{"id":383,"date":"2016-02-16T16:24:33","date_gmt":"2016-02-16T16:24:33","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=383"},"modified":"2020-09-02T16:24:42","modified_gmt":"2020-09-02T16:24:42","slug":"scintilla-14","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-14\/","title":{"rendered":"Scintilla 14"},"content":{"rendered":"

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Table of Contents<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nPoetry of Touch<\/td>\n9<\/td>\n<\/tr>\n
Sue Proffitt<\/td>\nT he White Roebuck<\/td>\n19<\/td>\n<\/tr>\n
Ruth Bidgood<\/td>\nNew Year Dream<\/td>\n21<\/td>\n<\/tr>\n
Meredith Andrea<\/td>\nPipistrelle<\/td>\n22<\/td>\n<\/tr>\n
Sheila Bryer<\/td>\nTaking time<\/td>\n23<\/td>\n<\/tr>\n
<\/td>\nWave (1)<\/td>\n24<\/td>\n<\/tr>\n
Myra Schneider<\/td>\nWater<\/td>\n25<\/td>\n<\/tr>\n
Fiona Owen<\/td>\nImago<\/td>\n26<\/td>\n<\/tr>\n
Robert Wilcher<\/td>\nHenry Vaughan and the Poetry of Trees<\/td>\n28<\/td>\n<\/tr>\n
Martina T homson<\/td>\nThe River Nairn<\/td>\n52<\/td>\n<\/tr>\n
<\/td>\nVisitation<\/td>\n53<\/td>\n<\/tr>\n
<\/td>\nMemoir<\/td>\n53<\/td>\n<\/tr>\n
Hilary Llewellyn-Williams<\/td>\nVigil<\/td>\n55<\/td>\n<\/tr>\n
Lotte Kramer<\/td>\nFirst Avalanche<\/td>\n56<\/td>\n<\/tr>\n
Carrie Etter<\/td>\nNo Swan<\/td>\n57<\/td>\n<\/tr>\n
Alison Brackenbury<\/td>\nNo excuse<\/td>\n58<\/td>\n<\/tr>\n
<\/td>\nKept<\/td>\n59<\/td>\n<\/tr>\n
Denise Bennett<\/td>\nAt Hardy’s Cottage<\/td>\n60<\/td>\n<\/tr>\n
Anne Cluysenaar<\/td>\nNot As Usual<\/td>\n61<\/td>\n<\/tr>\n
Jill Eulalie Dawson<\/td>\nErithracus Rubecula<\/td>\n62<\/td>\n<\/tr>\n
Glyn Pursglove<\/td>\nEdmund Blunden and Henry Vaughan: A Reminiscence and Some Observations<\/td>\n63<\/td>\n<\/tr>\n
Open Poetry Competition<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Adjudications<\/td>\n<\/td>\n82<\/td>\n<\/tr>\n
Short Poems<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Daphne Gloag<\/td>\nThe radio clock<\/td>\n87<\/td>\n<\/tr>\n
Angela Morton<\/td>\nBetween the moving shadows<\/td>\n89<\/td>\n<\/tr>\n
Meredith Andrea<\/td>\nJug<\/td>\n91<\/td>\n<\/tr>\n
Short Poems – Commended<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pat Borthwick<\/td>\nThe Spiny Mud Loach<\/td>\n93<\/td>\n<\/tr>\n
Heather Coffey<\/td>\nLegacy<\/td>\n95<\/td>\n<\/tr>\n
Janice Fixter<\/td>\nOnly the camel knows<\/td>\n96<\/td>\n<\/tr>\n
Kate Foley<\/td>\nTikkun Olam<\/td>\n97<\/td>\n<\/tr>\n
Ted Walter<\/td>\nMy Place or Theirs?<\/td>\n99<\/td>\n<\/tr>\n
Long Poems<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Philip Gross<\/td>\nPraise Song for the Taff<\/td>\n101<\/td>\n<\/tr>\n
Clare Holtham<\/td>\nWalter the Tramp<\/td>\n104<\/td>\n<\/tr>\n
Rose Flint<\/td>\nAfternoon, a Spit from the Road<\/td>\n106<\/td>\n<\/tr>\n
Long Poems – Commended<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mark Leech<\/td>\nSaint and City<\/td>\n108<\/td>\n<\/tr>\n
Angela Morton<\/td>\nThe Black and Silver Notebook<\/td>\n119<\/td>\n<\/tr>\n
Jane Rouch<\/td>\nThe Private Life of ‘Lepus lepus’<\/td>\n123<\/td>\n<\/tr>\n
K V Skene<\/td>\nLike the Heart Itself<\/td>\n126<\/td>\n<\/tr>\n
Margaret Wilmot<\/td>\nGood Friday, Greece, 2009<\/td>\n128<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jonathan Nauman<\/td>\nAlternative Saints: Eucherius and Silex Scintillans<\/td>\n132<\/td>\n<\/tr>\n
John Powell Ward<\/td>\nThinking Allowed<\/td>\n138<\/td>\n<\/tr>\n
Anthony Watts<\/td>\nThe Midwife<\/td>\n142<\/td>\n<\/tr>\n
John Daniel<\/td>\nOn Buying a Book of Poems by a Modern French Poet<\/td>\n144<\/td>\n<\/tr>\n
Christine McNeill<\/td>\nIdyll<\/td>\n145<\/td>\n<\/tr>\n
<\/td>\nTime<\/td>\n146<\/td>\n<\/tr>\n
Graham Hartill<\/td>\nUnder Old Fruit Trees<\/td>\n147<\/td>\n<\/tr>\n
Denise Inge<\/td>\nThe Lost Public Concerns of Thomas Traherne<\/td>\n149<\/td>\n<\/tr>\n
Margaret Wilmot<\/td>\nMy Aunt and Zbigniew Herbert<\/td>\n158<\/td>\n<\/tr>\n
Graham Hartill<\/td>\nTrouble with Light A personal introduction to the work of Ernest Becker<\/td>\n168<\/td>\n<\/tr>\n
Doiran Williams<\/td>\nSpeech Therapy<\/td>\n177<\/td>\n<\/tr>\n
Kate Foley<\/td>\nThe Myth of Snow and Love<\/td>\n178<\/td>\n<\/tr>\n
Gary Allen<\/td>\nDown ro the river<\/td>\n179<\/td>\n<\/tr>\n
<\/td>\nvan der Waals farm<\/td>\n181<\/td>\n<\/tr>\n
Ted Walter<\/td>\nCompany of Strangers<\/td>\n183<\/td>\n<\/tr>\n
Howard Wright<\/td>\nMuseum Sunday<\/td>\n186<\/td>\n<\/tr>\n
Angela Morton<\/td>\nFrom the Far Side of Silence<\/td>\n188<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Artwork by Robert Greenhalf<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Table of Contents   Author Title # Jeremy Hooker Poetry of Touch 9 Sue Proffitt T he White Roebuck 19 \u2026<\/p>\n

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