{"id":232,"date":"2015-12-17T13:41:00","date_gmt":"2015-12-17T13:41:00","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=232"},"modified":"2020-09-02T16:22:22","modified_gmt":"2020-09-02T16:22:22","slug":"scintilla-8","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-8\/","title":{"rendered":"Scintilla 8"},"content":{"rendered":"

\"Scintilla-08-cvr\"<\/a><\/p>\n

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Table of Contents<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nPreface<\/td>\n7<\/td>\n<\/tr>\n
Alan\u00a0Rudrum<\/td>\nNarrative, Typology and Politics in Henry Vaughan’s ‘Isaac’s Marriage’<\/td>\n9<\/td>\n<\/tr>\n
Chris Torrance<\/td>\nPATH\/Finder<\/td>\n19<\/td>\n<\/tr>\n
Edwina Trentham<\/td>\nCalling My Father By Name<\/td>\n22<\/td>\n<\/tr>\n
Angela Morton<\/td>\nTraces<\/td>\n23<\/td>\n<\/tr>\n
William Oxley<\/td>\nMemory, Snowflakes<\/td>\n25<\/td>\n<\/tr>\n
Dilys Wood<\/td>\nSingularity<\/td>\n27<\/td>\n<\/tr>\n
Clare Crossman<\/td>\nWriting Back<\/td>\n28<\/td>\n<\/tr>\n
Viki Holmes<\/td>\nThe Visitor<\/td>\n30<\/td>\n<\/tr>\n
Pat Earnshaw<\/td>\nEveryone a Stranger<\/td>\n32<\/td>\n<\/tr>\n
Richard George<\/td>\nReliving the Calendar<\/td>\n33<\/td>\n<\/tr>\n
Lynne Wycherley<\/td>\nFragments of Iraqi Calligraphy<\/td>\n34<\/td>\n<\/tr>\n
Merryn Williams<\/td>\nAfter Mandelstam<\/td>\n35<\/td>\n<\/tr>\n
Fiona Owen<\/td>\nThis Even Frailer Flesh<\/td>\n37<\/td>\n<\/tr>\n
Tony Connor<\/td>\nHay making<\/td>\n53<\/td>\n<\/tr>\n
Jay Ramsay<\/td>\nThe Boreen<\/td>\n55<\/td>\n<\/tr>\n
Phil Maillard<\/td>\nThe Press of Silence. A Walk to Patricio<\/td>\n57<\/td>\n<\/tr>\n
Christine McNeil]<\/td>\nExpedition<\/td>\n67<\/td>\n<\/tr>\n
Kim Taplin<\/td>\nA Road ro Dover<\/td>\n69<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nFrom ‘Upstate: a North American Journal’<\/td>\n77<\/td>\n<\/tr>\n
Rowan Williams<\/td>\nInvocation: a sculpture for winter<\/td>\n86<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nTowards Elsinore<\/td>\n87<\/td>\n<\/tr>\n
John Welch<\/td>\nTurning<\/td>\n92<\/td>\n<\/tr>\n
<\/td>\nDaybreak<\/td>\n92<\/td>\n<\/tr>\n
<\/td>\nFamily<\/td>\n93<\/td>\n<\/tr>\n
Greagir O Duill<\/td>\nTideline<\/td>\n94<\/td>\n<\/tr>\n
Graham Hartill<\/td>\nWinged Heads<\/td>\n95<\/td>\n<\/tr>\n
Ruth Bidgood<\/td>\nPatricio 2001<\/td>\n99<\/td>\n<\/tr>\n
<\/td>\nPattern<\/td>\n99<\/td>\n<\/tr>\n
Lucy Calcott<\/td>\nMaundy Thursday<\/td>\n101<\/td>\n<\/tr>\n
Michael Srigley<\/td>\nFlowers in Rich Fields: The Poetry of Thomas Vaughan’s Pamphlets<\/td>\n103<\/td>\n<\/tr>\n
Open Poetry Competition<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Adjudications<\/td>\n<\/td>\n124<\/td>\n<\/tr>\n
Short Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 James Harpur<\/td>\nThe Monastic Star Timetable (1st Prize)<\/td>\n129<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Jemma Borg<\/td>\nThe Pond (2nd Prize)<\/td>\n131<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Brett Van Toen<\/td>\nBullfrogs (3rd Prize)<\/td>\n132<\/td>\n<\/tr>\n
Short Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Helen Burke<\/td>\nThe Lace-worker of Ghent<\/td>\n133<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Rose Flint<\/td>\nGrace<\/td>\n134<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Mary MacRae<\/td>\nFlycatcher<\/td>\n135<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 John Weston<\/td>\nTo Alaska and Back<\/td>\n136<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Samantha Wynne-Rhydderch<\/td>\nLipstick<\/td>\n137<\/td>\n<\/tr>\n
Long Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Alyson Hallett<\/td>\nThe Storm Trilogy (1st Prize)<\/td>\n140<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Myra Schneider<\/td>\nOrpheus in the Underground (2nd Prize)<\/td>\n146<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 M. C. Newton<\/td>\nBeliefs Broad and Narrow (3rd Prize)<\/td>\n155<\/td>\n<\/tr>\n
Long Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 James Harpur<\/td>\nJoseph of Arimathea<\/td>\n160<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Greg Hill<\/td>\nMyddleton’s River<\/td>\n166<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Mary MacRae<\/td>\nShades of Grey<\/td>\n170<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Philip Rush<\/td>\nHow to Listen to Classical Music<\/td>\n172<\/td>\n<\/tr>\n
\u00a0\u00a0\u00a0 Maria Jastrzebska<\/td>\nCarrying Her<\/td>\n174<\/td>\n<\/tr>\n
Glyn Pursglove<\/td>\nTaught him at the well: reflections on ‘Isaac’s Marriage’<\/td>\n178<\/td>\n<\/tr>\n
Gary Allen<\/td>\nNew Year<\/td>\n191<\/td>\n<\/tr>\n
Simon Pettifar<\/td>\nTo the Clerk of the Meeting when the Sufis Came to Speak to Us<\/td>\n192<\/td>\n<\/tr>\n
<\/td>\nLaughing Poem<\/td>\n192<\/td>\n<\/tr>\n
<\/td>\nIncense<\/td>\n193<\/td>\n<\/tr>\n
Mercer Simpson<\/td>\nAt Malmesbury Abbey<\/td>\n194<\/td>\n<\/tr>\n
Daphne Gloag<\/td>\nTurning a Square intO an Octagon<\/td>\n195<\/td>\n<\/tr>\n
Kate Foley<\/td>\nWellington Boots<\/td>\n197<\/td>\n<\/tr>\n
Bill Shepherd<\/td>\nGenesis<\/td>\n199<\/td>\n<\/tr>\n
John Powell Ward<\/td>\nThe Last Green Year<\/td>\n201<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Table of Contents   Author Title # Preface 7 Alan\u00a0Rudrum Narrative, Typology and Politics in Henry Vaughan’s ‘Isaac’s Marriage’ 9 \u2026<\/p>\n

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