| Author |
Title |
# |
|
|
|
|
Preface |
9 |
| Jonathan F.S. Post |
Walking with Vaughan in Silex Scintillans |
11 |
| Frances-Anne King |
Nautilus |
30 |
| Howard Wright |
Clocks |
32 |
| Marc Harshman |
Glebe Wall, Oxfordshire |
33 |
| Paul Connolly |
Struldbrugs |
37 |
|
London Baptism |
39 |
| Lawrence Sail |
Sea Pictures |
40 |
| Margaret Wilmot |
Here on earth |
42 |
| Thomas R. Smith |
Dartmoor Morning |
44 |
| John Barnie |
Nature Study |
46 |
|
Sunglasses |
47 |
| Jonathan Nauman |
‘The Philosopher’s Vision: Experiencing the Consolatio Philosophiae in Silex Scintillans and Thalia Rediviva’ |
48 |
| Neil Curry |
Of The Puritan Dead |
64 |
| Mike Jenkins |
Another Country |
67 |
|
Shapes in Bronze |
68 |
| Paul Murphy |
Berlin |
69 |
|
Somma Vesuviana |
71 |
| S.A. Leavesley |
A Countryside Town |
72 |
|
The Lamp Post |
74 |
| Grevel Lindhop |
In Arcadia |
75 |
|
Snails |
76 |
|
The Allgreave Menhir |
77 |
| Emma Lee |
Stitching America |
78 |
| Bruce McRae |
The Day That Was Night |
79 |
| Elizabeth Siberry |
Henry Vaughan Remembered: some further reflections from nineteenth-century Wales |
80 |
| Pete Limbrick |
Wavicle |
96 |
| Rose Flint |
September Tenancies at Witham |
97 |
|
Lake Lillies |
99 |
| Eve Jackson |
Swan Feathers |
100 |
| Seán Street |
The Stone Bird |
101 |
| Caroline Natzler |
Pre-history |
102 |
| Helen Moore |
Seed Yoga Sutra |
103 |
| Michael Henry |
Petrichor |
105 |
| Lesley Saunders |
Showing, Not Telling |
107 |
| Chris Preddle |
Perspective |
108 |
|
Roland and Aude |
109 |
| Sarah Lindon |
Icework |
110 |
|
There is Nothing Automatic |
111 |
| Sean H. McDowell |
The Sonnet Made New in George Herbert’s ‘The Temple’ |
112 |
| Ric Hool |
Things You Learn in Scouts |
131 |
| Prue Chamberlayne |
A Different Anchoring of Love |
132 |
| B.J. Buckley |
Along Goose Creek |
133 |
|
Equinox |
135 |
| William Virgil Davis |
Hopper’s “Automat” |
136 |
|
Poem Beginning with a Sentence from Stevens |
137 |
| Pamela Coren |
Pressure |
138 |
| Alison Brackenbury |
The Third |
139 |
|
After The Rain |
140 |
| Graham Hartill |
Crusader |
141 |
| Charles Wilkinson |
Pocket of Loss |
142 |
| Josephine Scott |
The End of the Season |
143 |
| Vicki Kay |
Brilliana Harley: Civil War Woman |
144 |
| Chris Hall |
no ifs |
155 |
| Tom Gouthwaite |
Cedar |
159 |
| Thor Bacon |
Robert Capa’s Leica |
160 |
| Oliver Comins |
Sunflowers at Night |
161 |
| Oliver Mort |
Boat in Belfast |
162 |
| Kay Syrad |
Chagall Window |
163 |
| Miriam Craig |
Sunset |
164 |
| Hubert Moore |
At the feeding-station |
165 |
| Rosie Jackson |
An Anchorite Laments the Destruction of Her Cell, 1537 |
166 |
| Mai Matsumoto |
Magnetic Power in Henry Vaughan’s Poetry |
167 |
| Christopher Norris |
Missing Hues |
188 |
| Roselle Angwin |
Before the World Turned Again |
190 |
|
Rooks |
191 |
| Jonathan Wooding |
Podcast |
192 |
| Linda Saunders |
Quahog |
193 |
| Patricia McCarthy |
Discovery |
194 |
|
|
|
| Andrew Neilson |
Review of A Thickness of Particulars: The Poetry of Anthony Hech by Jonathan F.S. Post (Oxford University Press) |
195 |
|
|
|
|
Contributors |
197 |
