{"id":430,"date":"2016-03-23T09:49:25","date_gmt":"2016-03-23T09:49:25","guid":{"rendered":"https:\/\/www.vaughanassociation.org\/?page_id=430"},"modified":"2020-09-02T16:27:36","modified_gmt":"2020-09-02T16:27:36","slug":"scintilla-19","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-19\/","title":{"rendered":"Scintilla 19"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-417 \" src=\"http:\/\/sites.cardiff.ac.uk\/scintilla\/files\/2016\/03\/Scintilla-19-Cover-cropped-1024x723.jpg\" alt=\"Scintilla 19 Cover-cropped\" width=\"423\" height=\"299\" \/><\/p>\n<h3><\/h3>\n<h3 style=\"text-align: left\">Table of Contents<\/h3>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td><strong>Author<\/strong><\/td>\n<td width=\"368\"><strong>Title<\/strong><\/td>\n<td><strong>#<\/strong><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\"><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Preface<\/td>\n<td width=\"164\">9<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Robert Wilcher<\/td>\n<td width=\"164\">\u2018Henry Vaughan\u2019s Public and Private Elegies\u2019<\/td>\n<td width=\"164\">12<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Maria Apichella<\/td>\n<td width=\"164\">David Calls<\/td>\n<td width=\"164\">28<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Deuteronomy Reads<\/td>\n<td width=\"164\">29<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Bless me,<\/td>\n<td width=\"164\">30<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Matthew Barton<\/td>\n<td width=\"164\">Burial Chamber<\/td>\n<td width=\"164\">31<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Backwoods<\/td>\n<td width=\"164\">32<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Balancing Act<\/td>\n<td width=\"164\">33<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Joseph Ashmore<\/td>\n<td width=\"164\">Reimagining Scriptural Places in the Writing of Henry Vaughan<\/td>\n<td width=\"164\">34<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Ruth Bidgood<\/td>\n<td width=\"164\">Extremes<\/td>\n<td width=\"164\">52<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Making May<\/td>\n<td width=\"164\">53<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Triptych<\/td>\n<td width=\"164\">54<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Prue Chamberlayne<\/td>\n<td width=\"164\">How Beauty Travels<\/td>\n<td width=\"164\">57<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Jonathan Nauman<\/td>\n<td width=\"164\">Duplex Emulation: George Herbert\u2019s \u201cChristmas\u201d &amp; Henry Vaughan\u2019s \u201cChrist\u2019s Nativity<\/td>\n<td width=\"164\">58<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">William Virgil Davis<\/td>\n<td width=\"164\">His Life<\/td>\n<td width=\"164\">67<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">A Sonnet for Paul Muldoon<\/td>\n<td width=\"164\">68<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Departures<\/td>\n<td width=\"164\">69<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Woman with Her Hair Tousled by the Wind in Front of an Eclipse<\/td>\n<td width=\"164\">70<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">John Freeman<\/td>\n<td width=\"164\">A First Visit to Steep<\/td>\n<td width=\"164\">71<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Joseph Sterrett<\/td>\n<td width=\"164\">\u2018John Davies of Hereford, the King of Denmark &amp; Shakespeare\u2019s Meeting of Kings: Praise Beyond Praise\u2019<\/td>\n<td width=\"164\">73<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Marc Harshman<\/td>\n<td width=\"164\">Recoveries<\/td>\n<td width=\"164\">83<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Stone<\/td>\n<td width=\"164\">84<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Graham Harthill<\/td>\n<td width=\"164\">for Anne<\/td>\n<td width=\"164\">85<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Migrating Bones<\/td>\n<td width=\"164\">86<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Rosie Jackson<\/td>\n<td width=\"164\">Mary Shelley, Hyde Park, 1850<\/td>\n<td width=\"164\">90<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">John Donne Arriving in Heaven<\/td>\n<td width=\"164\">91<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Jeremy Hooker<\/td>\n<td width=\"164\">\u2018\u201cVaughan Variations\u201d: Anne Cluysenaar in conversation with Henry Vaughan\u2019<\/td>\n<td width=\"164\">92<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Oliver Marlow<\/td>\n<td width=\"164\">Would you grasp a nettle?<\/td>\n<td width=\"164\">110<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">School Chapel<\/td>\n<td width=\"164\">111<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Inside a church<\/td>\n<td width=\"164\">112<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Caroline Natzler<\/td>\n<td width=\"164\">I Saw<\/td>\n<td width=\"164\">114<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Into Life<\/td>\n<td width=\"164\">115<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">As If<\/td>\n<td width=\"164\">116<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Doiran Williams<\/td>\n<td width=\"164\">Spring Cleaning<\/td>\n<td width=\"164\">117<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Howard Wright<\/td>\n<td width=\"164\">Garden Furniture<\/td>\n<td width=\"164\">118<\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Hearth and Home<\/td>\n<td width=\"164\">120<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Jeremy Young<\/td>\n<td width=\"164\">Narcissus<\/td>\n<td width=\"164\">121<\/td>\n<\/tr>\n<tr>\n<td width=\"164\">Alan Rudrum<\/td>\n<td width=\"164\">Peter Thomas: A Remembrance<\/td>\n<td width=\"164\">122<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"368\"><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td width=\"164\"><\/td>\n<td width=\"164\">Contributors<\/td>\n<td width=\"164\">126<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Table of Contents &nbsp; Author Title # Preface 9 Robert Wilcher \u2018Henry Vaughan\u2019s Public and Private Elegies\u2019 12 Maria Apichella \u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-19\/\">Read<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":3515,"featured_media":0,"parent":179,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-430","page","type-page","status-publish","hentry"],"meta_box":[],"_links":{"self":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/users\/3515"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/comments?post=430"}],"version-history":[{"count":13,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/430\/revisions"}],"predecessor-version":[{"id":1339,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/430\/revisions\/1339"}],"up":[{"embeddable":true,"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/pages\/179"}],"wp:attachment":[{"href":"https:\/\/sites.cardiff.ac.uk\/scintilla\/wp-json\/wp\/v2\/media?parent=430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}