Articles by volume

Editorial (Volume 3)

by Neil Badmington
This entry was posted on November 12, 2017 by Neil Badmington.

BOOK REVIEW: Who Killed Roland Barthes?

by Lucy O'Meara

Review of Laurent Binet, The 7th Function of Language, trans. by Sam Taylor (London: Harvill Secker, 2017).

This entry was posted on November 12, 2017 by Neil Badmington.

BOOK REVIEW: The Voice of a Friend Who has Gone

by Nicholas P. Greco

Review of Philippe Sollers, The Friendship of Roland Barthes, trans. by Andrew Brown (Cambridge: Polity Press, 2017).

This entry was posted on November 12, 2017 by Neil Badmington.

BOOK REVIEW: The Somatic Joys of Kicking

by Benjamin N. Judkins

Review of Paul Bowman, Mythologies of Martial Arts (London and New York: Rowman & Littlefield, 2017).

This entry was posted on November 12, 2017 by Neil Badmington.

BOOK REVIEW: And Other Writings

by Nat Riley

Review of Roland Barthes, ‘A Very Fine Gift’ and Other Writings on Theory: Essays and Interviews, Volume 1, trans. by Chris Turner (Calcutta: Seagull Books, 2015) AND Signs and Images: Writings on Art, Cinema and Photography: Essays and Interviews, Vol …

This entry was posted on November 12, 2017 by Neil Badmington.

BOOK REVIEW: An Ideological Revolver?

by Andy Stafford

Review of Roland Barthes, ‘The “Scandal” of Marxism’ and Other Writings: Essays and Interviews, Volume 2, trans. by Chris Turner (Calcutta: Seagull Press, 2015).

This entry was posted on November 12, 2017 by Neil Badmington.

BOOK REVIEW: Concise Portraits

by Sam Ferguson

Review of Roland Barthes, ‘Masculine, Feminine, Neuter’ and Other Writings on Literature: Essays and Interviews, Volume 3, trans. by Chris Turner (Calcutta: Seagull Books, 2016) AND ‘Simply a Particular Contemporary’: Interviews, 1970-79: Essays and In …

This entry was posted on November 12, 2017 by Neil Badmington.

BOOK REVIEW: Detours All the Way

by Neil Badmington

Review of Claude Coste, Roland Barthes ou l’art du détour (Paris: Hermann Éditeurs, 2016).

This entry was posted on November 12, 2017 by Neil Badmington.