{"id":371,"date":"2016-02-16T10:28:50","date_gmt":"2016-02-16T10:28:50","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=371"},"modified":"2020-09-02T16:23:58","modified_gmt":"2020-09-02T16:23:58","slug":"scintilla-12","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-12\/","title":{"rendered":"Scintilla 12"},"content":{"rendered":"

\"Scintilla-12-cvr\"<\/a><\/p>\n

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Table of Contents<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fiona Owen<\/td>\nThrough the Gate: a Poetics of Engagement<\/td>\n9<\/td>\n<\/tr>\n
Ru th Bidgood<\/td>\nIce<\/td>\n23<\/td>\n<\/tr>\n
<\/td>\nThe Well<\/td>\n23<\/td>\n<\/tr>\n
Zenobia Venner<\/td>\nStill<\/td>\n25<\/td>\n<\/tr>\n
Prue Chamberlayne<\/td>\nPostonja<\/td>\n26<\/td>\n<\/tr>\n
Linda Saunders<\/td>\nWoodcock<\/td>\n27<\/td>\n<\/tr>\n
Anne Cluysenaar<\/td>\nBa ru-Angas<\/td>\n29<\/td>\n<\/tr>\n
Philip Gross<\/td>\nThe Presence<\/td>\n32<\/td>\n<\/tr>\n
Glyn Pu rsglove<\/td>\nNot with leaf only, but with some fruit also<\/td>\n34<\/td>\n<\/tr>\n
Open Poetry Competition<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Adjudication<\/td>\n<\/td>\n56<\/td>\n<\/tr>\n
Short Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Chris Preddle<\/td>\nCattle Console Him<\/td>\n63<\/td>\n<\/tr>\n
Pat Borthwick<\/td>\nIn Praise of the Oologists’ Art<\/td>\n65<\/td>\n<\/tr>\n
Susan Wallace<\/td>\nThe Last Station Srop<\/td>\n67<\/td>\n<\/tr>\n
Short Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Heather Coffey<\/td>\nFlood<\/td>\n68<\/td>\n<\/tr>\n
Kare Foley<\/td>\nGreen Woman<\/td>\n70<\/td>\n<\/tr>\n
Sue MacIntyre<\/td>\nTree House<\/td>\n71<\/td>\n<\/tr>\n
Susan Anne Moore<\/td>\nDead Stag on Burgh<\/td>\n72<\/td>\n<\/tr>\n
Robert Sea tter<\/td>\n21 Ways of Starting a New Life<\/td>\n73<\/td>\n<\/tr>\n
Long Poems<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Myra Schneider<\/td>\nDrought<\/td>\n76<\/td>\n<\/tr>\n
Margaret Wilmot<\/td>\nNovember Journal<\/td>\n81<\/td>\n<\/tr>\n
Christine McNeill<\/td>\nMartha’s reverie<\/td>\n85<\/td>\n<\/tr>\n
Long Poems – Commended<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Heather Coffey<\/td>\nNear Kingsbridge<\/td>\n88<\/td>\n<\/tr>\n
Daphne Gloag<\/td>\nThe Paths of Light<\/td>\n90<\/td>\n<\/tr>\n
Anne Ryland<\/td>\nOn the Stairs<\/td>\n95<\/td>\n<\/tr>\n
Dilys Wood<\/td>\nLament Based on a Corona of Sonnets<\/td>\n101<\/td>\n<\/tr>\n
Lynne Wycherley<\/td>\nTowards Eden<\/td>\n104<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alan Rudrum<\/td>\nBringing Peace Back to Life: The Anglican Irenicism of Lancelot Andrewes, Henry Vaughan and Rowan Williams<\/td>\n111<\/td>\n<\/tr>\n
Sebastian Barker<\/td>\nRed Kite Against a Dark Blue Sky: On the Aesthetic of Art in the Theology of Rowan Williams<\/td>\n121<\/td>\n<\/tr>\n
Kim Taplin<\/td>\nWake-up Call<\/td>\n131<\/td>\n<\/tr>\n
Brenda Lealman<\/td>\nSo Close<\/td>\n132<\/td>\n<\/tr>\n
Roger Waterfield<\/td>\nGrowth<\/td>\n133<\/td>\n<\/tr>\n
Lotte Kramer<\/td>\nRain<\/td>\n134<\/td>\n<\/tr>\n
Ruth Valentine<\/td>\nThe Government Scientist Deciphers the Clay Tablets<\/td>\n135<\/td>\n<\/tr>\n
Paul Matthews<\/td>\nWatching the Puls<\/td>\n138<\/td>\n<\/tr>\n
Peter Gilmour<\/td>\nAlone<\/td>\n139<\/td>\n<\/tr>\n
Robert Wilcher<\/td>\nHenry Vaughan, Jeremy Taylor, Edward Sparke, and the Preservation of the Anglican Communion<\/td>\n141<\/td>\n<\/tr>\n
John Powell Ward<\/td>\nStill<\/td>\n160<\/td>\n<\/tr>\n
Meredith Andrea<\/td>\nThe Rea Book<\/td>\n161<\/td>\n<\/tr>\n
Jill Eulalie Dawson<\/td>\nThe Fragrance of Dead Bracken<\/td>\n163<\/td>\n<\/tr>\n
Paul Groves<\/td>\nNow<\/td>\n164<\/td>\n<\/tr>\n
Jacqueline Sousa<\/td>\nOne of Her Last Sundays<\/td>\n165<\/td>\n<\/tr>\n
Pippa Little<\/td>\nR iddling<\/td>\n166<\/td>\n<\/tr>\n
Judy Gahagan<\/td>\nLibellules<\/td>\n167<\/td>\n<\/tr>\n
William Oxley<\/td>\nThe Dance of Detail<\/td>\n169<\/td>\n<\/tr>\n
John Killick<\/td>\nEssence of Essences: Poetry and Dementia<\/td>\n171<\/td>\n<\/tr>\n
Norman Schwenk<\/td>\nWaiting<\/td>\n181<\/td>\n<\/tr>\n
Ian Parks<\/td>\nThe Vicinity<\/td>\n182<\/td>\n<\/tr>\n
Davide Trame<\/td>\nThe Stare<\/td>\n183<\/td>\n<\/tr>\n
Gary Allen<\/td>\nFestival of Neptune<\/td>\n184<\/td>\n<\/tr>\n
<\/td>\nPurgatory<\/td>\n185<\/td>\n<\/tr>\n
Zeeba Ansari<\/td>\nRenaissance Painter<\/td>\n186<\/td>\n<\/tr>\n
<\/td>\nSheela-na-gig<\/td>\n187<\/td>\n<\/tr>\n
Angela Morton<\/td>\nThe High Wire<\/td>\n188<\/td>\n<\/tr>\n
Donald Allchin<\/td>\nThe Many-Sided Traherne<\/td>\n192<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nFour for Grandchildren<\/td>\n203<\/td>\n<\/tr>\n
Neil Curry<\/td>\nTo: Robert Sutton, Worcester Cathedral<\/td>\n205<\/td>\n<\/tr>\n
Hilary Llewellyn-Williams<\/td>\nAn Eye Test<\/td>\n209<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Table of Contents   Author Title # Fiona Owen Through the Gate: a Poetics of Engagement 9 Ru th Bidgood \u2026<\/p>\n

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