Articles (by Author)

BOOK REVIEW: Detours All the Way

by Neil Badmington

Review of Claude Coste, Roland Barthes ou l’art du détour (Paris: Hermann Éditeurs, 2016).

This entry was posted on November 12, 2017 by Neil Badmington. Edit This

BOOK REVIEW: A Subtle Dance

by David F. Bell

Review of Katja Haustein, Alone With Others: An Essay on Tact in Five Modernist Encounters (Cambridge: Cambridge University Press, 2023).

This entry was posted on November 12, 2024 by Neil Badmington. Edit This

BOOK REVIEW: In the Monastery

by Sarah Bernstein

Review of Knut Stene-Johansen, Christian Refsum, Johan Schimanski, eds, Living Together: Roland Barthes, the Individual and the Community (Bielefeld: transcript, 2018).

This entry was posted on November 12, 2019 by Neil Badmington. Edit This

Tuning In

by Brian Blanchfield

Brian Blanchfield in conversation with Kate Briggs.

This entry was posted on November 12, 2024 by Neil Badmington. Edit This

Preparing

by Kate Briggs

Article co-authored by Kate Briggs and Sunil Manghani.

This entry was posted on November 12, 2024 by Neil Badmington. Edit This

Learning

by Kate Briggs

Article co-authored by Kate Briggs and Sunil Manghani.

This entry was posted on November 12, 2024 by Neil Badmington. Edit This

Beginning

by Victor Burgin
This entry was posted on November 12, 2024 by Neil Badmington. Edit This

BOOK REVIEW: À la recherche du temps retrouvé

by Ruth Daly

Review of Roland Barthes, Album: Unpublished Correspondence and Texts, ed. by Éric Marty, trans. by Jody Gladding (New York: Columbia University Press, 2018).

This entry was posted on November 12, 2018 by Neil Badmington. Edit This

Interrupting

by Anfisa Doroshenko
This entry was posted on November 12, 2024 by Neil Badmington. Edit This

BOOK REVIEW: The Generous Writer

by Sophie Eager

Review of Jürgen Pieters, On Literature and Consolation: Fictions of Comfort (Edinburgh: Edinburgh University Press, 2021).

This entry was posted on November 12, 2021 by Neil Badmington. Edit This

BOOK REVIEW: Concise Portraits

by Sam Ferguson

Review of Roland Barthes, ‘Masculine, Feminine, Neuter’ and Other Writings on Literature: Essays and Interviews, Volume 3, trans. by Chris Turner (Calcutta: Seagull Books, 2016) AND ‘Simply a Particular Contemporary’: Interviews, 1970-79: Essays and In …

This entry was posted on November 12, 2017 by Neil Badmington. Edit This

BOOK REVIEW: Critical Encounters

by Thomas Gould

Review of Ryan Bishop and Sunil Manghani, eds, Seeing Degree Zero: Barthes/Burgin and Political Aesthetics (Edinburgh: Edinburgh University Press, 2019).

This entry was posted on November 12, 2019 by Neil Badmington. Edit This

BOOK REVIEW: Lines of Influence

by Thomas Gould

Review of Anna Lovatt, Drawing Degree Zero: The Line from Minimal to Conceptual Art (University Park, PA: Pennsylvania State University Press, 2019).

This entry was posted on November 12, 2020 by Neil Badmington. Edit This

BOOK REVIEW: Modernist Barthes

by Katja Haustein

Review of Jeffrey R. Di Leo and Zahi Zalloua, eds, Understanding Barthes, Understanding Modernism (London: Bloomsbury, 2023).

This entry was posted on November 12, 2023 by Neil Badmington. Edit This

BOOK REVIEW: Imprinted by Proust

by Eleanor Lischka

Review of Thomas Baldwin, Roland Barthes: The Proust Variations (Liverpool: Liverpool University Press, 2019).

This entry was posted on November 12, 2022 by Neil Badmington. Edit This

REVIEW ESSAY: Changing the Object

by Sunil Manghani

Review of Diana Knight, ed., Interdisciplinary Barthes (Oxford: Oxford University Press, 2020).

This entry was posted on November 12, 2022 by Neil Badmington. Edit This

BOOK REVIEW: The Bud Equals the Flower

by John McKeane

Review of Andy Stafford, Roland Barthes Writing the Political: History, Dialectics, Self (London: Anthem, 2023).

This entry was posted on November 12, 2023 by Neil Badmington. Edit This

BOOK REVIEW: A Lover’s Discourse Through Fresh Eyes

by Armine Kotin Mortimer

Review of Patrick ffrench and Timothy Mathews, eds, ‘Roland Barthes’ Fragments of a Lover’s Discourse: Translating Again, Writing Again’, special issue of CounterText: A Journal for the Study of the Post-Literary, 9.1 (April 2023).

This entry was posted on November 12, 2024 by Neil Badmington. Edit This

BOOK REVIEW: And Other Writings

by Nat Riley

Review of Roland Barthes, ‘A Very Fine Gift’ and Other Writings on Theory: Essays and Interviews, Volume 1, trans. by Chris Turner (Calcutta: Seagull Books, 2015) AND Signs and Images: Writings on Art, Cinema and Photography: Essays and Interviews, Vol …

This entry was posted on November 12, 2017 by Neil Badmington. Edit This

BOOK REVIEW: An Ideological Revolver?

by Andy Stafford

Review of Roland Barthes, ‘The “Scandal” of Marxism’ and Other Writings: Essays and Interviews, Volume 2, trans. by Chris Turner (Calcutta: Seagull Press, 2015).

This entry was posted on November 12, 2017 by Neil Badmington. Edit This

CONFERENCE REPORT: Global Barthes

by Andy Stafford

Report on the ‘Global Barthes’ conference held at Meiji University, Tokyo, Saturday 18 May 2024.

This entry was posted on November 12, 2024 by Neil Badmington. Edit This

BOOK REVIEW: Resistance

by Michael Wood

Review of Philip Watts, Roland Barthes’ Cinema, ed. by Dudley Andrew, Yves Citton, Vincent Debaene, and Sam Di Iorio (New York: Oxford University Press, 2016).

This entry was posted on November 26, 2016 by Neil Badmington. Edit This

BOOK REVIEW: A Consistent Theory of Film

by Michael Wood

Review of Patrick ffrench, Roland Barthes and Film: Myth, Eroticism and Poetics (London and New York: Bloomsbury Academic, 2019).

This entry was posted on November 12, 2020 by Neil Badmington. Edit This

BOOK REVIEW: New Mythologies

by Martyn Woodward

Review of Rebecca Houze, New Mythologies in Design and Culture: Reading Signs and Symbols in the Visual Landscape (London and New York: Bloomsbury, 2016).

This entry was posted on November 26, 2016 by Neil Badmington. Edit This

Rehearsing

by Katarina Zdjelar

Katarina Zdjelar in conversation with Kate Briggs.

This entry was posted on November 12, 2024 by Neil Badmington. Edit This