Barthes Studies

An open-access journal for research in English on the work of Roland Barthes

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ISSN 2058-3680

Category Archives: Volume 8: Angela Carter and Roland Barthes

Guest-editor: Marine Furet. Published on 12 November 2022.

BOOK REVIEW: Imprinted by Proust

Review of Thomas Baldwin, Roland Barthes: The Proust Variations (Liverpool: Liverpool University Press, 2019).

This entry was posted in Volume 8: Angela Carter and Roland Barthes on November 12, 2022 by Neil Badmington.

REVIEW ESSAY: Changing the Object

Review of Diana Knight, ed., Interdisciplinary Barthes (Oxford: Oxford University Press, 2020).

This entry was posted in Volume 8: Angela Carter and Roland Barthes on November 12, 2022 by Neil Badmington.

‘The portly dignity of a Trafalgar Square pigeon’: The Form and Resistance of Character in Angela Carter’s Nights at the Circus

This entry was posted in Volume 8: Angela Carter and Roland Barthes on November 12, 2022 by Neil Badmington.

Sade After Eros: Barthes, Carter, and the Pornography of Meaning

This entry was posted in Volume 8: Angela Carter and Roland Barthes on November 12, 2022 by Neil Badmington.

Editorial (Volume 8)

This entry was posted in Volume 8: Angela Carter and Roland Barthes on November 12, 2022 by Neil Badmington.

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Volumes

Volume 10: Preparations (forthcoming in November 2024) (1)
Volume 1: Roland Barthes at 100 (12)
Volume 2: Roland Barthes and Poetry (9)
Volume 3 (13)
Volume 4 (6)
Volume 5: Roland Barthes and Greece, Ancient and Modern (10)
Volume 6: S/Z/L: Fifty Years of S/Z (8)
Volume 7 (11)
Volume 8: Angela Carter and Roland Barthes (5)
Volume 9 (7)

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