Editorial (Volume 8)
by Neil BadmingtonSade After Eros: Barthes, Carter, and the Pornography of Meaning
by Austin Svedjan‘The portly dignity of a Trafalgar Square pigeon’: The Form and Resistance of Character in Angela Carter’s Nights at the Circus
by Friederike DanebrockREVIEW ESSAY: Changing the Object
by Sunil ManghaniReview of Diana Knight, ed., Interdisciplinary Barthes (Oxford: Oxford University Press, 2020).
BOOK REVIEW: Imprinted by Proust
by Eleanor LischkaReview of Thomas Baldwin, Roland Barthes: The Proust Variations (Liverpool: Liverpool University Press, 2019).