Table of Contents
| Author | Title | # |
| Preface | 5 | |
| Peter Pike | ‘Rending the veil of the usual’: grace conveyed through the ‘slightest things’ in the poetry of Henry Vaughan | 9 |
| Frances-Anne King | Balnakeil | 32 |
| Charles Wilkinson | ‘brumeux’ | 33 |
| Bruce Mcrae | The Hive’s Heart | 34 |
| Peter Limbrick | Poet | 35 |
| It was a short meeting | 36 | |
| Thor Bacon | Isölte & Tristan | 37 |
| John Welch | Gardening | 38 |
| Someone | 40 | |
| Edmund Matyjaszek | A Crocus Field | 41 |
| Carol Barbour | Althernal Walk | 42 |
| Linda Black | Rails of dresses | 43 |
| Patrick Bond | The Bone Room | 44 |
| Shanta Acharya | Snowy Egret | 45 |
| In Silence | 46 | |
| Noel Canin | Memories and Ashes | 48 |
| Clare Crossman | The Territory of Water | 49 |
| Tony Brown | ‘Sharing in the building’: The Creative Relationship of R.S. Thomas and Elsi Eldridge | 51 |
| Claire Crowther | The Physics of Coincidence | 86 |
| Confusional in a Gothic Church | 87 | |
| Neil Curry | Sinai | 88 |
| Sam Davidson | Möbius | 89 |
| Holly Day | Escalation | 90 |
| Marek Urbanowicz | Lake Semerwater | 91 |
| Anna Flemming | Not a mountain | 93 |
| Robin Ford | What You Don’t See When You Look At Me | 94 |
| Brigid Sivill | Rishi Valley | 96 |
| Christopher Meredith | Sound of leaves not falling | 97 |
| Upstairs | 98 | |
| Roger Garfitt | The Assyrian Moth | 100 |
| Sam Garvan | Tumulus | 102 |
| Davide Trame | What the Thunders Say | 103 |
| The Sacred | 104 | |
| Tom Gouthwaite | A Wish Unmeasured | 105 |
| Zac’s Oak | 107 | |
| Holly Faith Nelson | Transatlantic Vaughan: The Afterlife of the Silurist in Early American Periodicals | 108 |
| Martin Hayden | A Journey to Make, Sometime | 132 |
| Martin Bennett | Alrewas Return | 134 |
| Trent-Mersey Canal | 135 | |
| Michael Henry | Pyromania | 136 |
| Sunny Sands Tribute | 137 | |
| Ric Hool | Enlightenment | 138 |
| Halfway to Everything | 139 | |
| Sarah Lindon | East | 140 |
| Like Day and Night, Emerge and Hide | 142 | |
| Sean Mcdowell | Photogram | 144 |
| Three Lost Objects Found | 148 | |
| Nicholas Mcgaughey | The Ring | 149 |
| William Virgil Davies | For Marie Curie on her 150th Birthday | 150 |
| Widow | 151 | |
| Claire Scott | Foundering | 152 |
| Paul Matthews | World Rose | 153 |
| Winter Traces | 154 | |
| Nicholas Murray | Parbold | 155 |
| Europe | 156 | |
| A Short History of Ethics | 158 | |
| Andrew Neilson | The Week’s Remains | 159 |
| Susan Skinner | December Night at the Stable | 161 |
| On a Beach | 162 | |
| Jeremy Hooker | Under the Quarry Woods: journal into prose poetry | 163 |
| Jill Townsend | Waiting for Results | 183 |
| Recovering | 184 | |
| Robert Nisbet | The Archaeologists | 185 |
| Ann Piling | After the Funeral | 187 |
| Mark Harschman | Mariners | 188 |
| Martin Potter | Walking the Old Beat | 189 |
| Contemplate the Floor | 190 | |
| Ranajit Sarkar | The Bran-Tub | 191 |
| Thomas R. Smith | The Library of Heaven | 192 |
| Palm Sunday | 193 | |
| Alex Barr | Iain | 194 |
| Kenneth Steven | Finally | 196 |
| At Pluscarden Abbey | 197 | |
| Beatrice Teissier | Jacques at the Solstice | 198 |
| Cremation Day | 199 | |
| Signal | 200 | |
| Hubert Moore | Back-licking | 201 |
| Denni Turp | System Incompatibility | 202 |
| Christine Valters Painter | Beloved | 203 |
| Donald R. Dickson | Henry Vaughan, Scholarly Editor | 204 |
| Mike Jenkins | Back With the Smoke | 246 |
| Dominic Weston | Ghost of a flea | 247 |
| It’s just You and Me Now | 249 | |
| Isabel Bermudez | Winter Vines | 251 |
| Margaret Wilmot | Chandeliers | 252 |
| Seasonal Variation on a Railway Platform | 254 | |
| Chris Dodd | The Field | 255 |
| Sam Adams | from ‘Notes of an Interview with Michel Eyquem, Seigneur De Montaine’ | 256 |
| Jonathan Wooding | from ‘Force’ | 257 |
| K.E. Duffin | Visitation at Newport | 258 |
| Rosie Jackson | Resurrection | 259 |
| After the Door has Opened | 260 | |
| Frank Dullaghan | Skull | 262 |
| Kevin Cahill | Lao Tzu has a Go | 263 |
| Patrick Deeley | Dream of a Fallen Beast | 264 |
| Rigour | 266 | |
| Miles Parker | Luggala* 1982 | 268 |
| B.J. Buckley | Music for the Third Ear | 269 |
| Linda Saunders | My Mother Being Very Deaf | 271 |
| Philip West | Review: The Works of Henry Vaughan | 273 |
| Contributors to this Issue | 281 |
Table of Contents
| Author | Title | # |
| Preface | 9 | |
| Jonathan F.S. Post | Walking with Vaughan in Silex Scintillans | 11 |
| Frances-Anne King | Nautilus | 30 |
| Howard Wright | Clocks | 32 |
| Marc Harshman | Glebe Wall, Oxfordshire | 33 |
| Paul Connolly | Struldbrugs | 37 |
| London Baptism | 39 | |
| Lawrence Sail | Sea Pictures | 40 |
| Margaret Wilmot | Here on earth | 42 |
| Thomas R. Smith | Dartmoor Morning | 44 |
| John Barnie | Nature Study | 46 |
| Sunglasses | 47 | |
| Jonathan Nauman | ‘The Philosopher’s Vision: Experiencing the Consolatio Philosophiae in Silex Scintillans and Thalia Rediviva’ | 48 |
| Neil Curry | Of The Puritan Dead | 64 |
| Mike Jenkins | Another Country | 67 |
| Shapes in Bronze | 68 | |
| Paul Murphy | Berlin | 69 |
| Somma Vesuviana | 71 | |
| S.A. Leavesley | A Countryside Town | 72 |
| The Lamp Post | 74 | |
| Grevel Lindhop | In Arcadia | 75 |
| Snails | 76 | |
| The Allgreave Menhir | 77 | |
| Emma Lee | Stitching America | 78 |
| Bruce McRae | The Day That Was Night | 79 |
| Elizabeth Siberry | Henry Vaughan Remembered: some further reflections from nineteenth-century Wales | 80 |
| Pete Limbrick | Wavicle | 96 |
| Rose Flint | September Tenancies at Witham | 97 |
| Lake Lillies | 99 | |
| Eve Jackson | Swan Feathers | 100 |
| Seán Street | The Stone Bird | 101 |
| Caroline Natzler | Pre-history | 102 |
| Helen Moore | Seed Yoga Sutra | 103 |
| Michael Henry | Petrichor | 105 |
| Lesley Saunders | Showing, Not Telling | 107 |
| Chris Preddle | Perspective | 108 |
| Roland and Aude | 109 | |
| Sarah Lindon | Icework | 110 |
| There is Nothing Automatic | 111 | |
| Sean H. McDowell | The Sonnet Made New in George Herbert’s ‘The Temple’ | 112 |
| Ric Hool | Things You Learn in Scouts | 131 |
| Prue Chamberlayne | A Different Anchoring of Love | 132 |
| B.J. Buckley | Along Goose Creek | 133 |
| Equinox | 135 | |
| William Virgil Davis | Hopper’s “Automat” | 136 |
| Poem Beginning with a Sentence from Stevens | 137 | |
| Pamela Coren | Pressure | 138 |
| Alison Brackenbury | The Third | 139 |
| After The Rain | 140 | |
| Graham Hartill | Crusader | 141 |
| Charles Wilkinson | Pocket of Loss | 142 |
| Josephine Scott | The End of the Season | 143 |
| Vicki Kay | Brilliana Harley: Civil War Woman | 144 |
| Chris Hall | no ifs | 155 |
| Tom Gouthwaite | Cedar | 159 |
| Thor Bacon | Robert Capa’s Leica | 160 |
| Oliver Comins | Sunflowers at Night | 161 |
| Oliver Mort | Boat in Belfast | 162 |
| Kay Syrad | Chagall Window | 163 |
| Miriam Craig | Sunset | 164 |
| Hubert Moore | At the feeding-station | 165 |
| Rosie Jackson | An Anchorite Laments the Destruction of Her Cell, 1537 | 166 |
| Mai Matsumoto | Magnetic Power in Henry Vaughan’s Poetry | 167 |
| Christopher Norris | Missing Hues | 188 |
| Roselle Angwin | Before the World Turned Again | 190 |
| Rooks | 191 | |
| Jonathan Wooding | Podcast | 192 |
| Linda Saunders | Quahog | 193 |
| Patricia McCarthy | Discovery | 194 |
| Andrew Neilson | Review of A Thickness of Particulars: The Poetry of Anthony Hech by Jonathan F.S. Post (Oxford University Press) | 195 |
| Contributors | 197 |
Table of Contents
| Author | Title | # |
| Preface | 9 | |
| Rowen Williams | Reflections on The Vaughan Brothers: Poetry meets Metaphysics | 11 |
| John Freeman | Being There | 22 |
| Ricky Ray | Haunting for Good | 24 |
| Cristopher Meredith | Fumitory | 25 |
| Village Birds | 26 | |
| Ghost | 29 | |
| Eithne Lannon | Pulse | 30 |
| Thin Pulse | 31 | |
| Carol DeVaughn | Evening | 32 |
| Sunrise | 33 | |
| Midnight | 34 | |
| Robert Wilcher | Henry Vaughan’s Art Poetica | 35 |
| Rosie Jackson | Interrupted | 53 |
| Rabia and the Thief | 54 | |
| Charles Wilkinson | Forme | 55 |
| Alan Payne | Moving the Lawn | 56 |
| Hurricanoes | 57 | |
| John Haynes | A Watching Still Awhile | 58 |
| And then your Secondary School Ring Binder | 59 | |
| Susan Wallace | Timber | 60 |
| Sean H. McDowell | Henry Vaughan’s Welsh Bird | 61 |
| Paul Matthews | For Now | 83 |
| Here Now | 84 | |
| This Moment | 85 | |
| Hearts are Trumps | 86 | |
| From Left to Right | 87 | |
| James Peake | The Hum | 88 |
| The Luxury Apartment | 88 | |
| The Would-be Venue | 89 | |
| The Club | 90 | |
| The Tunnel | 91 | |
| The Open Window | 92 | |
| Patrick Deeley | The Ash Pit | 93 |
| Anthony of the Dessert | 95 | |
| T. Rex Skull, Ulster Museum | 96 | |
| Michael Durrant | ‘Who hears or reads of That, shall publish Thee‘: Print, Transmission, and the King’s Book | 97 |
| Pete Mullineaux | Small Hungers | 121 |
| Rose Flint | from Lunar Station: Icy Salty Cocktail in a Thin Stemmed Glass | 122 |
| K.V. Skene | SAD – Seasonal Affective Disorder | 124 |
| K.F. Duffin | Mrs. Reed | 125 |
| Late Cicada | 126 | |
| Chris Preddle | The Grey Heron | 127 |
| Jacqueline on the Hill | 128 | |
| W.D. Jackson | As You Like It – Rosalind | 129 |
| The Tempest – Miranda | 130 | |
| Jonathan Nauman | From Letter to Spirit: Henry Vaughan’s Herbertian Poetic | 131 |
| Maria Apichella | An Epilectic Entering Chartres Cathedral | 142 |
| Star-lit | 143 | |
| Nicholas Murray | Diptych | 144 |
| The Empty Book | 145 | |
| Roger Garfitt | After the Great Storm | 146 |
| Alyson Hallett | The Last Time | 148 |
| Matthew Barton | Walking the Frome | 149 |
| Philip Gross | Spiegel im Spiegel | 151 |
| Jeremy Hooker | David Jones, Metaphysical Poet | 158 |
| Laura Potts | Jarrow Doll | 173 |
| Jonathan Wooding | maker | 174 |
| Daleth/Adhaesit pavimento | 175 | |
| Waw/Et veniat super me | 176 | |
| Teth/Bonitatem fecisti | 177 | |
| Yodh/Manus tuae feverunt me | 178 | |
| Beatrice Tessier | New Life | 179 |
| Copper loch | 180 | |
| Paul Connolly | Dead Dog | 181 |
| John Barnie | House Party | 183 |
| Miriam Craig | Jackdaws, the Lake District | 184 |
| Reviews | ||
| Sarah Hutton | Review of Thomas Traherne and Seventeenth-Century Thought | 185 |
| Anne-Marie Miller-Blaise | Review of Henry Vaughan and the Usk Valley | 187 |
| Sean H. McDowell | Review of Returning to Donne | 189 |
| Contributors | 192 |
Table of Contents
| Author | Title | # |
| Preface | 7 | |
| Jonathan Nauman | Varying Arrangements: Observations on Some Copies of Henry Vaughan’s Silex Scintillans (1655) | 9 |
| Elizabeth Rapp | Elijah | 19 |
| Fiona Owen | Ting | 20 |
| Charles Wilkinson | Tracking Westwards | 21 |
| Stones in the Bowman’s Dreams | 23 | |
| Hunter | 24 | |
| Reaping | 24 | |
| Jock Stein | On a Retreat at Beech Hill | 25 |
| John Freeman | Country Dancing | 26 |
| Hilary Davies | Sebastian Barker: The Spiritual Journey of a Poet in the Modern World | 27 |
| Helen Moore | First Contact | 49 |
| Mother Tongue | 51 | |
| Alex Barr | Light and Dark | 52 |
| German Girl in Old Castile | 53 | |
| Thomas R. Smith | At Trinity College | 54 |
| Jonathan Wooding | Silent School | 55 |
| Søren Kierkegaard’s Garden | 57 | |
| Lesley Saunders | Sappho on Inishbofin | 59 |
| Elizabeth S. Dodd | The Spirit of the Religious Lyric: Towards Further Conversations between Literature and Theology | 66 |
| Margaret Wilmot | Like wax melting | 79 |
| Romney Marsh | 80 | |
| Ferry Quay | 81 | |
| Rose Flint | Storm in May, Crete | 82 |
| Stevie Krayer | This thing | 83 |
| Garden of Remembrance | 84 | |
| Nicholas Murray | A Green Thought | 85 |
| Sweetness | 86 | |
| Showings | 87 | |
| White Gloves | 88 | |
| Victoria Field | Cevennes | 89 |
| Ritual | 90 | |
| Jeremy Hooker | Revisiting ‘God’s Houses’ | 91 |
| Helen Overell | Empty your heart and pour out all created things | 104 |
| Jill Townsend | Crossing Over | 105 |
| John Welch | In Folly’s Shade | 106 |
| Kay Cotton | A postcard from Honfleur | 110 |
| Miles Parker | North-East | 111 |
| Tony Brown | Prey and Other Poems: Some Late Unpublished Manuscripts by R.S. Thomas | 112 |
| Graham Hartill | Further to the World | 132 |
| Turns | 134 | |
| Alan Vaughan Williams | Change | 137 |
| Mandy Pannett | An Accidental Shattering | 139 |
| Maria Apichella | Praise | 140 |
| Patrick Bond | January Mordant | 141 |
| W. Richard Bowen | Interim Reports of the Inaccessible: The Quest for Meaning in the Poetry of John Ormond | 142 |
| Philip Gross | Auditorium | 161 |
| Danseuse Cambodgienne | 164 | |
| Ear Candle | 165 | |
| Thor Bacon | Ode to the Conductor | 167 |
| Chris Preddle | Mag Brook 1 | 168 |
| Mag Brook 2 | 170 | |
| David Hart | It is not customary | 171 |
| Greg Miller | The Burning Bush Triptych (1476) | 172 |
| Contributors | 174 |

Table of Contents
| Author | Title | # |
| Preface | 9 | |
| Robert Wilcher | ‘Henry Vaughan’s Public and Private Elegies’ | 12 |
| Maria Apichella | David Calls | 28 |
| Deuteronomy Reads | 29 | |
| Bless me, | 30 | |
| Matthew Barton | Burial Chamber | 31 |
| Backwoods | 32 | |
| Balancing Act | 33 | |
| Joseph Ashmore | Reimagining Scriptural Places in the Writing of Henry Vaughan | 34 |
| Ruth Bidgood | Extremes | 52 |
| Making May | 53 | |
| Triptych | 54 | |
| Prue Chamberlayne | How Beauty Travels | 57 |
| Jonathan Nauman | Duplex Emulation: George Herbert’s “Christmas” & Henry Vaughan’s “Christ’s Nativity | 58 |
| William Virgil Davis | His Life | 67 |
| A Sonnet for Paul Muldoon | 68 | |
| Departures | 69 | |
| Woman with Her Hair Tousled by the Wind in Front of an Eclipse | 70 | |
| John Freeman | A First Visit to Steep | 71 |
| Joseph Sterrett | ‘John Davies of Hereford, the King of Denmark & Shakespeare’s Meeting of Kings: Praise Beyond Praise’ | 73 |
| Marc Harshman | Recoveries | 83 |
| Stone | 84 | |
| Graham Harthill | for Anne | 85 |
| Migrating Bones | 86 | |
| Rosie Jackson | Mary Shelley, Hyde Park, 1850 | 90 |
| John Donne Arriving in Heaven | 91 | |
| Jeremy Hooker | ‘“Vaughan Variations”: Anne Cluysenaar in conversation with Henry Vaughan’ | 92 |
| Oliver Marlow | Would you grasp a nettle? | 110 |
| School Chapel | 111 | |
| Inside a church | 112 | |
| Caroline Natzler | I Saw | 114 |
| Into Life | 115 | |
| As If | 116 | |
| Doiran Williams | Spring Cleaning | 117 |
| Howard Wright | Garden Furniture | 118 |
| Hearth and Home | 120 | |
| Jeremy Young | Narcissus | 121 |
| Alan Rudrum | Peter Thomas: A Remembrance | 122 |
| Contributors | 126 |
Table of Contents
| Author | Title | # |
| Preface | 11 | |
| Jonathan Nauman | ‘Classicism and Conversion: The Role of the Poems and Letters of St. Paulinus of Nola in Henry Vaughan’s Silex Scintillans’ | 13 |
| Lesley Saunders | Cell | 28 |
| Speculum | 29 | |
| Pipette | 30 | |
| The Crystal Wombs of Katharinenthal | 31 | |
| In Vitro | 32 | |
| Richard Berengarten | The Doubling | 33 |
| Home | 34 | |
| Once, twice | 35 | |
| A Resonance | 36 | |
| Text and Intertext | 37 | |
| Dot | 38 | |
| Sam Adams | 21 September, 7.15 am | 39 |
| 25/26 September | 40 | |
| 30 May | 41 | |
| Clare Crossman | 1. Stefani | 42 |
| June at Dowera’s Manor | 43 | |
| Alex Barr | Ash | 44 |
| John Killick | Remembering James Leggat (1896 – 1993) | 46 |
| Patrick Bond | Shaving by Candlelight | 47 |
| Anne Cluysenaar | That donkey, she was my freedom | 48 |
| I hope it still happens, as then | 49 | |
| Why click on Fontaine de Vaucluse? | 50 | |
| Noam Reisner | ‘Martyred Signs: Robert Southwell’s religious use of metaphor’ | 51 |
| Alison Brakenbury | The North | 68 |
| Keats in Hampstead | 69 | |
| Beneath Battersea Bridge | 70 | |
| All March | 71 | |
| Michael Curtis | Other | 72 |
| Kate Foley | Fruit Harmony in the Dark | 73 |
| Paris Church | 74 | |
| Only To Be There | 75 | |
| Chris Dodd | Change of Light | 76 |
| The Northern Lights | 77 | |
| The Measuring | 78 | |
| Among Beech Trees | 79 | |
| K. E. Duffin | House at Scituate | 80 |
| Rubythroat | 81 | |
| Rhian Edwards | The Gulls are Mugging | 82 |
| Murmuration | 83 | |
| Return of the Native | 84 | |
| Rose Flint | Ashes and Dust | 85 |
| Welsh Church on the Hill | 87 | |
| Snake in Quietness | 88 | |
| Kay Cotton | Walnut Tree | 89 |
| John Freeman | My Father Swimming | 90 |
| Space Travellers | 91 | |
| Anna Lewis | At the George and Pilgrim | 92 |
| Dorian Williams | Triptych | 93 |
| Philip Gross | Frequencies | 96 |
| Jeremy Hooker | ‘Leading into strangeness: Rowan Williams, Poet and theologian’ | 98 |
| David Hart | The Border Sketchy | 117 |
| Richard Hawtree | Stray Versicles | 119 |
| W. D. Jackson | viii, Love’s Labour’s Lost—Berowne | 120 |
| x, A Midsummer Night’s Dream—Hippolyta | 121 | |
| xvi, Much Ado About Nothing—Benedick | 122 | |
| Sean H. McDowell | Wind at Dún Aonghasa | 123 |
| Maureen Jivani | Dear God | 124 |
| August | 125 | |
| Oliver Comins | Red Horse | 126 |
| Brenda Lealman | Exodus | 127 |
| Looming | 129 | |
| Patricia McCarthy | Bell Ringers | 130 |
| Edward Storey | Seeing Music | 131 |
| Bringing Home a Nightingale’s Egg-shell | 132 | |
| Seán Street | Mass in E-flat Major | 133 |
| Helen Moore | Honeydew at Solstice | 137 |
| Philip West | ‘John Chatwin’s Translations of Henry Vaughan’ | 138 |
| Howard Wright | Heatwave | 147 |
| The Repair Kit | 148 | |
| The Old School | 149 | |
| Chris Preddle | Somme | 150 |
| Tianfei | 151 | |
| Sappho | 152 | |
| Tethys | 153 | |
| Regina Walton | Looking at Memling | 154 |
| Robert Nisbet | Hotel Room, Bermuda | 155 |
| As You Like It in the Bishop’s Palace | 156 | |
| Chris Norris | From Symbolon: An Essay on Rhyme | 157 |
| Jock Stein | On the Runway | 159 |
| Alan Payne | North | 160 |
| That They Are There! | 161 | |
| Thomas R. Smith | Holy Saturday | 162 |
| Charles Wilkinson | Caves | 163 |
| From ‘Of the Red & the White Books’ | 164 | |
| Margaret Wilmot | IS | 166 |
| Anne Cluysenaar | Absence, Presence: Recalling Peter Thomas | 171 |
| Fiona Owen | ‘Into all this’: a tribute to Anne Cluysenaar | 174 |
| Susan Bassnett | In Memoriam: Anne Cluysenaar 1936-2014 | 179 |
| Contributors | 185 |
Table of Contents
| Author | Title | # |
| Preface | 9 | |
| Robert Wilcher | Henry Vaughan’s Borrowings in the Secular Poems: Plagiarism, Imitation, Allusion | 11 |
| Andie Lewenstein | Genesis | 29 |
| Ruth Bidgood | Source | 30 |
| Meredith Andrea | Tributary | 31 |
| Ephemera | 32 | |
| Roger Garfitt | Ladywell | 33 |
| Ric Hool | Boot Hill | 34 |
| December: Remote | 35 | |
| Naomi Marklew | Silex Scintillians: Henry Vaughan’s Interregnum Elegy | 36 |
| Elizabeth Barrett | Morgan’s Revenge | 53 |
| Even the Salt Sea | 54 | |
| Myra Scneider | Breathing Space | 56 |
| Doiran Williams | Fughetta | 58 |
| Regina Walton | Exemplum | 59 |
| On the Feast of Bernard of Clairvaux | 60 | |
| Michael Martin | Dat rosa mel apibus | 61 |
| Eve Jackson | Bedazzled by Beetles | 62 |
| Tony Brown | Journey without Maps: R. S. Thomas’s Unpublished Exphrastic Poems | 63 |
| Stecie Krayer | Arachnophilia | 82 |
| Helen Overell | Quadrat | 83 |
| Alison Brackenbury | Skies | 84 |
| Phil Maillard | The Confidence of Swallows | 85 |
| Patrick Bond | Abbey Dore | 86 |
| Ambassadors of the Limits | 87 | |
| Jeremy Hooker | Abbey Dore | 89 |
| St. Bride’s, Llansantffraed | 91 | |
| Colleen Wethered | ‘The watches of the night’: Henry Vaughan and R. S. Thomas | 92 |
| Hilary Davies | In the Neuadd Valley, Brecon Beacons | 101 |
| Charles Wilkinson | Of the Red and the White Books/From ‘The First Branch’: Rhiannon Riding | 102 |
| John Freeman | On the Field of Battle | 104 |
| Anne Cluysenaar | ‘It was marvellous and actual’: In Memory of Seamus Heaney | 106 |
| On receiving from Michael Srigley a letter about ‘Crossings, xxxvi’ in Seamus Heaney’s Seeing Things | 107 | |
| After the launch of Moved by the Spirits, poems in Polish with translations | 108 | |
| William Oxley | Resting Suns | 109 |
| Graham Parry | ‘An unsettled mind in unsettled times’: The Poems of John Collop | 111 |
| Sam Adams | Concerning the Reverend George and Sarah Williams – a fragment of family history in seven episodes | 119 |
| Jock Stein | The Father’s hands | 127 |
| W.D. Jackson | From: ‘A Giotto Triptych’ | 128 |
| Dilys Wood | Someone not far from here has been waiting | 130 |
| Rupert M. Loydell | Need to Know | 132 |
| Mike Jenkins | Dark Ice | 133 |
| Katerina Fretwell | Hey Death, | 134 |
| John Powell Ward | Ecce Homo | 135 |
| Erik Ankerberg | The Poetry of Wallce Stevens and the Purposes of Ardour | 136 |
| Jan Fortune | VI. A Litany for Cwmorthin | 151 |
| David Hart | Drift | 153 |
| Kate Foley | A Table is the Still Life of a Tree | 156 |
| Margaret Wilmot | Like Trees Shaped By A Prevailing Wind | 157 |
| Niall McDevitt | A Mother | 165 |
| Kay Cotton | The Labours of Hercules | 166 |
| Christoper Norris | Soul and Form | 170 |
| Sarah Lindon | Owl hallow | 178 |
| Colin Moss | Making | 179 |
| Greg Miller | Concert to Mary, La Sainte Chapelle, after a mission to South Sudan during a time of war | 180 |
| Jay Ramsay | Josselin | 182 |
| Alan Payne | Mount Ballow | 183 |
| Tony Curtis | Wyeth’s Liberty Launch | 184 |
| Aidan Dun | Colorado | 185 |
| Jeremy Hooker | Heartlands: on some poems by Ruth Bidgood and Christopher Meredith | 186 |
| Graham Hartill | The Unvocation of Kuya | 201 |
| Roselle Angwin | Buddha Garden, Gardoussel | 203 |
| September (Gardoussel) | 204 | |
| Paul Matthews | Oracles | 205 |
| Rose Flint | Something That Loves Us | 209 |
| Victoria Field | Sunday on Iona | 210 |
| Veil | 211 | |
| Hubert Moore | Feeders | 212 |
| Outfits | 213 | |
| Seán Street | White as Jasmine | 214 |
| Contributors to this Issue | 215 |
Table of Contents
| Author | Title | # |
| Preface | 7 | |
| Robert Wilcher | “Thalia” and the “Father of Lights”: Nature and God in the Works of Henry Vaughan and Thomas Vaughan | 9 |
| Alan Payne | Higger Tor | 37 |
| Greg Miller | From Fire by Fire | 38 |
| King David | 39 | |
| Andie Lewenstein | Leaving Iona | 41 |
| Evening Blues | 42 | |
| Christopher Meredith | Nothing | 43 |
| Guitar | 44 | |
| Alexander Barr | Letters to my Daughter | 46 |
| John Freeman | Brought to Mind | 49 |
| Peter Finch | Boots | 50 |
| Alison Brackenbury | The Price | 51 |
| Christopher Hodgkins | “We Split!”: Divided Consciousness and Redemptive Space in Hakluyt’s Mexico and Prospero’s Isle | 53 |
| Stevie Krayer | Sunbrick Burial Ground | 68 |
| Ruth Bidgood | From Time to Time | 70 |
| Rose Flint | Angel With Glittering Hands | 71 |
| Carol Devaughn | A Meeting of Angels | 73 |
| Marina Sanchez | Before Birth | 74 |
| Mario Petrucci | monitor i | 75 |
| Paul Matthews | Tongues of Fire | 77 |
| Joseph Sterrett | The Dynamic of Despair: Evolving Toleration for Cain in Herbet and Vaughan | 81 |
| Aled Jones Williams | 1 | 92 |
| 2 | 92 | |
| Litwergiau (Liturgies) | 93 | |
| Charles Wilkinson | Hidden | 94 |
| Philip Gross | Conversations with the Taff | 96 |
| Helen Moore | On Sitting for Christopher Twigg | 103 |
| Kate Foley | A Tree Thinks | 105 |
| Katerina Vaughan Fretwell | Hope | 106 |
| Mary’s Parlour Trick: 5 | 107 | |
| Ivy Alvarez | Casglu Afalau/Apple Picking | 108 |
| Alyson Hallett | The Sound We Make Without Having to Make It | 110 |
| Jeremy Hooker | Reflections on the lyrics “I” | 111 |
| Dileys Wood | A Russian Poet at the British Museum, 1926 | 119 |
| Neil Curry | To: Antonio Vivaldi, Ospedale della Pietà, Venice | 121 |
| David Greenslade | Addicted to Verse | 123 |
| Jay Ramsay | In the Aber Valley | 124 |
| Eileen Dewhurst | Martha’s Way | 126 |
| Ric Hool | The United States of Time | 128 |
| By a Single Leaf | 129 | |
| Oliver Comins | Getting Tuned In | 130 |
| John Powell Ward | Praying | 131 |
| One Afternoon in a Church | 132 | |
| Erik Ankerberg | Poetry and “practic piety” in Herbert and Vaughan | 133 |
| Kenneth Steven | Calvinism | 153 |
| John Killick | On Harris | 154 |
| John Barnie | The Stone Man of Cardigan Bay | 156 |
| Seán Street | Avebury | 157 |
| Phil Maillard | Un Ídolo Prehistórico | 160 |
| Hilary Davies | Slender as Aspen, Slow as Peacocks | 161 |
| Anne Cluysenaar | From a Diary, February 2012 | 162 |
| Myra Schneider | The Thing | 164 |
| Joan Poulson | And if I saw a toad | 165 |
| Autumn morning | 166 | |
| Meredith Andrea and Fiona Owen | Singing the Green Between Us | 167 |
| David Hart | And vanishes | 179 |
| Chris Hall | A journey | 184 |
| Colin Moss | The Traveller | 187 |
| Frank Olding | Mynydd Du – Black Mountain | 188 |
| Steve Griffiths | The first Chinese spacewalker wanders off-message | 194 |
| Patricia McCarthy | From a sequence: Trodden Before | 195 |
| Jeremy Hooker | From “With a Stranger’s Eye” | 197 |
| Mike Jenkins | Life-line Black | 200 |
| Paul Groves | Late Ruralist | 201 |
| Graham Hartill | After Hokusai | 202 |
| Hot Summer Evening | 203 | |
| Roselle Angwin | Chagford haibun | 204 |
| Lyndon Davies | The Wood and the Cave | 205 |
| Tony Conran | “Lucy in the Sky with Diamonds”, A meditation between thumb and forefinger | 208 |
| Sebastian Barker | The Orange Tree | 211 |
| Victoria Field | Walking to Rosslyn Chaplin | 212 |
| Contributors to this Issue | 213 |
Table of Contents
| Author | Title | # |
| Roger Hubank | Without Contraries is no Progression: William Blake’s ‘Songs of Innocence and of Experience’ | 9 |
| Rowan Williams | To the City | 30 |
| Tony Connor | No 1 in A Minor | 32 |
| Doiran Williams | St Teilo at St Fagans | 33 |
| Jeremy Hilton | the night watch | 34 |
| Marion Tr acy | Corn Crake | 36 |
| Jill To wnsend | Twist | 37 |
| William Oxley | Natural Living All Around Me | 38 |
| Kenneth Steven | Spiders | 39 |
| Neil Curry | Holy George Herbert | 41 |
| Amanda Lloyd | Stone Walled | 52 |
| Sheila Bryer | Bearing | 54 |
| Alison Brackenbury | Anish Kapoor | 55 |
| The Scent of Bluebells | 56 | |
| Ruth Bidgood | More of the Same | 57 |
| Gary AJlen | After a painting by an unknown Dutch artist | 58 |
| Linda Saunders | The Pool | 59 |
| Kim Ta plin | At L’Avaloue | 60 |
| Christine McNeill | I became a famous artist in old age | 61 |
| Julia J Smith | The “unchangeable Seasons of the Delightfull year”: Transcience and Eternity in Thomas Traherne’s View of the Natural World | 63 |
| Huw Jones | Lines for my Mother | 78 |
| John Killick | Looking For My Death | 83 |
| Susan Bassnett | Poems for Geoffrey | 84 |
| Martina Thomson | Sandstorm | 86 |
| Clare Crossman | What Winter did to the Rope | 87 |
| Elizabeth Ford | News from heaven’: Will Kemp in Titus Andronicus | 89 |
| Dilys Wood | Moving House | 108 |
| Rowenna Hulton | A Fallen Nest | 110 |
| Brenda Lealman | A169 | 111 |
| Boulby | 113 | |
| R ichard W Halperin | Penelope | 115 |
| Sam Howell | Echoes Forever | 116 |
| Clare Holtham | Elegy for the Buddhas of Bamyan | 117 |
| Exile in Breconshire: The Double Displacement of Henry Vaughan | 119 | |
| Jeremy Hooker | Father, painting | 129 |
| Friend with a sunburst | 130 | |
| Helen Overell | Lacemakers, Chartres | 131 |
| Daphne Gloag | Turner at Petworth House | 133 |
| David Greenslade | Corvine Date – True Story | 135 |
| Myra Schneider | The Stone | 137 |
| Graham Hartill | Something | 139 |
| Allan Wilcox | Nicodemus and ‘The Night’ | 141 |
| Glyn Hughes | At Bolton Abbey | 156 |
| The Fowler | 159 | |
| Ted Walter | Where leaves are massed | 160 |
| Cavatina | 161 | |
| Anne Cluysenaar | From a Diary | 162 |
| Heather Coffey | Near Chinnor | 164 |
| Sean Street | On Not Being T here | 165 |
| Jeremy Hooker | Marches of the Spirit | 167 |
Table of Contents
| Author | Title | # |
| Jeremy Hooker | Poetry of Touch | 9 |
| Sue Proffitt | T he White Roebuck | 19 |
| Ruth Bidgood | New Year Dream | 21 |
| Meredith Andrea | Pipistrelle | 22 |
| Sheila Bryer | Taking time | 23 |
| Wave (1) | 24 | |
| Myra Schneider | Water | 25 |
| Fiona Owen | Imago | 26 |
| Robert Wilcher | Henry Vaughan and the Poetry of Trees | 28 |
| Martina T homson | The River Nairn | 52 |
| Visitation | 53 | |
| Memoir | 53 | |
| Hilary Llewellyn-Williams | Vigil | 55 |
| Lotte Kramer | First Avalanche | 56 |
| Carrie Etter | No Swan | 57 |
| Alison Brackenbury | No excuse | 58 |
| Kept | 59 | |
| Denise Bennett | At Hardy’s Cottage | 60 |
| Anne Cluysenaar | Not As Usual | 61 |
| Jill Eulalie Dawson | Erithracus Rubecula | 62 |
| Glyn Pursglove | Edmund Blunden and Henry Vaughan: A Reminiscence and Some Observations | 63 |
| Open Poetry Competition | ||
| Adjudications | 82 | |
| Short Poems | ||
| Daphne Gloag | The radio clock | 87 |
| Angela Morton | Between the moving shadows | 89 |
| Meredith Andrea | Jug | 91 |
| Short Poems – Commended | ||
| Pat Borthwick | The Spiny Mud Loach | 93 |
| Heather Coffey | Legacy | 95 |
| Janice Fixter | Only the camel knows | 96 |
| Kate Foley | Tikkun Olam | 97 |
| Ted Walter | My Place or Theirs? | 99 |
| Long Poems | ||
| Philip Gross | Praise Song for the Taff | 101 |
| Clare Holtham | Walter the Tramp | 104 |
| Rose Flint | Afternoon, a Spit from the Road | 106 |
| Long Poems – Commended | ||
| Mark Leech | Saint and City | 108 |
| Angela Morton | The Black and Silver Notebook | 119 |
| Jane Rouch | The Private Life of ‘Lepus lepus’ | 123 |
| K V Skene | Like the Heart Itself | 126 |
| Margaret Wilmot | Good Friday, Greece, 2009 | 128 |
| Jonathan Nauman | Alternative Saints: Eucherius and Silex Scintillans | 132 |
| John Powell Ward | Thinking Allowed | 138 |
| Anthony Watts | The Midwife | 142 |
| John Daniel | On Buying a Book of Poems by a Modern French Poet | 144 |
| Christine McNeill | Idyll | 145 |
| Time | 146 | |
| Graham Hartill | Under Old Fruit Trees | 147 |
| Denise Inge | The Lost Public Concerns of Thomas Traherne | 149 |
| Margaret Wilmot | My Aunt and Zbigniew Herbert | 158 |
| Graham Hartill | Trouble with Light A personal introduction to the work of Ernest Becker | 168 |
| Doiran Williams | Speech Therapy | 177 |
| Kate Foley | The Myth of Snow and Love | 178 |
| Gary Allen | Down ro the river | 179 |
| van der Waals farm | 181 | |
| Ted Walter | Company of Strangers | 183 |
| Howard Wright | Museum Sunday | 186 |
| Angela Morton | From the Far Side of Silence | 188 |
| Artwork by Robert Greenhalf |
Table of Contents
| Author | Title | # |
| Roger Hubank | Trying to be Haunted’: Nature and Spirit in the later poetry of Denise Levertov | 9 |
| Myra Schneider | Sutton Hoo | 33 |
| James Aitchison | To Be A Pilgrim | 38 |
| Tony Connor | In My Own Company | 39 |
| Comfortable Cardigan | 39 | |
| Anna Adams | It | 40 |
| John Powell Ward | Spirituality and Doctrine | 42 |
| John Powell Ward | Acceptable | 55 |
| Gary Allen | The Cinder Patch | 56 |
| Rowenna Hulton | Ball-flower, Worcester Cathedral | 57 |
| Alison Brackenbury | The Shed | 58 |
| First Thing | 59 | |
| Sally Carr | Clearing Nettles | 60 |
| Spadework | 61 | |
| Anne Cluysenaar | Green Man | 62 |
| Remembering a Memory of Snow | 63 | |
| Christine McNeil! | Composing | 64 |
| Joseph Sterrett | Such a Peace: Answered Prayer in Shakespeare’s ‘Late Plays” | 65 |
| Mary MacRae | Blue Material | 84 |
| In the Wood | 85 | |
| Inside the Brightness of Red | 86 | |
| Hillary Llewellyn-Williams | The Way to the Well | 88 |
| Comfort in Blackthorn | 89 | |
| Clare Crossman | Rocks, Stones, Water and the Rowan | 91 |
| Hubert Moore | Ar Staplehurst | 93 |
| Jeremy Hooker | For Roland Mathias: Tribute and Apology | 95 |
| Open Poetry Competition | ||
| Adjudications | ||
| Short Poems | ||
| Sue MacIntyre | Ice Sculpture | 109 |
| Liz Cashdan | Epithalamion June 21st 2008 | 110 |
| Russell Jones | Ness | 111 |
| Short Poems – Commended | ||
| Pat Earnshaw | We All Fall Down | 112 |
| Roger Elkin | Delivering | 114 |
| Edmund Matyjaszek | The Tr ees at Shalfleet | 116 |
| Mandy Pannett | Memorial Chairs in the Wetlands | 117 |
| Ted Walter | Fluff | 119 |
| Long Poems | ||
| Gabriel Griffin | Winter Afternoon on Mottarone | 121 |
| Dilys Wood | The Salt Smell of Light | 125 |
| Elizabeth Burns | Moon Over Catterline | 131 |
| Long Poems – Commended | ||
| Rosi Beech | The Monastery Garden | 134 |
| Liz Cashdan | Land of Lost Content | 142 |
| Roger Elkin | Birthday Gift | 146 |
| David Grubb | The Saint Francis Poems | 151 |
| Clare Holtham | The Simorgh | 155 |
| Jonathan Nauman | Nieremberg’s Patience of the Saints: Experiencing Flores Solitudinis in Silex Scintillans | 160 |
| Carole Coates | Writers’ Rooms | 175 |
| Strange Meeting | 176 | |
| Norman Schwenk | Fennel | 177 |
| Garden | 177 | |
| Ruth Bidgood | An Encounter | 179 |
| Homecoming | 180 | |
| Ann Quid | A Little Whimsy | 181 |
| Jill Eulalie Dawson | Where She Leads Me | 182 |
| Kate Foley | Green Woman | 183 |
| Graham Parry | Vaughan and Laudianism | 185 |
| Neil Curry | To: Mrs Anna Maria Smart, c/o The Reading Mercury, Reading, Berkshire | 197 |
| Elizabeth Cook | The Tent | 199 |
| Angela Morton | When Language Pales to Dust | 200 |
| Snow Falling on this House of Glass | 201 | |
| Rose Flint | Reciprocal | 202 |
| Graham Hartill | Little Haven | 203 |
| Colin Moss | The Gates of Wonder in Childhood and the Future | 206 |
| Kenneth Steven | Lenin I Punishment | 221 |
| John Daniel | Frog | 222 |
| Elizabeth Barrett | Hem I Lighteater | 223 |
| Fiona Owen | Summer Grasses | 224 |
| Paul Matthews | Rain at Midnight | 229 |
Table of Contents
| Author | Title | # |
| Fiona Owen | Through the Gate: a Poetics of Engagement | 9 |
| Ru th Bidgood | Ice | 23 |
| The Well | 23 | |
| Zenobia Venner | Still | 25 |
| Prue Chamberlayne | Postonja | 26 |
| Linda Saunders | Woodcock | 27 |
| Anne Cluysenaar | Ba ru-Angas | 29 |
| Philip Gross | The Presence | 32 |
| Glyn Pu rsglove | Not with leaf only, but with some fruit also | 34 |
| Open Poetry Competition | ||
| Adjudication | 56 | |
| Short Poems | ||
| Chris Preddle | Cattle Console Him | 63 |
| Pat Borthwick | In Praise of the Oologists’ Art | 65 |
| Susan Wallace | The Last Station Srop | 67 |
| Short Poems – Commended | ||
| Heather Coffey | Flood | 68 |
| Kare Foley | Green Woman | 70 |
| Sue MacIntyre | Tree House | 71 |
| Susan Anne Moore | Dead Stag on Burgh | 72 |
| Robert Sea tter | 21 Ways of Starting a New Life | 73 |
| Long Poems | ||
| Myra Schneider | Drought | 76 |
| Margaret Wilmot | November Journal | 81 |
| Christine McNeill | Martha’s reverie | 85 |
| Long Poems – Commended | ||
| Heather Coffey | Near Kingsbridge | 88 |
| Daphne Gloag | The Paths of Light | 90 |
| Anne Ryland | On the Stairs | 95 |
| Dilys Wood | Lament Based on a Corona of Sonnets | 101 |
| Lynne Wycherley | Towards Eden | 104 |
| Alan Rudrum | Bringing Peace Back to Life: The Anglican Irenicism of Lancelot Andrewes, Henry Vaughan and Rowan Williams | 111 |
| Sebastian Barker | Red Kite Against a Dark Blue Sky: On the Aesthetic of Art in the Theology of Rowan Williams | 121 |
| Kim Taplin | Wake-up Call | 131 |
| Brenda Lealman | So Close | 132 |
| Roger Waterfield | Growth | 133 |
| Lotte Kramer | Rain | 134 |
| Ruth Valentine | The Government Scientist Deciphers the Clay Tablets | 135 |
| Paul Matthews | Watching the Puls | 138 |
| Peter Gilmour | Alone | 139 |
| Robert Wilcher | Henry Vaughan, Jeremy Taylor, Edward Sparke, and the Preservation of the Anglican Communion | 141 |
| John Powell Ward | Still | 160 |
| Meredith Andrea | The Rea Book | 161 |
| Jill Eulalie Dawson | The Fragrance of Dead Bracken | 163 |
| Paul Groves | Now | 164 |
| Jacqueline Sousa | One of Her Last Sundays | 165 |
| Pippa Little | R iddling | 166 |
| Judy Gahagan | Libellules | 167 |
| William Oxley | The Dance of Detail | 169 |
| John Killick | Essence of Essences: Poetry and Dementia | 171 |
| Norman Schwenk | Waiting | 181 |
| Ian Parks | The Vicinity | 182 |
| Davide Trame | The Stare | 183 |
| Gary Allen | Festival of Neptune | 184 |
| Purgatory | 185 | |
| Zeeba Ansari | Renaissance Painter | 186 |
| Sheela-na-gig | 187 | |
| Angela Morton | The High Wire | 188 |
| Donald Allchin | The Many-Sided Traherne | 192 |
| Jeremy Hooker | Four for Grandchildren | 203 |
| Neil Curry | To: Robert Sutton, Worcester Cathedral | 205 |
| Hilary Llewellyn-Williams | An Eye Test | 209 |
Table of Contents
| Author | Title | # |
| Jeremy Hooker | Metaphysical Presence | 9 |
| Bruce James | Fierce Weight | 26 |
| Christine Evans | First day | 27 |
| Making Hay | 28 | |
| Cave-swinging | 29 | |
| Pat Earnshaw | Cutting the Grass | 30 |
| Nicholas Jagger | Phoenix | 31 |
| Cult | 32 | |
| Jay Ramsay | A Dream for Easter | 33 |
| Janice Fixter | One Hundred and Eight Beads | 34 |
| Alison Brackenbury | The Shaker chair | 35 |
| Mimi Khalvati | The Middle Tone | 36 |
| Soapstone Retreat | 36 | |
| Jill Eulalie Dawson | In the Library | 37 |
| Bill Shepherd | Bronze on Blue | 38 |
| Alan Rudrum | Not destroyed but hidden: Paradise Lost, Edenic consciousness and British Radicalism | 40 |
| Damian Walford Davies | Ideal City | 48 |
| Myra Schneider | Journey | 51 |
| Lance Lee | Nocturne, London, First Frost | 53 |
| Mary MacRae | At the Party | 54 |
| Phil Maillard | Esther | 56 |
| Fergus Chadwick | Hospital Visitor | 58 |
| Martyn Crucefix | Caldey lighthouse | 60 |
| Anne Cluysennar, Graham Hartill and | Form and Spirituality: Connections and Contrasts in Poetic Practice | 63 |
| Open Poetry Competition | ||
| Adjudications | 86 | |
| Short Poems | ||
| Sue Maclnryre | Deep Forest | 91 |
| Marion Tracy | Shooting Star | 93 |
| Heather Coffey | Pilgrim | 94 |
| Short Poems – Commended | ||
| Hubert Moore | The burnt tree | 96 |
| Victoria Pugh | Lord God | 97 |
| Angela Rigby | Feline Art | 98 |
| Andrew Rudd | On the A488 | 100 |
| Dilys Wood | Honor Oak Garden of Remembrance | 101 |
| Long Poems | ||
| Ruth Bidgood | Time Being | 104 |
| DilysWood | Apsley Cherry-Garrard Addresses The Royal Geographical Society | 108 |
| Fiona Owen | August Caterpillar | 113 |
| Long Poems – Commended | ||
| John Freeman | Apollonian Spring | 116 |
| John Godfrey | Beautiful Contraptions | 119 |
| Rowenna Hulton | Discovered through Bronze | 122 |
| Jacqueline Karp | Found in Tr anslation | 126 |
| John Killick | Karelian Lyrics | 130 |
| Allan and Helen Wilcox | Matter and Spirit Conjoined: Sacred Places in the Poetry of George Herbert, Henry Vaughan, R S Thomas and Rowan Williams | 133 |
| Wendy Mulford | Alltud | 153 |
| Mike Jenkins | Climbing-Tree | 162 |
| Our Garden | 162 | |
| Daphne Rock | East Coast: Dunwich Heath with Sizewell in sight | 163 |
| Ian Caws | Horses | 164 |
| Frances Sackett | The Asphalt Road | 166 |
| Lynne Wycherley | The Apple-Tree, Woolthorpe | 167 |
| M Wynn Thomas | Fidelities where beams together run’: Vernon Watkins and Henry Vaughan | 169 |
| Kenneth Steven | The Strangest Gift | 185 |
| Ted Walter | Event Horizons | 186 |
| John Powell Ward | To The Outer | 188 |
| Mercer Simpson | The Uncompleted Voyage | 189 |
| Christine McNeill | A Cup of Milk | 190 |
Table of Contents
| Author | Title | # |
| Preface | 7 | |
| John Powell Ward | Traherne’s Cosmic Consciousness | 9 |
| B. J. Buckley | Parallel Universe | 22 |
| Glenda Beagan | Time’s Egg | 24 |
| Brighid | 25 | |
| Alison Brackenbury | In Orbit | 27 |
| On the visit | 28 | |
| Peter Gruffydd | Mixing Colours | 29 |
| Seamus Heaney | Moyulla | 31 |
| Jeremy Hooker | Reflections on ‘ground’ | 34 |
| Graham Hartill | Bronze Fennel | 42 |
| Linda Black | Who is to say? | 43 |
| Jane Routh | The Path to the Helleborine | 45 |
| John Killick | The Big House | 47 |
| John Barnie | Between the Town and Llanwenarth | 49 |
| The Deri in August | 49 | |
| Anne Cluysenaar | Now | 50 |
| Clare Crossman | Sunflowers | 52 |
| Hubert Moore | Watering | 53 |
| Glyn Pursglove | Storms rurn to music | 54 |
| Mary Michaels | Fresco | 77 |
| Mimi Khalvati | On Lines from Fahmida Riaz and Foroogh Farrokhzad | 78 |
| Ghazal (of ghazals) | 79 | |
| On a Line from Sappho | 80 | |
| Kate Foley | To Dream of Animals | 81 |
| Myra Schneider | Repair: Writing, Poetry and Therapy | 82 |
| Kim Taplin | Not a Breath | 97 |
| “We Are Made To Lov” | 99 | |
| Penelope Shuttle | Shawl of Dew | 100 |
| Fatherghost | 101 | |
| Pat Earnshaw | Fugitive Art | 102 |
| Fiona Owen | Why I write | 104 |
| Lotte Kramer | The Ampersand | 106 |
| John Welch | When in Rome | 107 |
| Open Poetry Competition | ||
| Adjudications | 118 | |
| Short Poems | ||
| Pat Borthwick | Past Twelve O’clock | 125 |
| Kate Foley | Throwing Up The Baby | 127 |
| Lauraine Palmeri | The Story of Hen-body and the Secret Self of Egg | 128 |
| Short Poems – Commended | ||
| Linda Black | See a Penny | 130 |
| Daphne Gloag | Adam Delving | 132 |
| Mary MacRae | The Clearing | 133 |
| M. C. Newton | A window in our new house ovedooks the sea | 135 |
| Dilys Wood | In Northamptonshire, I Arn | 137 |
| Long Poems | ||
| Stephen Parr | Visiting the Etruscan Tombs at Volterra | 138 |
| Sean Street | The Broadcast | 144 |
| Elizabeth Burns | Interiors (after Gwen John) | 148 |
| Long Poems – Commended | ||
| Heather Coffey | Votive | 151 |
| Rose Flint | The City of Cherished Words | 154 |
| Giles Goodland | Myths of the Origin of Language | 157 |
| Amanda Parkin | Skin | 159 |
| John Hines | Aire disguis’d’: Metaphors of Genre and Henry Vaughan’s Sacred Hymns | 164 |
| Ruth Bidgood | Renegade | 183 |
| Gary AJlen | Equinox | 186 |
| Jacqueline Karp | Caged in | 188 |
| Lynne Wycherley | The Westray Angel | 190 |
| Jane Routh | The River Pilot’s Wife | 192 |
| Mercer Simpson | The Island of Fishermen | 193 |
| Jonathan Nauman & Peter Thomas | Sir Charles Egerton of Newborough | 196 |
| Mary MacRae | Stone Lanterns | 209 |
| As dew | 210 | |
| Neil Curry | Beneath the Wave Off Kanagawa | 211 |
| Anne Ryland | Seal Song | 213 |
| Rose Flint | Creative Writing for J. | 214 |
| Ann Phillips | Life Mask | 215 |
| Jeremy Hilton | A Long Darkness | 217 |
| Tony Connor | Phillips Table Model V | 219 |
| Brian Walsham | See | 221 |
| Holly Faith Nelson | Make all things new! And without end! : The Eschatological Vision of Henry Vaughan | 222 |
Table of Contents
| Author | Title | # |
| Preface | 7 | |
| Jeremy Hooker | Nostalgia and the Kiss of Life | 9 |
| Ian Caws | Thistledown | 25 |
| The Potter | 26 | |
| Stephen Parr | Bridge of Mornings | 27 |
| Peter Gruffydd | Matters of Survival | 29 |
| Robert Wilcher | The darkened scribe and the blessed man: changing uses of allusion in the work of Henry Vaughan | 38 |
| Gordon Kennedy | animal pilgrimage | 53 |
| Brendan McMahon | Black | 54 |
| Witness | 54 | |
| Robin Ford | As Albatross | 55 |
| Phil Maillard | Two for Mnemosyne | 56 |
| Gabriel Griffin | Roller Kids | 59 |
| Michael Thomas | A Mouth Full of Pegs | 61 |
| Cast!etownroche, North Cork | 62 | |
| Gary Allen | The Mountain | 64 |
| On high | 64 | |
| Anxiety | 65 | |
| Graham Hartill | Bhopal | 67 |
| Rose Flint | The Source | 68 |
| Philip West | Silex Scintillans and the “public” | 70 |
| Open Poetry Competition | ||
| Adjudications | 86 | |
| Short Poems | ||
| Lynne Rees | The Fright Box | 91 |
| Joan Poulson | Relics | 92 |
| Mary MacRae | The Various Light | 94 |
| Short Poems – Commended | ||
| Christine Coleman Skin | Skin | 95 |
| Fiona Owen | Door | 96 |
| Jane Routh | Sula Sgeir | 97 |
| Frances Thompson | Mrs Jones | 98 |
| Pat Borthwick | In Praise of Things | 107 |
| Long Poems | ||
| Myra Schneider | Core | 100 |
| Pat Borthwick | All Things Being Equal | 104 |
| Daphne Gloag | The Beginning | 109 |
| Long Poems – Commended | ||
| Gabriel Griffin | Transumanza | 117 |
| Lucy Hamilton | Sonnets for my Mother | 120 |
| David Hart | Feldman says, if anyone asks | 123 |
| Victoria Pugh | Talking Cure | 128 |
| Anne Ryland | The Girl with Silver Hands | 130 |
| David Scott | Priest as Poet | 134 |
| Prayer and the Hair Salon | 141 | |
| Resurrection | 142 | |
| Lotte Kramer | St. Mary’s Altar by Tilman Riemenschneider at Creglingen | 143 |
| Under the Stairs | 144 | |
| Stuart B. Campbell | Prologue | 145 |
| Lisa Darr | Salome Holding the Head of Saint John the Baptist | 147 |
| Lucy Calcott | The Red Tent | 148 |
| Ruth Bidgood | Clasped Hands | 149 |
| Lynne Wycherley | Darwin Waits for his Wife | 150 |
| A Menhir for the Cathars | 151 | |
| Neil Curry | A Word with Bede | 152 |
| Barbara Coulton | The Poet and the Preacher: Henry Vaughan and Vavasor Powell in their place and time | 155 |
| Patricia McCarthy | Walking Out | 175 |
| I Will | 176 | |
| Close Watch | 177 | |
| Linda Black | I think of you | 179 |
| Kate North | Sleep Disorder | 181 |
| Caroline Price | Chair Lift | 185 |
| Lac Negre | 186 | |
| Fiona Owen | Gwen | 187 |
| Donald R. Dickson | Henry Vaughan’s Medical Library | 189 |
| Paul Groves | Reprieve | 210 |
| Geoff Slater | Mud Woman | 211 |
| Anne Ryland | An Overflow of Letters | 216 |
| The Marathon Runner | 218 | |
| Jill Dawson | The Place of Renewal/Sculpting the Light | 219 |
| Michael Heery | To Mary Takahama | 220 |
| Selwyn Pritchard | Penultimate | 221 |
Table of Contents
| Author | Title | # |
| Preface | 7 | |
| Alan Rudrum | Narrative, Typology and Politics in Henry Vaughan’s ‘Isaac’s Marriage’ | 9 |
| Chris Torrance | PATH/Finder | 19 |
| Edwina Trentham | Calling My Father By Name | 22 |
| Angela Morton | Traces | 23 |
| William Oxley | Memory, Snowflakes | 25 |
| Dilys Wood | Singularity | 27 |
| Clare Crossman | Writing Back | 28 |
| Viki Holmes | The Visitor | 30 |
| Pat Earnshaw | Everyone a Stranger | 32 |
| Richard George | Reliving the Calendar | 33 |
| Lynne Wycherley | Fragments of Iraqi Calligraphy | 34 |
| Merryn Williams | After Mandelstam | 35 |
| Fiona Owen | This Even Frailer Flesh | 37 |
| Tony Connor | Hay making | 53 |
| Jay Ramsay | The Boreen | 55 |
| Phil Maillard | The Press of Silence. A Walk to Patricio | 57 |
| Christine McNeil] | Expedition | 67 |
| Kim Taplin | A Road ro Dover | 69 |
| Jeremy Hooker | From ‘Upstate: a North American Journal’ | 77 |
| Rowan Williams | Invocation: a sculpture for winter | 86 |
| Jeremy Hooker | Towards Elsinore | 87 |
| John Welch | Turning | 92 |
| Daybreak | 92 | |
| Family | 93 | |
| Greagir O Duill | Tideline | 94 |
| Graham Hartill | Winged Heads | 95 |
| Ruth Bidgood | Patricio 2001 | 99 |
| Pattern | 99 | |
| Lucy Calcott | Maundy Thursday | 101 |
| Michael Srigley | Flowers in Rich Fields: The Poetry of Thomas Vaughan’s Pamphlets | 103 |
| Open Poetry Competition | ||
| Adjudications | 124 | |
| Short Poems | ||
| James Harpur | The Monastic Star Timetable (1st Prize) | 129 |
| Jemma Borg | The Pond (2nd Prize) | 131 |
| Brett Van Toen | Bullfrogs (3rd Prize) | 132 |
| Short Poems – Commended | ||
| Helen Burke | The Lace-worker of Ghent | 133 |
| Rose Flint | Grace | 134 |
| Mary MacRae | Flycatcher | 135 |
| John Weston | To Alaska and Back | 136 |
| Samantha Wynne-Rhydderch | Lipstick | 137 |
| Long Poems | ||
| Alyson Hallett | The Storm Trilogy (1st Prize) | 140 |
| Myra Schneider | Orpheus in the Underground (2nd Prize) | 146 |
| M. C. Newton | Beliefs Broad and Narrow (3rd Prize) | 155 |
| Long Poems – Commended | ||
| James Harpur | Joseph of Arimathea | 160 |
| Greg Hill | Myddleton’s River | 166 |
| Mary MacRae | Shades of Grey | 170 |
| Philip Rush | How to Listen to Classical Music | 172 |
| Maria Jastrzebska | Carrying Her | 174 |
| Glyn Pursglove | Taught him at the well: reflections on ‘Isaac’s Marriage’ | 178 |
| Gary Allen | New Year | 191 |
| Simon Pettifar | To the Clerk of the Meeting when the Sufis Came to Speak to Us | 192 |
| Laughing Poem | 192 | |
| Incense | 193 | |
| Mercer Simpson | At Malmesbury Abbey | 194 |
| Daphne Gloag | Turning a Square intO an Octagon | 195 |
| Kate Foley | Wellington Boots | 197 |
| Bill Shepherd | Genesis | 199 |
| John Powell Ward | The Last Green Year | 201 |
Table of Contents
| Author | Title | # |
| Preface | 7 | |
| Rowan Williams | Has Secularism Failed’: Notes on the Survival of the Spirit | 9 |
| E. J. Matyjaszek | A View from Lublin | 21 |
| Mario Petrucci | Pyre-Watchers | 23 |
| Tony Connor | Drawing A War Plane | 25 |
| Lucy Calcorc | The Dark Mad Voice | 27 |
| Dannie Abse | Ants | 29 |
| Graham Hartill | Llancillin | 30 |
| John Welch | Being Creative | 35 |
| Lynne Wycherley | The Writing Room | 40 |
| The Miracle of the Clay Birds | 41 | |
| Ali Glenny | Josefa Paints an Onion | 42 |
| Zoe Brigley | Canopy | 44 |
| Brian Walsham | Bird-fancier | 45 |
| Phil Poole | Autumn | 47 |
| Larry Burler | Bay Window | 48 |
| Phil Maillard | Dysphasia | 49 |
| Michael Srigley | Once | 51 |
| Myra Schneider | A Deep but Dazzling Darkness: Writing Poetry in Extremity 53 | 53 |
| Hilary Llewellyn-Williams | The Badge | 62 |
| Myra Schneider | Moth | 64 |
| Greve! Lindop | The Wineglass | 66 |
| Lance Lee | Haunting | 67 |
| Gary Allen | Walls | 69 |
| DilysWood | John Heath-Stubbs Reading at the Troubadour | 70 |
| John Powell Ward | Darkness and Light: Poetry, Religion and the Environment | 73 |
| Caroline Price | Hawkmoth larva surprised in August | 87 |
| Anna Adams | Arrival of the Swifts | 89 |
| Rose Flint | Above Saint Cybi’s Well | 91 |
| Anne Cluysenaar | This Much | 93 |
| Elsewhere | 94 | |
| Strange | 95 | |
| Together | 96 | |
| Alyson Hallett | Dropped, like a stitch | 97 |
| Holly Faith Nelson | Gender and Politics in the Writings of Henry Vaughan | 99 |
| Richard Burns | Wayside Shrine | 116 |
| On the Death of Kate Landers | 120 | |
| Ian Caws | Rose | 122 |
| Paul Groves | Phantom Faces in the Floor of a House at Belmez | 124 |
| Malanie Challenge | Teeth | 126 |
| Maggie Butt | Fathering | 127 |
| Shanta Acharya | Midnight Stroll | 128 |
| Donald R. Dickson | The Identity of Rebecca Archer Vaughan | 129 |
| Open Poetry Competition | 143-183 | |
| Adjudications | 146 | |
| Short Poems | ||
| Pamela Vincent | Losing It (1st Prize) | 150 |
| Liz Cashdan | Red (2nd Prize) | 151 |
| Juanita Bateman | Missing (3rd Prize) | 152 |
| Short Poems – Commended | ||
| Pat Earnshaw | Darken Our Lightness | 154 |
| Clive Eastwood | To Do With Moving On | 155 |
| Fiona Owen | Walk | 157 |
| Lynne Rees | Snap | 158 |
| Anna Wigley | After Snow | 159 |
| Longer Poems | ||
| John Freeman | Tabula Rasa (1st Prize) | 162 |
| Mary MacRae | A sort of homecoming (2nd Prize) | 166 |
| Carol Hughes | The Floe Edge (3rd Prize) | 171 |
| Longer Poems – Commended | ||
| Roy Ashwell | A Series | 176 |
| Liz Cashdan | One Way or Another | 178 |
| Lucy Hamilton | Being with Annette | 181 |
| Helen Wilcox | Scribling under so faire a Coppy: the presence of Herbert in the poetry of Vaughan’s contemporaries | 185 |
| D.S. Hall | The Unrepeatable Assembly | 201 |
Table of Contents
| Author | Title | # |
| Glyn Pursglove | Henry Vaughan and the Glance of Love: Thoughts on ‘The Favour | 7 |
| D.S. Hall | Tu mults of Forgetting | 21 |
| Jean Earle | Shadows | 22 |
| Hubert Moore | The Screech | 23 |
| Neil Curry | Tidelines (Holy Island) | 24 |
| Sebastian Barker | Holy The Heart On Which We Hang Our Hope | 29 |
| Michael Srigley | Thomas Vaughan, the Hartlib Circle and the Rosicrucians | 31 |
| Third Scintilla Open Poetry Competition | 55 | |
| Short Poems – Adjudication by Hilary Llewellyn-Williams | 57 | |
| James Lawless | The Miracle of the Rain (1st Prize) | 59 |
| Pat Earnshaw | Red Planet (2nd Prize) | 61 |
| Jacqueline Karp | Mallemaroking (3rd Prize) | 62 |
| From Commended: | ||
| Bruce Bamber | Revolving Doors | 64 |
| David Butler | Lines written at the onset of Winter | 65 |
| E. J. Maryjaszek | Eel Brook Common -Spring | 67 |
| Angela Morton | The Knot Garden | 69 |
| Jocelyn Simms | Masquerade | 71 |
| Long Poems – Adjudication by Anne Cluysenaar | 74 | |
| Colin Moss | Seed Of Time (1st Prize) | 75 |
| Par Earnshaw | Toad (2nd Prize) | 83 |
| Ruth Bidgood | Riding the Flood (3rd Prize) | 86 |
| Commended: | ||
| Joseph Clancy | Bone Hunter | 90 |
| John Freeman | A Suite For Summer | 93 |
| Martin Schmandt | Heart’s Desire | 99 |
| Margaret Wilmot | In Memoriam Paul Forster, 1902-1991 | 103 |
| Dilys Wood | August 2nd | 106 |
| Alex Cadogan | Vaughan and the Mundus lmaginalis | 110 |
| Hilary Llewellyn-Williams | Actaeon | 122 |
| John Welch | St Aignan | 124 |
| I Is | 124 | |
| Window | 125 | |
| Rose Flint | Promethea | 126 |
| David Annwn | Confluences | 128 |
| Peter G ruffydd | Talking to Crowfoot | 132 |
| John Barnie | At Llanwenarth | 134 |
| Jonathan Nauman | F. E. Hutchinson, Louise Guiney, and Henry Vaughan | 135 |
| Alicia Stubbersfield | My Grandmother’s House | 148 |
| Caroline Price | Mother and Child | 150 |
| Roller Blader | 151 | |
| Paul Murphy | Necropolis | 152 |
| Paul Davidson | Herne Bay | 153 |
| Stuart Flynn | Necromancy | 155 |
| Phil Maillard | Frog | 156 |
| Roland Mathias | A New Language, A New Tradition | 161 |
| Matthew Fluharty | The Interview | 183 |
| Kate Foley | Cracks in the Pavement | 184 |
| Gary Allen | The Workhouse | 187 |
| Looking for Landmarks | 188 | |
| The Brick Factory | 189 | |
| Anna Adams | Memorials 2 – Sailing By | 190 |
| Liam Aspin | Fetish | 192 |
| Kim Taplin | How shall I get a wreath … ?: Some implications of Vaughan’s question for contemporary poetry | 194 |
| Kim Taplin | Goodfellow | 205 |
| John Jones | is this what you want! | 210 |
| sedimentar y – my dear homes | 212 | |
| Ian Caws | Movement from a Fixed Point | 214 |
| Myra Schneider | Climbing | 215 |
| To ny Connor | Guida Farm in January | 217 |
Table of Contents
| Author | Title | # |
| David Annwn | Deep Hymns: ‘Holy’ Orpheus in the Poetry of Henry Vaughan, John Milton and Ronald Johnson | 7 |
| Henry Vaughan/Geoffrey Palmer | Awake, Glad Heart! | 23 |
| Hilary Llewellyn-Williams | Making Landfall | 27 |
| Anna Adams | Memorials | 28 |
| Millennial Funerals | 29 | |
| Fred Johnston | Shadowing | 31 |
| To An Old Lover Glimpsed In A Window | 32 | |
| Kate Foley | Hearth Prayer | 35 |
| Par vin Loloi | Henry Vaughan and Sufism | 37 |
| Jeremy Hooker | City Walking (2) | 51 |
| Ruth Bidgood | Inward Eye | 53 |
| Pictures of Zeugma | 53 | |
| Anne Cluysenaar | Stilled | 55 |
| Choosing | 57 | |
| That Undiscovered Place | 59 | |
| Alan Rudrum | Henry Vaughan and Rowland Watkyns, neighbours but not friends | 61 |
| Second Open Poetry Competition | 73 | |
| Adjudication by Jeremy Hooker | 74 | |
| Myra Schneider | Voice Box (1st Prize) | 75 |
| Paul Cowlan | Fire to The Frost (2nd Prize) | 84 |
| Roy Ashwell | Towards and Unknown Ending (Joint | 86 |
| Ron Phillips | Woodsmoke 3rd Prize) | 89 |
| Roland Mathias | The Midlands: Introductions and Identifications | 93 |
| Steven Taylor | A Short History of Wales | 105 |
| Abbreviated History of Wales | 106 | |
| Gary Allen | The North | 107 |
| Return to Gal way | 108 | |
| Walking to the Islands | 109 | |
| Graham Hartill | A Place To Stand | 110 |
| Glyn Pursglove | Bright Shadows: the religious wit of Henry Vaughan | 117 |
| John Barnie | Glockenspiel | 139 |
| Easter 3000 | 140 | |
| We Are An Experiment | 141 | |
| Mission Statement | 142 | |
| Neil Curry | Icon | 143 |
| Angela Morton | Fish | 144 |
| Susan Serrano | The Brazier | 145 |
| Val Collett | Reflection | 146 |
| Colin Rowbotham | The Monolith | 147 |
| Charm against Insomnia | 148 | |
| Jay Ramsay | Getting Through | 149 |
| Geoff Stevens | The Bell Tent | 150 |
| Bruce James | Wood-Pigeons | 151 |
| June Sturrock | Cock-crowing | 152 |
| Ian Caws | Comet | 159 |
| Acorns | 160 | |
| Phil Maillard | Walk To night | 161 |
| Llantarnham (2) | 163 | |
| Coming Out Of Films | 165 | |
| Carole Montoya | In Shingo where Jesus lived to be 106 and Died | 168 |
| Hilary Llewellyn-Williams | Land of Darkness – the Poet in the the Underworld | 171 |
| Mike Parker | Clearly Something | 179 |
| Alex Barr | Llanelli Beach | 180 |
| Catherine Fisher | From The Sunken Kingdom | 181 |
| Elisabeth Standen | Key | 184 |
| Lance Lee | The Deer | 185 |
| Greve] Lindop | Lighting The First Fire of Au tumn | 186 |
| Hubert Moore | Nightingale | 188 |
Table of Contents
| Author | Title | # |
| Jeremy Hooker | What is Sacred Poetry? | 7 |
| Kim Taplin | Possible Openings | 23 |
| Jeremy Hilton | Lighting up time | 25 |
| Peter Abbs | Drive In | 29 |
| Peter Russell | A Bullfinch? | 30 |
| D.S. Hall | Instance | 31 |
| Reflector | 31 | |
| Within the Locked Wave | 32 | |
| Ruth Bidgood | Circles | 33 |
| Ways of Life | 34 | |
| Shards | 34 | |
| Driving through 95% Eclipse | 35 | |
| Liam Aspin | Wirds | 36 |
| Peter Gruffydd | Looking Back | 38 |
| Alan Rudrum | For then the Earth shall be all Paradise | 39 |
| Gary Allen | Ferae Naturae | 53 |
| Geological Notes | 54 | |
| Jean Earle | Shadows | 57 |
| Anna Wigley | The Confinement | 58 |
| Ted Walter | The Divide | 59 |
| Phil Maillard | The Gatherers | 60 |
| Brigid Allen | The Vaughans at Jesus College | 68 |
| Open Poetry Competition | 79 | |
| Preface | 80 | |
| Pat Earnshaw | My Cat Vince (1st Prize) | 83 |
| M. C. Newton | M. C. Newton Third Window (2nd Prize) | 96 |
| Mary Macrae | Mary Macrae Knitting (Third Prize) | 101 |
| Roland Mathias | Reasons, reasons | 109 |
| Mercer Simpson | Mercer Simpson Saint Colossus of Arona | 125 |
| John Freeman | John Freeman Parliament Square | 127 |
| Holy of Holies | 129 | |
| Wayne Burrows | Duet | 130 |
| Clare Crossman | Clare Crossman Silent Reading | 132 |
| Michael Woodward | Michael Woodward Ice Man | 137 |
| Ric Hool | Ric Hool Opthalmic Appointment | 140 |
| Annemarie Austin | Annemarie Austin Isolation Hospital | 141 |
| Robert Wilcher | Feathering some slower hours: Henry Vaughan’s Verse Translations | 142 |
| Jay Ramsay | Improvisation On Flower Mountain | 162 |
| Paul Davidson | Paul Davidson Interferometry | 173 |
| Rose Flint | Rose Flint The Blue Gate | 175 |
| Myra Schneider | Myra Schneider Repair | 180 |
| David Hart | David Hart Trust the Poem | 185 |
Table of Contents
| Author | Title | # |
| Peter W. Thomas | The Language of Light: Henry Vaughan and the Puritans | 9 |
| Ruth Bidgood | Christ of the Trades | 30 |
| David Hart | Approaching again | 31 |
| Kim Taplin | Found in a Rucksack: Found on a Beach in Orkney | 38 |
| Michael Srigley | Ritual Entries: Some Approaches to Henry Vaughan’s ‘Silex Scintillans’ | 43 |
| Seamus Heaney | The Little Canticles of Asturias | 60 |
| The Glamoured | 62 | |
| Hilary Llewellyn-Williams | I Ching Poems | 64 |
| Anne Cluysenaar | ‘as a wind or an echo rebounds’ | 76 |
| Richard Birt | ‘Sweet infancy!’ The Affinities between the Vaughans and Thomas Traherne | 80 |
| Les Murray | The Lich and the Blood | 91 |
| Janet Dube | Samhain to lmbolc | 93 |
| Roland Mathias | The Making of a Royalist | 107 |
| Peter Gruffydd | Getting By | 121 |
| Driftwood’s Song | 122 | |
| Fiona Owen | That last week | 129 |
| Graham Hartill & Fu-Sheng Wu | To Cao Biao, The Prince of Baima | 131 |
| Jean Earle | The Ritual Meals | 135 |
| Belinda Humfrey | Vaughan and Vegetables | 137 |
| John Barnie | That’s How I See It Anyway | 150 |
| On the Usk | 151 | |
| Palaeozoic | 152 | |
| Marianne Jones | The Morning of our Eternal Good-bye | 153 |
| Pine Needles | 155 | |
| Voiceless Grief | 156 | |
| Nigel Jenkins | Poem for Andie | 158 |
| John Jones | Predator One. The Syrup Tin | 159 |
| Predator Two. Verbalising Silence | 160 | |
| Predator Three.Terminal | 161 | |
| Glyn Pursglove | ‘Number Makes a Schism’: Number and Unity in Vaughan | 163 |
| Bruce James | The Lip Curved Out and Down | 182 |
Table of Contents
| Author | Title | # |
| M. Wynn Thomas | In Occidentem & tenebras’: putting Henry Vaughan on the map of Wales | 7 |
| Menna Elfyn | Eira/Snow | 26, 27 |
| Gwynt/Wind | 28, 29 | |
| Twll y glaw/Cloudburst | 30, 31 | |
| Clare Crossman | Nature Writing | 32 |
| Hilary Llewellyn-Williams | A Lap of Apples | 34 |
| A. M. Allchin | ‘As if Existence Itself were Heavenliness’: The Proximity of Paradise in Henry Vaughan and Thomas Merton | 36 |
| Pauline Stainer | Parable Island | 54 |
| George Herbert plays the lute | 55 | |
| Greg Hill | A Thracian Triptych | 56 |
| John Jones | Uscavar’s Boy | 58 |
| Death in the Distance | 60 | |
| Topher Mills | The Believer’s Somnal | 61 |
| Roland Mathias | The Silurist Re-Examined | 62 |
| Ruth Bidgood | Encounters with Angels | 78 |
| Peter Gruffydd | Church at Pistyll, Llyn | 84 |
| The Cleric and The Visitor | 85 | |
| The Voice | 86 | |
| Dannie Abse | Inscription on the Flyleaf of a Bible | 88 |
| Robert Wilcher | Henry Vaughan and the Church | 90 |
| Joseph Clancy | A Visit to Powis Castle | 105 |
| Wendy Mulford | 1. Annaghmakerring, Easter 1997 | 108 |
| 2. Different lines | 109 | |
| 3. Border blues | 110 | |
| 4. Reconciliation | 112 | |
| Stevie Davies | The Testament of Catherine Vaughan | 113 |
| David Annwn | Vaughan’s Loom | 120 |
| Malcolm Bradley | Seeing Voices | 124 |
| Don Rodgers | Burry Holm | 126 |
| The Fictionalists | 127 | |
| Jonathan Nauman | To my Worthy Friend, Master T. Lewes’: Vaughan, Herbert, and the Civil Wars | 128 |
| Rose Flint | Weights and Measures | 132 |
| Myra Schneider | Pool | 134 |
| Robert Minhinnick | In the Days of the Comet | 135 |
| Richard Poole | Burning | 139 |
| Jeremy Hooker | Quickness | 141 |
| Lee Grandjean | The Background to the ‘Four Winds’: Drawings | 154 |
| Jeremy Hooker | A Note on the ‘Groundwork’ poems | 156 |
| Workpoints | 158 | |
| Cyane | 166 | |
| Steve Griffiths | Dipping Through Surfaces | 169 |
| John Freeman | Spring Diptych | 173 |
Table of Contents
| Author | Title | # |
| Graham Hartill | ‘Healing Wings’ | 9 |
| Gwyneth Lewis | Melangell Variations | 20 |
| Peter W. Thomas | The Poisoned Grove | 27 |
| Robert Minhinnick | Roadkill Blues | 45 |
| John Killick | The Riderless Horse’ | 62 |
| Fiona Sampson | Poems from ‘de Salmone’: i, ii, iv, v | 66 |
| Hilary Llewellyn-Williams | ‘As Above, So Below’ | 69 |
| Ric Hool | Untying the Knot of Gravity | 77 |
| The Knot and the Lake | 78 | |
| Ruth Bidgood | Cwm Pennant 1-4 | 79 |
| R. S. Thomas | The Flesh Made Word | 83 |
| Nigel Jenkins | Observatory | 88 |
| Atom I | 89 | |
| Atom II | 90 | |
| In/dependence | 91 | |
| Norman Schwenk | Demon | 91 |
| Henry Vaughan | Distraction | 92 |
| Anne Cluysenaar | Rereading Henry Vaughan’s ‘Distraction’ | 93 |
| John Barnie | Problem | 109 |
| Trouble | 110 | |
| By Arrangement | 111 | |
| Chris Torrance | December Meditation | 113 |
| David Crane | The Poetry of Alchemy and the Alchemy of Poetry | 115 |
| Joseph P. Clancy | Screens | 123 |
| Down Under | 124 | |
| Jeremy Hilton | The Room That Turned | 125 |
| Pennant Roberts | Associations and Confrontations | 129 |
| Sean Street | Above Newton Farm | 132 |
| John Powell Ward | Eros | 133 |
| Angela Morton | Thomas Beside the Vaporous Usk | 134 |
| Jean Earle | At the Mirror of Catherine Vaughan | 135 |
| Mercer Simpson | Henry Vaughan Visits His Grandfather at Tretower | 137 |
| Tony Curtis | Illustration & Poem XVII from ‘The Arches’ | 139 |
| Catherine Fisher | The Thicket | 140 |
| Pauline Stainer | Karumi | 141 |
| Epiphany in Umbria | 142 | |
| Glyn Pursglove | Henry Vaughan and the Energies of Rhyme | 143 |
| Kim Taplin | Reprinted from the ‘Transactions of the World’s End & District Field Club’ | 158 |
| The August Thorn | 160 | |
| Chandra Wickramasinghe | The Birch of a Cosmic World View | 161 |
| Speech | 169 | |
| Monsoon | 170 | |
| The Chase | 171 | |
| Evening | 172 | |
| Sue Moules | Ocean | 173 |
| Domestic | 174 |





















