{"id":905,"date":"2019-06-18T12:16:37","date_gmt":"2019-06-18T12:16:37","guid":{"rendered":"http:\/\/www.vaughanassociation.org\/?page_id=905"},"modified":"2020-09-02T16:28:16","modified_gmt":"2020-09-02T16:28:16","slug":"scintilla-21","status":"publish","type":"page","link":"https:\/\/sites.cardiff.ac.uk\/scintilla\/scintilla-issues\/scintilla-21\/","title":{"rendered":"Scintilla 21"},"content":{"rendered":"

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 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author<\/strong><\/td>\nTitle<\/strong><\/td>\n#<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nPreface<\/td>\n9<\/td>\n<\/tr>\n
Rowen Williams<\/td>\nReflections on The Vaughan Brothers: Poetry meets Metaphysics<\/td>\n11<\/td>\n<\/tr>\n
John Freeman<\/td>\nBeing There<\/td>\n22<\/td>\n<\/tr>\n
Ricky Ray<\/td>\nHaunting for Good<\/td>\n24<\/td>\n<\/tr>\n
Cristopher Meredith<\/td>\nFumitory<\/td>\n25<\/td>\n<\/tr>\n
<\/td>\nVillage Birds<\/td>\n26<\/td>\n<\/tr>\n
<\/td>\nGhost<\/td>\n29<\/td>\n<\/tr>\n
Eithne Lannon<\/td>\nPulse<\/td>\n30<\/td>\n<\/tr>\n
<\/td>\nThin Pulse<\/td>\n31<\/td>\n<\/tr>\n
Carol DeVaughn<\/td>\nEvening<\/td>\n32<\/td>\n<\/tr>\n
<\/td>\nSunrise<\/td>\n33<\/td>\n<\/tr>\n
<\/td>\nMidnight<\/td>\n34<\/td>\n<\/tr>\n
Robert Wilcher<\/td>\nHenry Vaughan’s Art Poetica<\/em><\/td>\n35<\/td>\n<\/tr>\n
Rosie Jackson<\/td>\nInterrupted<\/td>\n53<\/td>\n<\/tr>\n
<\/td>\nRabia and the Thief<\/td>\n54<\/td>\n<\/tr>\n
Charles Wilkinson<\/td>\nForme<\/td>\n55<\/td>\n<\/tr>\n
Alan Payne<\/td>\nMoving the Lawn<\/td>\n56<\/td>\n<\/tr>\n
<\/td>\nHurricanoes<\/td>\n57<\/td>\n<\/tr>\n
John Haynes<\/td>\nA Watching Still Awhile<\/td>\n58<\/td>\n<\/tr>\n
<\/td>\nAnd then your Secondary School Ring Binder<\/td>\n59<\/td>\n<\/tr>\n
Susan Wallace<\/td>\nTimber<\/td>\n60<\/td>\n<\/tr>\n
Sean H. McDowell<\/td>\nHenry Vaughan’s Welsh Bird<\/td>\n61<\/td>\n<\/tr>\n
Paul Matthews<\/td>\nFor Now<\/td>\n83<\/td>\n<\/tr>\n
<\/td>\nHere Now<\/td>\n84<\/td>\n<\/tr>\n
<\/td>\nThis Moment<\/td>\n85<\/td>\n<\/tr>\n
<\/td>\nHearts are Trumps<\/td>\n86<\/td>\n<\/tr>\n
<\/td>\nFrom Left to Right<\/td>\n87<\/td>\n<\/tr>\n
James Peake<\/td>\nThe Hum<\/td>\n88<\/td>\n<\/tr>\n
<\/td>\nThe Luxury Apartment<\/td>\n88<\/td>\n<\/tr>\n
<\/td>\nThe Would-be Venue<\/td>\n89<\/td>\n<\/tr>\n
<\/td>\nThe Club<\/td>\n90<\/td>\n<\/tr>\n
<\/td>\nThe Tunnel<\/td>\n91<\/td>\n<\/tr>\n
<\/td>\nThe Open Window<\/td>\n92<\/td>\n<\/tr>\n
Patrick Deeley<\/td>\nThe Ash Pit<\/td>\n93<\/td>\n<\/tr>\n
<\/td>\nAnthony of the Dessert<\/td>\n95<\/td>\n<\/tr>\n
<\/td>\nT. Rex Skull, Ulster Museum<\/td>\n96<\/td>\n<\/tr>\n
Michael Durrant<\/td>\n‘Who hears or reads of That<\/em>, shall publish Thee<\/em>‘: Print, Transmission, and the King’s Book<\/td>\n97<\/td>\n<\/tr>\n
Pete Mullineaux<\/td>\nSmall Hungers<\/td>\n121<\/td>\n<\/tr>\n
Rose Flint<\/td>\nfrom Lunar Station<\/em>: Icy Salty Cocktail in a Thin Stemmed Glass<\/td>\n122<\/td>\n<\/tr>\n
K.V. Skene<\/td>\nSAD – Seasonal Affective Disorder<\/td>\n124<\/td>\n<\/tr>\n
K.F. Duffin<\/td>\nMrs. Reed<\/td>\n125<\/td>\n<\/tr>\n
<\/td>\nLate Cicada<\/td>\n126<\/td>\n<\/tr>\n
Chris Preddle<\/td>\nThe Grey Heron<\/td>\n127<\/td>\n<\/tr>\n
<\/td>\nJacqueline on the Hill<\/td>\n128<\/td>\n<\/tr>\n
W.D. Jackson<\/td>\nAs You Like It – Rosalind<\/td>\n129<\/td>\n<\/tr>\n
<\/td>\nThe Tempest – Miranda<\/td>\n130<\/td>\n<\/tr>\n
Jonathan Nauman<\/td>\nFrom Letter to Spirit: Henry Vaughan’s Herbertian Poetic<\/td>\n131<\/td>\n<\/tr>\n
Maria Apichella<\/td>\nAn Epilectic Entering Chartres Cathedral<\/td>\n142<\/td>\n<\/tr>\n
<\/td>\nStar-lit<\/td>\n143<\/td>\n<\/tr>\n
Nicholas Murray<\/td>\nDiptych<\/td>\n144<\/td>\n<\/tr>\n
<\/td>\nThe Empty Book<\/td>\n145<\/td>\n<\/tr>\n
Roger Garfitt<\/td>\nAfter the Great Storm<\/td>\n146<\/td>\n<\/tr>\n
Alyson Hallett<\/td>\nThe Last Time<\/td>\n148<\/td>\n<\/tr>\n
Matthew Barton<\/td>\nWalking the Frome<\/td>\n149<\/td>\n<\/tr>\n
Philip Gross<\/td>\nSpiegel im Spiegel<\/td>\n151<\/td>\n<\/tr>\n
Jeremy Hooker<\/td>\nDavid Jones, Metaphysical Poet<\/td>\n158<\/td>\n<\/tr>\n
Laura Potts<\/td>\nJarrow Doll<\/td>\n173<\/td>\n<\/tr>\n
Jonathan Wooding<\/td>\nmaker<\/td>\n174<\/td>\n<\/tr>\n
<\/td>\nDaleth\/Adhaesit pavimento<\/td>\n175<\/td>\n<\/tr>\n
<\/td>\nWaw\/Et veniat super me<\/td>\n176<\/td>\n<\/tr>\n
<\/td>\nTeth\/Bonitatem fecisti<\/td>\n177<\/td>\n<\/tr>\n
<\/td>\nYodh\/Manus tuae feverunt me<\/td>\n178<\/td>\n<\/tr>\n
Beatrice Tessier<\/td>\nNew Life<\/td>\n179<\/td>\n<\/tr>\n
<\/td>\nCopper loch<\/td>\n180<\/td>\n<\/tr>\n
Paul Connolly<\/td>\nDead Dog<\/td>\n181<\/td>\n<\/tr>\n
John Barnie<\/td>\nHouse Party<\/td>\n183<\/td>\n<\/tr>\n
Miriam Craig<\/td>\nJackdaws, the Lake District<\/td>\n184<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nReviews<\/td>\n<\/td>\n<\/tr>\n
Sarah Hutton<\/td>\nReview of Thomas Traherne and Seventeenth-Century Thought<\/em><\/td>\n185<\/td>\n<\/tr>\n
Anne-Marie Miller-Blaise<\/td>\nReview of Henry Vaughan and the Usk Valley<\/em><\/td>\n187<\/td>\n<\/tr>\n
Sean H. McDowell<\/td>\nReview of Returning to Donne<\/em><\/td>\n189<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nContributors<\/td>\n192<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Table of Contents   Author Title # Preface 9 Rowen Williams Reflections on The Vaughan Brothers: Poetry meets Metaphysics 11 \u2026<\/p>\n

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