{"id":234,"date":"2015-12-17T13:41:23","date_gmt":"2015-12-17T13:41:23","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=234"},"modified":"2020-09-02T16:22:49","modified_gmt":"2020-09-02T16:22:49","slug":"scintilla-9","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-9\/","title":{"rendered":"Scintilla 9"},"content":{"rendered":"

\"Scintilla-09-cvr\"<\/a><\/p>\n

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Table of Contents<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nPreface<\/td>\n7<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nNostalgia and the Kiss of Life<\/td>\n9<\/td>\n<\/tr>\n
Ian Caws<\/td>\nThistledown<\/td>\n25<\/td>\n<\/tr>\n
<\/td>\nThe Potter<\/td>\n26<\/td>\n<\/tr>\n
Stephen Parr<\/td>\nBridge of Mornings<\/td>\n27<\/td>\n<\/tr>\n
Peter Gruffydd<\/td>\nMatters of Survival<\/td>\n29<\/td>\n<\/tr>\n
Robert Wilcher<\/td>\nThe darkened scribe and the blessed man: changing uses of allusion in the work of Henry Vaughan<\/td>\n38<\/td>\n<\/tr>\n
Gordon Kennedy<\/td>\nanimal pilgrimage<\/td>\n53<\/td>\n<\/tr>\n
Brendan McMahon<\/td>\nBlack<\/td>\n54<\/td>\n<\/tr>\n
<\/td>\nWitness<\/td>\n54<\/td>\n<\/tr>\n
Robin Ford<\/td>\nAs Albatross<\/td>\n55<\/td>\n<\/tr>\n
Phil Maillard<\/td>\nTwo for Mnemosyne<\/td>\n56<\/td>\n<\/tr>\n
Gabriel Griffin<\/td>\nRoller Kids<\/td>\n59<\/td>\n<\/tr>\n
Michael Thomas<\/td>\nA Mouth Full of Pegs<\/td>\n61<\/td>\n<\/tr>\n
<\/td>\nCast!etownroche, North Cork<\/td>\n62<\/td>\n<\/tr>\n
Gary Allen<\/td>\nThe Mountain<\/td>\n64<\/td>\n<\/tr>\n
<\/td>\nOn high<\/td>\n64<\/td>\n<\/tr>\n
<\/td>\nAnxiety<\/td>\n65<\/td>\n<\/tr>\n
Graham Hartill<\/td>\nBhopal<\/td>\n67<\/td>\n<\/tr>\n
Rose Flint<\/td>\nThe Source<\/td>\n68<\/td>\n<\/tr>\n
Philip West<\/td>\nSilex Scintillans and the “public”<\/td>\n70<\/td>\n<\/tr>\n
Open Poetry Competition<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Adjudications<\/td>\n<\/td>\n86<\/td>\n<\/tr>\n
Short Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lynne Rees<\/td>\nThe Fright Box<\/td>\n91<\/td>\n<\/tr>\n
Joan Poulson<\/td>\nRelics<\/td>\n92<\/td>\n<\/tr>\n
Mary MacRae<\/td>\nThe Various Light<\/td>\n94<\/td>\n<\/tr>\n
Short Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Christine Coleman Skin<\/td>\nSkin<\/td>\n95<\/td>\n<\/tr>\n
Fiona Owen<\/td>\nDoor<\/td>\n96<\/td>\n<\/tr>\n
Jane Routh<\/td>\nSula Sgeir<\/td>\n97<\/td>\n<\/tr>\n
Frances Thompson<\/td>\nMrs Jones<\/td>\n98<\/td>\n<\/tr>\n
Pat Borthwick<\/td>\nIn Praise of Things<\/td>\n107<\/td>\n<\/tr>\n
Long Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Myra Schneider<\/td>\nCore<\/td>\n100<\/td>\n<\/tr>\n
Pat Borthwick<\/td>\nAll Things Being Equal<\/td>\n104<\/td>\n<\/tr>\n
Daphne Gloag<\/td>\nThe Beginning<\/td>\n109<\/td>\n<\/tr>\n
Long Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gabriel Griffin<\/td>\nTransumanza<\/td>\n117<\/td>\n<\/tr>\n
Lucy Hamilton<\/td>\nSonnets for my Mother<\/td>\n120<\/td>\n<\/tr>\n
David Hart<\/td>\nFeldman says, if anyone asks<\/td>\n123<\/td>\n<\/tr>\n
Victoria Pugh<\/td>\nTalking Cure<\/td>\n128<\/td>\n<\/tr>\n
Anne Ryland<\/td>\nThe Girl with Silver Hands<\/td>\n130<\/td>\n<\/tr>\n
David Scott<\/td>\nPriest as Poet<\/td>\n134<\/td>\n<\/tr>\n
<\/td>\nPrayer and the Hair Salon<\/td>\n141<\/td>\n<\/tr>\n
<\/td>\nResurrection<\/td>\n142<\/td>\n<\/tr>\n
Lotte Kramer<\/td>\nSt. Mary’s Altar by Tilman Riemenschneider at Creglingen<\/td>\n143<\/td>\n<\/tr>\n
<\/td>\nUnder the Stairs<\/td>\n144<\/td>\n<\/tr>\n
Stuart B. Campbell<\/td>\nPrologue<\/td>\n145<\/td>\n<\/tr>\n
Lisa Darr<\/td>\nSalome Holding the Head of Saint John the Baptist<\/td>\n147<\/td>\n<\/tr>\n
Lucy Calcott<\/td>\nThe Red Tent<\/td>\n148<\/td>\n<\/tr>\n
Ruth Bidgood<\/td>\nClasped Hands<\/td>\n149<\/td>\n<\/tr>\n
Lynne Wycherley<\/td>\nDarwin Waits for his Wife<\/td>\n150<\/td>\n<\/tr>\n
<\/td>\nA Menhir for the Cathars<\/td>\n151<\/td>\n<\/tr>\n
Neil Curry<\/td>\nA Word with Bede<\/td>\n152<\/td>\n<\/tr>\n
Barbara Coulton<\/td>\nThe Poet and the Preacher: Henry Vaughan and Vavasor Powell in their place and time<\/td>\n155<\/td>\n<\/tr>\n
Patricia McCarthy<\/td>\nWalking Out<\/td>\n175<\/td>\n<\/tr>\n
<\/td>\nI Will<\/td>\n176<\/td>\n<\/tr>\n
<\/td>\nClose Watch<\/td>\n177<\/td>\n<\/tr>\n
Linda Black<\/td>\nI think of you<\/td>\n179<\/td>\n<\/tr>\n
Kate North<\/td>\nSleep Disorder<\/td>\n181<\/td>\n<\/tr>\n
Caroline Price<\/td>\nChair Lift<\/td>\n185<\/td>\n<\/tr>\n
<\/td>\nLac Negre<\/td>\n186<\/td>\n<\/tr>\n
Fiona Owen<\/td>\nGwen<\/td>\n187<\/td>\n<\/tr>\n
Donald R. Dickson<\/td>\nHenry Vaughan’s Medical Library<\/td>\n189<\/td>\n<\/tr>\n
Paul Groves<\/td>\nReprieve<\/td>\n210<\/td>\n<\/tr>\n
Geoff Slater<\/td>\nMud Woman<\/td>\n211<\/td>\n<\/tr>\n
Anne Ryland<\/td>\nAn Overflow of Letters<\/td>\n216<\/td>\n<\/tr>\n
<\/td>\nThe Marathon Runner<\/td>\n218<\/td>\n<\/tr>\n
Jill Dawson<\/td>\nThe Place of Renewal\/Sculpting the Light<\/td>\n219<\/td>\n<\/tr>\n
Michael Heery<\/td>\nTo Mary Takahama<\/td>\n220<\/td>\n<\/tr>\n
Selwyn Pritchard<\/td>\nPenultimate<\/td>\n221<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Table of Contents   Author Title # Preface 7 Jeremy Hooker Nostalgia and the Kiss of Life 9 Ian Caws \u2026<\/p>\n

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