| Author |
Title |
# |
|
|
|
|
Preface |
7 |
| John Powell Ward |
Traherne’s Cosmic Consciousness |
9 |
| B. J. Buckley |
Parallel Universe |
22 |
| Glenda Beagan |
Time’s Egg |
24 |
|
Brighid |
25 |
| Alison Brackenbury |
In Orbit |
27 |
|
On the visit |
28 |
| Peter Gruffydd |
Mixing Colours |
29 |
| Seamus Heaney |
Moyulla |
31 |
| Jeremy Hooker |
Reflections on ‘ground’ |
34 |
| Graham Hartill |
Bronze Fennel |
42 |
| Linda Black |
Who is to say? |
43 |
| Jane Routh |
The Path to the Helleborine |
45 |
| John Killick |
The Big House |
47 |
| John Barnie |
Between the Town and Llanwenarth |
49 |
|
The Deri in August |
49 |
| Anne Cluysenaar |
Now |
50 |
| Clare Crossman |
Sunflowers |
52 |
| Hubert Moore |
Watering |
53 |
| Glyn Pursglove |
Storms rurn to music |
54 |
| Mary Michaels |
Fresco |
77 |
| Mimi Khalvati |
On Lines from Fahmida Riaz and Foroogh Farrokhzad |
78 |
|
Ghazal (of ghazals) |
79 |
|
On a Line from Sappho |
80 |
| Kate Foley |
To Dream of Animals |
81 |
| Myra Schneider |
Repair: Writing, Poetry and Therapy |
82 |
| Kim Taplin |
Not a Breath |
97 |
|
“We Are Made To Lov” |
99 |
| Penelope Shuttle |
Shawl of Dew |
100 |
|
Fatherghost |
101 |
| Pat Earnshaw |
Fugitive Art |
102 |
| Fiona Owen |
Why I write |
104 |
| Lotte Kramer |
The Ampersand |
106 |
| John Welch |
When in Rome |
107 |
|
|
|
| Open Poetry Competition |
|
|
| Adjudications |
|
118 |
| Short Poems |
|
|
| Pat Borthwick |
Past Twelve O’clock |
125 |
| Kate Foley |
Throwing Up The Baby |
127 |
| Lauraine Palmeri |
The Story of Hen-body and the Secret Self of Egg |
128 |
| Short Poems – Commended |
|
|
| Linda Black |
See a Penny |
130 |
| Daphne Gloag |
Adam Delving |
132 |
| Mary MacRae |
The Clearing |
133 |
| M. C. Newton |
A window in our new house ovedooks the sea |
135 |
| Dilys Wood |
In Northamptonshire, I Arn |
137 |
| Long Poems |
|
|
| Stephen Parr |
Visiting the Etruscan Tombs at Volterra |
138 |
| Sean Street |
The Broadcast |
144 |
| Elizabeth Burns |
Interiors (after Gwen John) |
148 |
| Long Poems – Commended |
|
|
| Heather Coffey |
Votive |
151 |
| Rose Flint |
The City of Cherished Words |
154 |
| Giles Goodland |
Myths of the Origin of Language |
157 |
| Amanda Parkin |
Skin |
159 |
|
|
|
| John Hines |
Aire disguis’d’: Metaphors of Genre and Henry Vaughan’s Sacred Hymns |
164 |
| Ruth Bidgood |
Renegade |
183 |
| Gary AJlen |
Equinox |
186 |
| Jacqueline Karp |
Caged in |
188 |
| Lynne Wycherley |
The Westray Angel |
190 |
| Jane Routh |
The River Pilot’s Wife |
192 |
| Mercer Simpson |
The Island of Fishermen |
193 |
| Jonathan Nauman & Peter Thomas |
Sir Charles Egerton of Newborough |
196 |
| Mary MacRae |
Stone Lanterns |
209 |
|
As dew |
210 |
| Neil Curry |
Beneath the Wave Off Kanagawa |
211 |
| Anne Ryland |
Seal Song |
213 |
| Rose Flint |
Creative Writing for J. |
214 |
| Ann Phillips |
Life Mask |
215 |
| Jeremy Hilton |
A Long Darkness |
217 |
| Tony Connor |
Phillips Table Model V |
219 |
| Brian Walsham |
See |
221 |
| Holly Faith Nelson |
Make all things new! And without end! : The Eschatological Vision of Henry Vaughan |
222 |
