voice<\/td>\n27<\/td>\n<\/tr>\n
Dannie Abse<\/td>\nAnts<\/td>\n29<\/td>\n<\/tr>\n
Graham Hartill<\/td>\nLlancillin<\/td>\n30<\/td>\n<\/tr>\n
John Welch<\/td>\nBeing Creative<\/td>\n35<\/td>\n<\/tr>\n
Lynne Wycherley<\/td>\nThe Writing Room<\/td>\n40<\/td>\n<\/tr>\n
<\/td>\nThe Miracle of the Clay Birds<\/td>\n41<\/td>\n<\/tr>\n
Ali Glenny<\/td>\nJosefa Paints an Onion<\/td>\n42<\/td>\n<\/tr>\n
Zoe Brigley<\/td>\nCanopy<\/td>\n44<\/td>\n<\/tr>\n
Brian Walsham<\/td>\nBird-fancier<\/td>\n45<\/td>\n<\/tr>\n
Phil Poole<\/td>\nAutumn<\/td>\n47<\/td>\n<\/tr>\n
Larry Burler<\/td>\nBay Window<\/td>\n48<\/td>\n<\/tr>\n
Phil Maillard<\/td>\nDysphasia<\/td>\n49<\/td>\n<\/tr>\n
Michael Srigley<\/td>\nOnce<\/td>\n51<\/td>\n<\/tr>\n
Myra Schneider<\/td>\nA Deep but Dazzling Darkness: Writing Poetry in Extremity 53<\/td>\n53<\/td>\n<\/tr>\n
Hilary Llewellyn-Williams<\/td>\nThe Badge<\/td>\n62<\/td>\n<\/tr>\n
Myra Schneider<\/td>\nMoth<\/td>\n64<\/td>\n<\/tr>\n
Greve! Lindop<\/td>\nThe Wineglass<\/td>\n66<\/td>\n<\/tr>\n
Lance Lee<\/td>\nHaunting<\/td>\n67<\/td>\n<\/tr>\n
Gary Allen<\/td>\nWalls<\/td>\n69<\/td>\n<\/tr>\n
DilysWood<\/td>\nJohn Heath-Stubbs Reading at the Troubadour<\/td>\n70<\/td>\n<\/tr>\n
John Powell Ward<\/td>\nDarkness and Light: Poetry, Religion and the Environment<\/td>\n73<\/td>\n<\/tr>\n
Caroline Price<\/td>\nHawkmoth larva surprised in August<\/td>\n87<\/td>\n<\/tr>\n
Anna Adams<\/td>\nArrival of the Swifts<\/td>\n89<\/td>\n<\/tr>\n
Rose Flint<\/td>\nAbove Saint Cybi’s Well<\/td>\n91<\/td>\n<\/tr>\n
Anne Cluysenaar<\/td>\nThis Much<\/td>\n93<\/td>\n<\/tr>\n
<\/td>\nElsewhere<\/td>\n94<\/td>\n<\/tr>\n
<\/td>\nStrange<\/td>\n95<\/td>\n<\/tr>\n
<\/td>\nTogether<\/td>\n96<\/td>\n<\/tr>\n
Alyson Hallett<\/td>\nDropped, like a stitch<\/td>\n97<\/td>\n<\/tr>\n
Holly Faith Nelson<\/td>\nGender and Politics in the Writings of Henry Vaughan<\/td>\n99<\/td>\n<\/tr>\n
Richard Burns<\/td>\nWayside Shrine<\/td>\n116<\/td>\n<\/tr>\n
<\/td>\nOn the Death of Kate Landers<\/td>\n120<\/td>\n<\/tr>\n
Ian Caws<\/td>\nRose<\/td>\n122<\/td>\n<\/tr>\n
Paul Groves<\/td>\nPhantom Faces in the Floor of a House at Belmez<\/td>\n124<\/td>\n<\/tr>\n
Malanie Challenge<\/td>\nTeeth<\/td>\n126<\/td>\n<\/tr>\n
Maggie Butt<\/td>\nFathering<\/td>\n127<\/td>\n<\/tr>\n
Shanta Acharya<\/td>\nMidnight Stroll<\/td>\n128<\/td>\n<\/tr>\n
Donald R. Dickson<\/td>\nThe Identity of Rebecca Archer Vaughan<\/td>\n129<\/td>\n<\/tr>\n
Open Poetry Competition<\/strong><\/td>\n<\/td>\n143-183<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Adjudications<\/td>\n<\/td>\n146<\/td>\n<\/tr>\n
Short Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Pamela Vincent<\/td>\nLosing It (1st Prize)<\/td>\n150<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Liz Cashdan<\/td>\nRed (2nd Prize)<\/td>\n151<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Juanita Bateman<\/td>\nMissing (3rd Prize)<\/td>\n152<\/td>\n<\/tr>\n
Short Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Pat Earnshaw<\/td>\nDarken Our Lightness<\/td>\n154<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Clive Eastwood<\/td>\nTo Do With Moving On<\/td>\n155<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Fiona Owen<\/td>\nWalk<\/td>\n157<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Lynne Rees<\/td>\nSnap<\/td>\n158<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Anna Wigley<\/td>\nAfter Snow<\/td>\n159<\/td>\n<\/tr>\n
Longer Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 John Freeman<\/td>\nTabula Rasa (1st Prize)<\/td>\n162<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Mary MacRae<\/td>\nA sort of homecoming (2nd Prize)<\/td>\n166<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Carol Hughes<\/td>\nThe Floe Edge (3rd Prize)<\/td>\n171<\/td>\n<\/tr>\n
Longer Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Roy Ashwell<\/td>\nA Series<\/td>\n176<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Liz Cashdan<\/td>\nOne Way or Another<\/td>\n178<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Lucy Hamilton<\/td>\nBeing with Annette<\/td>\n181<\/td>\n<\/tr>\n
Helen Wilcox<\/td>\nScribling under so faire a Coppy: the presence of Herbert in the poetry of Vaughan’s contemporaries<\/td>\n185<\/td>\n<\/tr>\n
D.S. Hall<\/td>\nThe Unrepeatable Assembly<\/td>\n201<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Table of Contents   Author Title # Preface 7 Rowan Williams Has Secularism Failed’: Notes on the Survival of the \u2026<\/p>\n

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