{"id":688,"date":"2018-01-15T18:45:36","date_gmt":"2018-01-15T18:45:36","guid":{"rendered":"http:\/\/www.vaughanassociation.org\/?page_id=688"},"modified":"2020-09-02T16:27:56","modified_gmt":"2020-09-02T16:27:56","slug":"scintilla-20-2","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-20-2\/","title":{"rendered":"Scintilla 20"},"content":{"rendered":"

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Table of Contents<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\u00a0Preface<\/td>\n7<\/td>\n<\/tr>\n
Jonathan Nauman<\/td>\nVarying Arrangements: Observations on Some Copies of Henry Vaughan\u2019s\u00a0Silex Scintillans<\/em> (1655)<\/td>\n9<\/td>\n<\/tr>\n
Elizabeth Rapp<\/td>\nElijah<\/td>\n19<\/td>\n<\/tr>\n
Fiona Owen<\/td>\nTing<\/td>\n20<\/td>\n<\/tr>\n
Charles Wilkinson<\/td>\nTracking Westwards<\/td>\n21<\/td>\n<\/tr>\n
<\/td>\nStones in the Bowman\u2019s Dreams<\/td>\n23<\/td>\n<\/tr>\n
<\/td>\nHunter<\/td>\n24<\/td>\n<\/tr>\n
<\/td>\nReaping<\/td>\n24<\/td>\n<\/tr>\n
Jock Stein<\/td>\nOn a Retreat at Beech Hill<\/td>\n25<\/td>\n<\/tr>\n
John Freeman<\/td>\nCountry Dancing<\/td>\n26<\/td>\n<\/tr>\n
Hilary Davies<\/td>\nSebastian Barker: The Spiritual Journey of a Poet in the Modern World<\/td>\n27<\/td>\n<\/tr>\n
Helen Moore<\/td>\nFirst Contact<\/td>\n49<\/td>\n<\/tr>\n
<\/td>\nMother Tongue<\/td>\n51<\/td>\n<\/tr>\n
Alex Barr<\/td>\nLight and Dark<\/td>\n52<\/td>\n<\/tr>\n
<\/td>\nGerman Girl in Old Castile<\/td>\n53<\/td>\n<\/tr>\n
Thomas R. Smith<\/td>\nAt Trinity College<\/td>\n54<\/td>\n<\/tr>\n
Jonathan Wooding<\/td>\nSilent School<\/td>\n55<\/td>\n<\/tr>\n
<\/td>\nS\u00f8ren Kierkegaard\u2019s Garden<\/td>\n57<\/td>\n<\/tr>\n
Lesley Saunders<\/td>\nSappho on Inishbofin<\/td>\n59<\/td>\n<\/tr>\n
Elizabeth S. Dodd<\/td>\nThe Spirit of the Religious Lyric: Towards Further Conversations between Literature and Theology<\/td>\n66<\/td>\n<\/tr>\n
Margaret Wilmot<\/td>\nLike wax melting<\/td>\n79<\/td>\n<\/tr>\n
<\/td>\nRomney Marsh<\/td>\n80<\/td>\n<\/tr>\n
<\/td>\nFerry Quay<\/td>\n81<\/td>\n<\/tr>\n
Rose Flint<\/td>\nStorm in May, Crete<\/td>\n82<\/td>\n<\/tr>\n
Stevie Krayer<\/td>\nThis thing<\/td>\n83<\/td>\n<\/tr>\n
<\/td>\nGarden of Remembrance<\/td>\n84<\/td>\n<\/tr>\n
Nicholas Murray<\/td>\nA Green Thought<\/td>\n85<\/td>\n<\/tr>\n
<\/td>\nSweetness<\/td>\n86<\/td>\n<\/tr>\n
<\/td>\nShowings<\/td>\n87<\/td>\n<\/tr>\n
<\/td>\nWhite Gloves<\/td>\n88<\/td>\n<\/tr>\n<\/tbody>\n
Victoria Field<\/td>\nCevennes<\/td>\n89<\/td>\n<\/tr>\n
<\/td>\nRitual<\/td>\n90<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nRevisiting \u2018God\u2019s Houses\u2019<\/td>\n91<\/td>\n<\/tr>\n
Helen Overell<\/td>\nEmpty your heart and pour out all created things<\/td>\n104<\/td>\n<\/tr>\n
Jill Townsend<\/td>\nCrossing Over<\/td>\n105<\/td>\n<\/tr>\n
John Welch<\/td>\nIn Folly\u2019s Shade<\/td>\n106<\/td>\n<\/tr>\n
Kay Cotton<\/td>\nA postcard from Honfleur<\/td>\n110<\/td>\n<\/tr>\n
Miles Parker<\/td>\nNorth-East<\/td>\n111<\/td>\n<\/tr>\n
Tony Brown<\/td>\nPrey and Other Poems: Some Late Unpublished Manuscripts by R.S. Thomas<\/td>\n112<\/td>\n<\/tr>\n
Graham Hartill<\/td>\nFurther to the World<\/td>\n132<\/td>\n<\/tr>\n
<\/td>\nTurns<\/td>\n134<\/td>\n<\/tr>\n
Alan Vaughan Williams<\/td>\nChange<\/td>\n137<\/td>\n<\/tr>\n
Mandy Pannett<\/td>\nAn Accidental Shattering<\/td>\n139<\/td>\n<\/tr>\n
Maria Apichella<\/td>\nPraise<\/td>\n140<\/td>\n<\/tr>\n
Patrick Bond<\/td>\nJanuary Mordant<\/td>\n141<\/td>\n<\/tr>\n
W. Richard Bowen<\/td>\nInterim Reports of the Inaccessible: The Quest for Meaning in the Poetry of John Ormond<\/td>\n142<\/td>\n<\/tr>\n
Philip Gross<\/td>\nAuditorium<\/td>\n161<\/td>\n<\/tr>\n
<\/td>\nDanseuse Cambodgienne<\/td>\n164<\/td>\n<\/tr>\n<\/tbody>\n
<\/td>\nEar Candle<\/td>\n165<\/td>\n<\/tr>\n<\/tbody>\n
Thor Bacon<\/td>\nOde to the Conductor<\/td>\n167<\/td>\n<\/tr>\n
Chris Preddle<\/td>\nMag Brook 1<\/td>\n168<\/td>\n<\/tr>\n
<\/td>\nMag Brook 2<\/td>\n170<\/td>\n<\/tr>\n<\/tbody>\n
David Hart<\/td>\nIt is not customary<\/td>\n171<\/td>\n<\/tr>\n
Greg Miller<\/td>\nThe Burning Bush Triptych (1476)<\/td>\n172<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nContributors<\/td>\n174<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Table of Contents   Author Title # \u00a0Preface 7 Jonathan Nauman Varying Arrangements: Observations on Some Copies of Henry Vaughan\u2019s\u00a0Silex \u2026<\/p>\n

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