| Author |
Title |
# |
|
|
|
|
Preface |
9 |
| Robert Wilcher |
‘Henry Vaughan’s Public and Private Elegies’ |
12 |
| Maria Apichella |
David Calls |
28 |
|
Deuteronomy Reads |
29 |
|
Bless me, |
30 |
| Matthew Barton |
Burial Chamber |
31 |
|
Backwoods |
32 |
|
Balancing Act |
33 |
| Joseph Ashmore |
Reimagining Scriptural Places in the Writing of Henry Vaughan |
34 |
| Ruth Bidgood |
Extremes |
52 |
|
Making May |
53 |
|
Triptych |
54 |
| Prue Chamberlayne |
How Beauty Travels |
57 |
| Jonathan Nauman |
Duplex Emulation: George Herbert’s “Christmas” & Henry Vaughan’s “Christ’s Nativity |
58 |
| William Virgil Davis |
His Life |
67 |
|
A Sonnet for Paul Muldoon |
68 |
|
Departures |
69 |
|
Woman with Her Hair Tousled by the Wind in Front of an Eclipse |
70 |
| John Freeman |
A First Visit to Steep |
71 |
| Joseph Sterrett |
‘John Davies of Hereford, the King of Denmark & Shakespeare’s Meeting of Kings: Praise Beyond Praise’ |
73 |
| Marc Harshman |
Recoveries |
83 |
|
Stone |
84 |
| Graham Harthill |
for Anne |
85 |
|
Migrating Bones |
86 |
| Rosie Jackson |
Mary Shelley, Hyde Park, 1850 |
90 |
|
John Donne Arriving in Heaven |
91 |
| Jeremy Hooker |
‘“Vaughan Variations”: Anne Cluysenaar in conversation with Henry Vaughan’ |
92 |
| Oliver Marlow |
Would you grasp a nettle? |
110 |
|
School Chapel |
111 |
|
Inside a church |
112 |
| Caroline Natzler |
I Saw |
114 |
|
Into Life |
115 |
|
As If |
116 |
| Doiran Williams |
Spring Cleaning |
117 |
| Howard Wright |
Garden Furniture |
118 |
|
Hearth and Home |
120 |
| Jeremy Young |
Narcissus |
121 |
| Alan Rudrum |
Peter Thomas: A Remembrance |
122 |
|
|
|
|
Contributors |
126 |
