Review of Claude Coste, Roland Barthes ou l’art du détour (Paris: Hermann Éditeurs, 2016).

Review of Knut Stene-Johansen, Christian Refsum, Johan Schimanski, eds, Living Together: Roland Barthes, the Individual and the Community (Bielefeld: transcript, 2018).

Translated by Andy Stafford.

Review of Roland Barthes, Album: Unpublished Correspondence and Texts, ed. by Éric Marty, trans. by Jody Gladding (New York: Columbia University Press, 2018).

Review of Jürgen Pieters, On Literature and Consolation: Fictions of Comfort (Edinburgh: Edinburgh University Press, 2021).

Review of Roland Barthes, ‘Masculine, Feminine, Neuter’ and Other Writings on Literature: Essays and Interviews, Volume 3, trans. by Chris Turner (Calcutta: Seagull Books, 2016) AND ‘Simply a Particular Contemporary’: Interviews, 1970-79: Essays and In …

Translated by Sam Ferguson

Review of Ryan Bishop and Sunil Manghani, eds, Seeing Degree Zero: Barthes/Burgin and Political Aesthetics (Edinburgh: Edinburgh University Press, 2019).

Review of Anna Lovatt, Drawing Degree Zero: The Line from Minimal to Conceptual Art (University Park, PA: Pennsylvania State University Press, 2019).

Review of Philippe Sollers, The Friendship of Roland Barthes, trans. by Andrew Brown (Cambridge: Polity Press, 2017).

Review of Scott S. Elliott, The Rustle of Paul: Autobiographical Narratives in Romans, Corinthians, and Philippians (London: Bloomsbury, 2020).

Review of Kate Briggs, This Litle Art (London: Fitzcarraldo Editions, 2017).

Review of Jeffrey R. Di Leo and Zahi Zalloua, eds, Understanding Barthes, Understanding Modernism (London: Bloomsbury, 2023).

Review of Paul Bowman, Mythologies of Martial Arts (London and New York: Rowman & Littlefield, 2017).

Review of Thomas Baldwin, Roland Barthes: The Proust Variations (Liverpool: Liverpool University Press, 2019).

Translated by Andy Stafford.

Review of Diana Knight, ed., Interdisciplinary Barthes (Oxford: Oxford University Press, 2020).

Review of Andy Stafford, Roland Barthes Writing the Political: History, Dialectics, Self (London: Anthem, 2023).

Interview by Neil Badmington.

Review of Ryan Bishop and Sunil Manghani, eds., Barthes/Burgin: Research Notes for an Exhibition (Edinburgh: Edinburgh University Press, 2016).

Review of Laurent Binet, The 7th Function of Language, trans. by Sam Taylor (London: Harvill Secker, 2017).

Article co-authored by Kris Pint and Maria Gil Ulldemolins.

Review of Roland Barthes, ‘A Very Fine Gift’ and Other Writings on Theory: Essays and Interviews, Volume 1, trans. by Chris Turner (Calcutta: Seagull Books, 2015) AND Signs and Images: Writings on Art, Cinema and Photography: Essays and Interviews, Vol …

Review of Harry Robert Wilson and Will Daddario, eds, Rethinking Roland Barthes Through Performance: A Desire for Neutral Dramaturgy (London: Bloomsbury, 2023).

Review of Tiphaine Samoyault, Roland Barthes. Biographie (Paris: Seuil, 2015)

Review of Roland Barthes, ‘The “Scandal” of Marxism’ and Other Writings: Essays and Interviews, Volume 2, trans. by Chris Turner (Calcutta: Seagull Press, 2015).

Review of Philip Watts, Roland Barthes’ Cinema, ed. by Dudley Andrew, Yves Citton, Vincent Debaene, and Sam Di Iorio (New York: Oxford University Press, 2016).

Review of Patrick ffrench, Roland Barthes and Film: Myth, Eroticism and Poetics (London and New York: Bloomsbury Academic, 2019).

Review of Rebecca Houze, New Mythologies in Design and Culture: Reading Signs and Symbols in the Visual Landscape (London and New York: Bloomsbury, 2016).

Review of Andy Stafford, Roland Barthes (London: Reaktion Books, 2015)